PETER [ to OLD WOMAN]
Did you hear a noise of cheering, and you coming up the hill?
OLD WOMAN
I thought I heard the noise I used to hear when my friends came to visit me.
[She begins singing half to herself.
I will go cry with the woman,
For yellow-haired Donough is dead,
With a hempen rope for a neckcloth,
And a white cloth on his head, —
MICHAEL [ coming from the door ]
What is that you are singing, ma’am?
OLD WOMAN
Singing I am about a man I knew one time, yellow-haired Donough that was hanged in Galway.
[She goes on singing, much louder.
I am come to cry with you, woman,
My hair is unwound and unbound;
I remember him ploughing his field,
Turning up the red side of the ground,
And building his barn on the hill
With the good mortared stone;
O! we’d have pulled down the gallows
Had it happened in Enniscrone!
MICHAEL
What was it brought him to his death?
OLD WOMAN
He died for love of me: many a man has died for love of me.
PETER [ aside to BRIDGET]
Her trouble has put her wits astray.
MICHAEL
Is it long since that song was made? Is it long since he got his death?
OLD WOMAN
Not long, not long. But there were others that died for love of me a long time ago.
MICHAEL
Were they neighbours of your own, ma’am?
OLD WOMAN
Come here beside me and I’ll tell you about them. [MICHAEL sits down beside her at the hearth. ] There was a red man of the O’Donnells from the north, and a man of the O’Sullivans from the south, and there was one Brian that lost his life at Clontarf by the sea, and there were a great many in the west, some that died hundreds of years ago, and there are some that will die to-morrow.
MICHAEL
Is it in the west that men will die to-morrow?
OLD WOMAN
Come nearer, nearer to me.
BRIDGET
Is she right, do you think? Or is she a woman from beyond the world?
PETER
She doesn’t know well what she’s talking about, with the want and the trouble she has gone through.
BRIDGET
The poor thing, we should treat her well.
PETER
Give her a drink of milk and a bit of the oaten cake.
BRIDGET
Maybe we should give her something along with that, to bring her on her way. A few pence or a shilling itself, and we with so much money in the house.
PETER
Indeed I’d not begrudge it to her if we had it to spare, but if we go running through what we have, we’ll soon have to break the hundred pounds, and that would be a pity.
BRIDGET
Shame on you, Peter. Give her the shilling and your blessing with it, or our own luck will go from us.
[PETER
goes to the box and takes out a shilling.
BRIDGET [ to the OLD WOMAN]
Will you have a drink of milk, ma’am?
OLD WOMAN
It is not food or drink that I want.
PETER [ offering the shilling ]
Here is something for you.
OLD WOMAN
This is not what I want. It is not silver I want.
PETER
What is it you would be asking for?
OLD WOMAN
If anyone would give me help he must give me himself, he must give me all.
[PETER goes over to the table staring at the shilling in his hand in a bewildered way, and stands whispering to BRIDGET.
MICHAEL
Have you no one to care you in your age, ma’am?
OLD WOMAN
I have not. With all the lovers that brought me their love, I never set out the bed for any.
MICHAEL
Are you lonely going the roads, ma’am?
OLD WOMAN
I have my thoughts and I have my hopes.
MICHAEL
What hopes have you to hold to?
OLD WOMAN
The hope of getting my beautiful fields back again; the hope of putting the strangers out of my house.
MICHAEL
What way will you do that, ma’am?
OLD WOMAN
I have good friends that will help me. They are gathering to help me now. I am not afraid. If they are put down to-day they will get the upper hand to-morrow. [ She gets up. ] I must be going to meet my friends. They are coming to help me and I must be there to welcome them. I must call the neighbours together to welcome them.
MICHAEL
I will go with you.
BRIDGET
It is not her friends you have to go and welcome, Michael; it is the girl coming into the house you have to welcome. You have plenty to do, it is food and drink you have to bring to the house. The woman that is coming home is not coming with empty hands; you would not have an empty house before her. [ To the OLD WOMAN.] Maybe you don’t know, ma’am, that my son is going to be married to-morrow.
OLD WOMAN
It is not a man going to his marriage that I look to for help.
PETER [ to BRIDGET]
Who is she, do you think, at all?
BRIDGET
You did not tell us your name yet, ma’am.
OLD WOMAN
Some call me the Poor Old Woman, and there are some that call me Cathleen, the daughter of Houlihan.
PETER
I think I knew someone of that name once. Who was it, I wonder? It must have been someone I knew when I was a boy. No, no; I remember, I heard it in a song.
OLD WOMAN
[Who is standing in the doorway.]
They are wondering that there were songs made for me; there have been many songs made for me. I heard one on the wind this morning.
[ Sings. ] Do not make a great keening
When the graves have been dug to-morrow.
Do not call the white-scarfed riders
To the burying that shall be to-morrow.
Do not spread food to call strangers
To the wakes that shall be to-morrow;
Do not give money for prayers
For the dead that shall die to-morrow.
they will have no need of prayers, they will have no need of prayers.
MICHAEL
I do not know what that song means, but tell me something I can do for you.
PETER
Come over to me, Michael.
MICHAEL
Hush, father, listen to her.
OLD WOMAN
It is a hard service they take that help me. Many that are red-cheeked now will be pale-cheeked; many that have been free to walk the hills and the bogs and the rushes, will be sent to walk hard streets in far countries; many a good plan will be broken; many that have gathered money will not stay to spend it; many a child will be born and there will be no father at its christening to give it a name. They that had red cheeks will have pale cheeks for my sake; and for all that, they will think they are well paid.
[She goes out; her voice is heard outside singing.
They shall be remembered for ever,
They shall be alive for ever,
They shall be speaking for ever,
The people shall hear them for ever.
BRIDGET [ to PETER]
Look at him, Peter; he has the look of a man that has got the touch. [ Raising her voice. ] Look here, Michael, at the wedding clothes. Such grand clothes as these are! You have a right to fit them on now, it would be a pity to-morrow if they did not fit. The boys would be laughing at you. Take them, Michael, and go into the room and fit them on.
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