Нора Робертс - Midnight Bayou

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Midnight Bayou: краткое содержание, описание и аннотация

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The number-one New York Times– bestselling author of The Villa presents a novel set in the bayou country of Louisiana — where the only witness to a long-ago tragedy is a once grand house.
There was something about the house that called out to Declan Fitzgerald. The dilapidated mansion on the outskirts of New Orleans, rumored to be haunted, and long taken over by spiders and dust, would require countless hours of labor to restore to its former splendor. Perhaps that was part of the appeal. Having finally purchased Manet Hall after dreaming about it for years, Declan left his Boston law practice, traded in his briefcase for a tool belt, in hopes of rediscovering the deep soul atisfaction of real hard work.
But as he begins the renovation, spending long days in total isolation within the crumbling house, Declan wonders whether the talk of ghosts is more than just local legend. He has had visions, seen strange things from a century past. More so, he feels inexplicable, unpredictable sensations of terror and nearly unbearable grief.
For a time, a beautiful neighbor named Angelina Simone provides an alluring distraction from the disquieting events — and as Declan focuses on rebuilding Manet Hall, the passion between them grows stronger as well. This dusky, earthy woman has an odd connection to the mansion too, however. Before Declan and Angelina can hope for a future together, they must uncover a secret from the past as deep and dark as the bayou.

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Fear only made her stronger.

"Here." She stopped and peered out over the water. "Lay her down.”

Julian obeyed, then rose quickly, turned his back, covered his face with his hands. "I can't do this. Mama, I can't. I'm sick. Sick.”

He tumbled toward the water, retching, weeping.

Useless boy, she thought, mildly annoyed. Men could never handle a crisis. It took a woman, the cold blood and clear mind of a female.

Josephine opened the cloak, laid bricks over the body. Sweat began to pour down her face, but she approached the grisly task as she would any other. With ruthless efficiency. She took the rope out of the hatbox, carefully tied hanks around the cloaked body, top, bottom, middle. Using another, she looped the line through the handles of the luggage, knotted it tight.

She glanced over now to see Julian watching her, his face white as bone. "You'll have to help. I can't get her into the water alone. She's too heavy now.”

"I was drunk.”

"That's correct, Julian. You were drunk. Now you're sober enough to deal with the consequences. Help me get her into the water.”

He felt his legs buckle and give with each step, like a puppet's. The body slid into the water almost soundlessly. There was a quiet plop, a kind of gurgle, then it was gone. Ripples spread on the surface, shimmered in the moonlight, then smoothed away again.

"She's out of our lives," Josephine stated calmly. "Soon, she'll be like those ripples. Like she never was. See that you clean your boots thoroughly, Julian. Don't give them to a servant.”

She slid her arm through his, smiled, though her smile was just a little wild. "We need to get back, get some rest. Tomorrow's a very busy day.”

Manet Hall, Louisiana

January 2002

His mother was right-as always. Declan Fitzgerald stared through the mud– splattered windshield into the driving winter rain and was glad she wasn't there to gloat.

Not that Colleen Sullivan Fitzgerald ever stooped to a gloat. She merely raised one perfect eyebrow into one perfect arch and let her silence do the gloating for her.

She'd told him, very succinctly, when he'd stopped by before driving out of Boston, that he'd lost his mind. And would rue the day. Yes, he was pretty sure she'd said "rue the day.”

He hadn't sunk as low as ruing-yet-but studying the jungle of weeds, the sagging galleries, the peeling paint and broken gutters of the old plantation house, he was no longer confident of his mental health.

What had made him think he could restore this rambling old derelict into its former splendor? Or, more to the point, that he should? For God's sake, he was a lawyer, a Fitzgerald of the Boston Fitzgeralds, and more tuned to swinging a nine-iron than a hammer.

Rehabbing a town house in his spare time over a two-year period was a far cry from relocating to New Orleans and pretending he was a contractor.

Had the place looked this bad the last time he'd been down here? Could it have? Of course that was five, no, six years before. Certainly it couldn't have looked this bad the first time he'd seen it. He'd been twenty and spending a crazed Mardi Gras interlude with his college roommate. Eleven years, he thought, dragging his fingers through his dark blond hair.

