James Cain - The Baby in the Icebox and Other Short Fiction

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Best remembered for his sensational bestselling novels of the 1930s, James M. Cain may well be one of the most important, yet still misunderstood, of American authors. Among other writers and for certain critics, his reputation and singularity are unquestioned, resting on an extraordinary force of style and view of the human condition that have influenced a host of modern authors. Cain’s unique voice — hard-edged, caustically ironic, and impeccably controlled — was in fact forged through an extensive journalistic training and remains best exemplified in the compressed power of his short fiction.
Here then, timed with a major revival of interest in Cain’s work, is the first book to collect the best of his shorter work — selected short stories and sketches together with one of his finest serials, the novella published at different times under the titles “Money and the Woman” and “The Embezzler.” As taut and brilliant in its way as Cain’s most famous serial,
this ingenious example of Cain’s “love rack” fiction has been out of print for many years, but reads as immediately today as when first written more than three decades ago. Equally fascinating, especially when seen within Roy Hoopes’s tracings of the development of Cain’s work, are the entertaining sketches and dialogues Cain originally wrote for journalistic publication — beautiful models of efficiency and concision stamped with Cain’s characteristic irony. We are given ten of his best, out of hundreds he wrote for the
and H. L. Mencken’s
Together with nine of his finest short stories — including those three Cain classics, “Pastorale,” “The Baby in the Icebox,” and “Dead Man” — this volume comprises both an ideal introduction to the work of this remarkable American author and a mandatory book for all James M. Cain fans.

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Smiling, he went back to the booth. Jake, who had been nearby, said: “That’s what he thinks.”

“Look: He says she’s nice and he don’t think. He knows .”

“He’s kidding hisself. You see what I see?”

“I don’t see a thing.”

“Neither does he, but I do. Fred, a wife that’s wig-wagging for more Scotch in the last two hours of twenty-four-hour leave, and he hasn’t even been home yet — she’s not nice.”

Jake served the Scotch, went back to his station beside the piano. The soldier looked at the drink in surprise. Then his face darkened. Then he started to say something, but looked at the child in his arms and checked himself. Then he got up, came over with Pokey, kissed her, nodded to Fred, and set her on the bar. Then he went back to the booth, started somewhat grimly to talk.

Pokey, her face pasty by now, her stance uncertain, her brown eyes yellow from lack of sleep, blinked uncertainly, then spread her skirts as though to dance. Fred struck a chord, but Jake lifter her down, said: “Fred, get me that cushion.”

“That—?”

“Cushion. From the booth. On the end.”

The cushion, when Fred came back with it, was leather, but stuffed full and soft. Jake put it under the bar, first clearing out several cases of bottles. Then he went out the door with “his” and “her” pictures on it and came back with his street coat. Then he beckoned Pokey, who was watching him, as was everybody except the couple in the booth. Fred said: “You going to put her there ?”

“I am.”

“One awful place.”

“You know a better one?”

“What’s the matter with the back room?”

“Was you ever put in a back room?”

“Anyway it’s quiet.”

“Quiet she don’t have to have. Love, she does. Listen, she ain’t no rag doll. She’s a little thing four years old that gets scared and feels lonesome and wants to cry and so would you if you wasn’t no bigger than she is that noise you et paid for, she’ll sleep right through it, so keep right on and don’t feel no embarrassment on her account if that’s what’s bothering you.”

“Don’t she get a pillow?”

“Pillows is out of date.”

“Just asking.”

“Now you know.”

Jake stooped down, put his arm around Pokey, loosened her dress, took the ribbon from around her hair, tied it to a shoulder strap so it wouldn’t get lost. Then he picker her up, put her on the little bed, spread his coat over her. It just covered her feet. Behind him, a light over the register glared down in her eyes. He turned it off. Pokey stared sleepily at Fred, said: “Play ‘Little Glow-Worm.’”

Fred played it softly and a woman at the end of the bar, who could see Pokey from where she sat, sang it. But before the little glow-worm had given its first glimmer, Pokey was asleep. The soldier in the booth stared into his glass and occasionally said something in a short, jerky way, but the woman made no move to go.

For the next hour, the place was a blue twilight, with Fred’s voice hovering over it in songs that didn’t seem to end but rather to trail off into pure sadness. Then the spell was broken by the jangle of the phone. Jake answered, but the woman in the booth was there almost as soon as he was and took the receiver from him with eager hands and spoke in low, indistinguishable tones. The soldier came over, had a look at Pokey when Fred pointed her out, said: “Gee, that’s sweet of you. I guess she’ll be all right there till my bus leaves. We didn’t go home. My wife’s been expecting this call. From the USO. Sometimes they need her on the late shift and she gave them this number. She had to stand by.”

“We all have to do our share.”

“That’s it.”

The woman returned to the booth and the soldier joined her. It was some time before Jake, who did a little visiting with is customers, returned to the piano. Then he said: “This is murder, plain murder. Every person in this room know what’s going on except two people. One’s that sergeant, because he’s stuck on her. The other is this kid under the bar, because she’s asleep.”

“Was that Willie? That called?”

“What do you think? That couple up there the ones drinking rye and soda, even made a bet that it was him, and they’re sore because I won’t tell them. It’s so raw it burns my stomach. First give the husband a runaround at the beach all day, then have the sweetie call in to find out when the bus leaves, then at one minute after twelve meet him outside, and then her and him put Pokey to bed. I wouldn’t ask much to kick her out.”

“Oh you couldn’t do that.”

“Why not?”

“All God’s chillun, you know. Maybe she came for a good time too.”

“Be a funny kind of heaven with her flying around in it. If she’s got wings, why hasn’t she got a heart?”

“For Willie, maybe she has.”

“I wish he didn’t look quite so much like a dignified weasel.”

“I wish that damned bus would go .”

Fred began to sing again and little by little the blue twilight came back. The couple in the booth were friendlier now and the soldier, who had been drinking beer, ordered double Scotch. Then abruptly Fred broke off in the middle of a song, looked at his watch. With a look of alarm, he pointed his finger at the soldier, said: “Hey!”

“Yeah?”

“It’s five minutes to twelve.”

The soldier got up, came over to the bar, picked up his hooker of Scotch, downed it in a series of gulps. After a second in which he seemed to be strangling, he said: “So what?”

“Your bus is coming.”

“Whose bus?”

“Did you forget you’re standing reveille?”

“Me and who else?”

“Listen sergeant, you like those three stripes?

“Not to the point of being silly about them.”

“You like that extra dough they bring in though, don’t you? For the little woman overt there? And the little woman under here? Pokey? So she can have a nice warm coat for school, with a little fur collar on it? And peppermint for Christmas? And—”

“Shut up.”

“I won’t shut up.”

“You will or I’m socking you.”

“OK then, I clam.”

Weaving a little, the soldier went back to the booth. The woman stared at him, looked at her watch. Then she came over to the bar. “What did he say?”

Fred made no answer. Jake swabbed a section of bar, then looked her straight in the eye and spoke slowly, quietly, deliberately; “He said he’s going AWOL so he can be with a woman that’s been two-timing him for a month, that didn’t think enough of him even to bring him home when he came all the way up here to see her, and that needn’t come back in this bar after tonight, if she don’t mind.”

How much of this after “AWOL” she actually heard, it would be hard to say. