Jilly Cooper - Score!

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Sir Roberto Rannaldini, the most successful but detested conductor in the world, had two ambitions: to seduce his ravishing nineteen-year-old stepdaughter, Tabitha Campbell-Black, and to put his mark on musical history by making the definitive film of Verdi’s darkest opera,
.
As Rannaldini, Tristan, his charismatic French director, a volatile cast and bolshy French crew gather at Rannaldini's haunted abbey for filming, it is inevitable that violent feuds, abandoned bonking, temperamental screaming, and devious plotting will ensue. But although everyone
Rannaldini dead, no one actually thought the Maestro
be murdered. Or that after the dreadful deed some very bizarre things would continue to occur.

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‘That at least Lucy’s safe, Sarge,’ said Karen, patting his arm.

74

Very early that Monday morning, Lucy had been woken by a telephone call from Wolfie.

‘We gotta move it. Two plain-clothes men are downstairs looking for Rupert. Madame didn’t tell them we were here, but suggests we leg it as soon as possible out through the back garden.’

Wolfie was just gathering speed down the high street, when a loitering gendarme mistook his blond hair and suntanned face for Rupert’s, and whistled up his mate to give chase. Wolfie, who drove almost as fast as he flew, had no difficulty shaking them off. The airport was in sight, they could see Rannaldini’s Gulf jet merging into the heat-haze on the runway, when Lucy’s mobile rang. When she switched it off thirty seconds later she was as pale and trembling as a white poplar.

‘Hortense has changed her mind, but we’ve got to hurry. Dupont and the rellies are expected back before lunch.’

Lucy’s heart sank when a waiting Florence said Hortense didn’t want to see them. She led them upstairs and, with a lot of cursing, unlocked a bedroom door. As the door creaked reluctantly open, she stood back.

‘Madame said you’ll find all the information you need in here. You’re to be locked in for security reasons. Press that bell when you want to be let out.’

At first it was a question of not choking to death. As their eyes grew accustomed to the dark, it was plain that nothing had been touched for years, possibly centuries. By yanking open the shutters, Wolfie triggered off an avalanche of dust. Cobwebs, woven on top of cobwebs and dotted with flies and wasps, formed net curtains across windows and in corners.

On the walls, a little Van Gogh and several of Étienne’s enchanting drawings of dogs fought for space with school and army photographs and peeling posters of Jane Birkin, Juliette Greco and Bardot. Astérix leered up at them from the yellowing duvet covering the bed in the corner.

A half-full bottle of brandy, Roget et Gallet cologne, LPs of Sergeant Pepper , the Stones and Manfred Mann, hairbrushes, their silver backs blackened, Esquire and Playboy, Paris-Match and Shooting Times were all jumbled together on the shelves. Newspapers on the table, faded to the colour of weak tea, were all dated 1967.

‘What the hell’s all this about?’ asked Wolfie, trying to open a window.

‘Must be Laurent’s room,’ pondered Lucy. ‘Florence said Étienne never allowed anyone in here after his death. But I still don’t see.’

Leaning against the wall was a gold-framed portrait. Wiping away the dust and grime with her T-shirt, Lucy gave a gasp because a younger, happier, bolder Tristan smiled back at her. Then her heart stopped as she noticed the now-towering trees of the lime walk then only reached his shoulders, and that he was the same young man who’d been staring down at the girl whose long dark hair was tied back with a scarlet ribbon.

‘This must be Laurent painted by Étienne,’ she said, in excitement. ‘God, he’s good-looking.’

Wolfie, rooting round a desk, had found a pile of letters.

‘These must have been sent him when he was in the army in Chad. “My darling, darling Laurent,”’ read Wolfie. ‘Sounds exciting. And here’s another pile with West African stamps on them.’

Swinging round Lucy knew, even before she saw them, that the letters would be tied together with scarlet ribbon.

‘Give them here.’ She snatched the package with a shaking hand, and, tearing open the top one, read, ‘“My darling angelic Delphine,”’ and knew everything.

‘Oh, my God, listen, Wolfie. “Don’t be frightened,” Laurent writes. “I’ll be home in two months to take care of you. Is our baby still kicking in your beautiful belly? If it’s a boy let’s call him Tristan, but he’s not going to be destined for tragedy, only joy.” God, they got that wrong. Then Laurent goes on, “I love you so desperately. Don’t worry about Papa. I just can’t bear to think of you in the same bed as him or even that he’s your husband. I know it’s important not to humiliate him, that this should never have happened, but the fact that you and I love each other is all that matters.”

‘Oh, God, Wolfie.’ Lucy looked up in horror. ‘Poor Étienne, cuckolded by his own son.’

‘Like Philip and Carlos.’ Wolfie shook his head in bewilderment.

Lucy skimmed the rest of the letter. Laurent had been full of plans for the new life he and Delphine would start in Australia with their baby. He’d get a job, and they’d have love to live on.

‘Here’s a letter from Delphine to him,’ said Wolfie, ‘dated November the fourteenth. That must have been just after Tristan was born. She’s enclosed a little pencil drawing of the baby, look.’

‘Oh, how sweet.’ Lucy mopped her eyes. On the back she recognized Étienne’s elegant handwriting: ‘Tristan Laurent Blaize, a beautiful boy, one hour old.’

‘I thought you’d like to see your son and heir,’ Delphine had written. ‘Isn’t he adorable? Étienne is so proud of his imagined offspring. I feel so guilty. Oh, Laurent, please come home, he’s nagging me to have sex again. I can’t bear him to touch me.’

‘Here’s an even earlier one,’ interrupted Wolfie.

‘“Darling Delphine, it’s the best news in the world you’re pregnant. It seals everything. Let me finish my stint here, there are things I must do.”’ Wolfie looked up at Lucy. ‘That must have been for the rebels. “Then I’ll come home and take you away, you will divorce Papa and marry me. Everything will be very simple.” Christ, little did he know.’

‘Here’s another horrible one,’ cried Lucy, in distress, smoothing out the letter, holding it up to the dim light from the windows. ‘Must be early in her pregnancy, she sounds just like Elisabetta. “Étienne made love to me outside today. I noticed his grey eyebrows and chest hair, the liver spots on his hands, the pleats in his flesh, when he raised himself on his wrinkled arms. Oh, Laurie, I know he’s your father but he revolts me.”

‘I can’t read any more.’ Lucy thrust aside the letter. ‘Étienne was a vain old goat, but he must have been crucified by the son he adored, then constantly reminded of this betrayal as Tristan grew more and more like Laurent. And that’, Lucy choked on the swirling dust in the excitement of her discovery, ‘was what he was rambling on about on his deathbed, trying to tell Tristan that he was his grandfather not his father.’

Wolfie was neatly stacking the letters and tying up Laurent’s with their scarlet ribbon.

‘If Tristan is Laurent and Delphine’s son,’ he said soberly, ‘he’s not only a Montigny, but can marry and have children by whoever he likes.’

Lucy’s hair was white with dust, her face filthy and streaked with tears. ‘So we found out what we came here for,’ she said slowly, then realizing the full implications: ‘Oh, Wolfie, I hope it works out for you.’

Hortense burst out laughing when she saw Lucy’s dusty hair. ‘You look older than I do. I hope you were surprised by what you discovered.’

‘Stunned.’ Sitting on the bed, Lucy took Hortense’s hands. ‘I’m sorry I was so horrible yesterday. I’m terribly glad for Tristan, but those letters are appalling. I understand totally why you didn’t want it to come out. Poor Étienne. But why did someone as gorgeous as Delphine marry such an old man in the first place?’

‘Rannaldini encouraged her,’ said Hortense. ‘She was a bit of a “raver”, I think it’s called, and wanted to escape from her strait-laced family. Maxim detested Rannaldini and that’s why, in revenge, Rannaldini reinvented him as a sex-crazed rapist. Rannaldini persuaded Delphine of the doors Étienne would open, of the exciting life she would lead among the famous, how she’d be immortalized in his paintings.’

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