The old Manet Hall had been a niggling germ in his brain for eleven years. As obsessions went, it was longer than most relationships. Certainly longer than any of his own.

Now the house was his, for better or for worse. He already had a feeling there was going to be plenty of worse.

His eyes, as gray, and at the moment as bleak, as the rain, scanned the structure. The graceful twin arches of the double stairs leading to the second– floor gallery had charmed him on that long-ago February. And all those tall arched windows, the whimsy of the belvedere on the roof, the elegance of the white columns and strangely ornate iron balusters. The fanciful mix of Italianate and Greek Revival had all seemed so incredibly lush and Old World and southern.

Even then he'd felt displaced, in a way he'd never been able to explain, in New England.

The house had pulled him, in some deep chamber. Like a hook through memory, he thought now. He'd been able to visualize the interior even before he and Remy had broken in to ramble through it.

Or the gallon or two of beer they'd sucked down had caused him to think he could.

A drunk boy barely out of his teens couldn't be trusted. And neither, Declan admitted ruefully, could a stone-sober thirty-one-year– old man.

The minute Remy had mentioned that Manet Hall was on the block again, he'd put in a bid. Sight unseen, or unseen for more than half a decade. He'd had to have it. As if he'd been waiting all his life to call it his own.

He could deem the price reasonable if he didn't consider what he'd have to pour into it to make it habitable. So he wouldn't consider it-just now.

It was his, whether he was crazy or whether he was right. No matter what, he'd turned in his briefcase for a tool belt. That alone lightened his mood.

He pulled out his cell phone-you could take the lawyer out of Boston, but … Still studying the house, he put in a call to Remy Payne.

He went through a secretary, and imagined Remy sitting at a desk cluttered with files and briefs. It made him smile, a quick, crooked grin that shifted the planes and angles of his face, hollowed the cheeks, softened the sometimes– grim line of his mouth.

Yes, he thought, life could be worse. He could be the one at the desk.

"Well, hey, Dec." Remy's lazy drawl streamed into the packed Mercedes SUV like a mist over a slow-moving river. "Where are you, boy?”

"I'm sitting in my car looking at this white elephant I was crazy enough to buy. Why the hell didn't you talk me out of it or have me committed?”

"You're here? Son of a bitch! I didn't think you'd make it until tomorrow.”

"Got antsy." He rubbed his chin; heard the scratch of stubble. "Drove through most of last night and got an early start again this morning. Remy? What was I thinking?”

"Damned if I know. Listen, you give me a couple hours to clear some business, and I'll drive out. Bring us some libation. We'll toast that rattrap and catch up.”

"Good. That'd be good.”

"You been inside yet?”

"No. I'm working up to it."

"Jesus, Dec, go on in out of the rain.”

"Yeah, all right." Declan passed a hand over his face. "See you in a couple hours.”

"I'll bring food. For Christ's sake, don't try to cook anything. No point burning the place down before you've spent a night in it.”

"Fuck you." He heard Remy laugh before he hung up.

He started the engine again, drove all the way to the base of what was left of those double stairs that framed the entranceway. He popped the glove compartment, took out the keys that had been mailed to him after settlement.

He climbed out and was immediately drenched. Deciding he'd leave the boxes for later, he jogged to the shelter of the entrance gallery, felt a few of the bricks that formed the floor give ominously under his weight, and shook himself like a dog.

There should be vines climbing up the corner columns, he thought. Something with cool blue blossoms. He could see it if he concentrated hard enough. Something open, almost like a cup, with leaves shaped like hearts.

I've seen that somewhere, he mused, and turned to the door. It was a double, with carvings and long arched panels of glass on either side and a half-moon glass topper. And tracing his fingers over the doors, he felt some of the thrill sneak into him.

"Welcome home, Dec," he said aloud and unlocked the door.

The foyer was as he remembered it. The wide loblolly pine floor, the soaring ceiling. The plaster medallion overhead was a double ring of some sort of flowers. It had probably boasted a fabulous crystal chandelier in its heyday. The best it could offer now was a single bare bulb dangling from a long wire. But when he hit the wall switch, it blinked on. That was something.

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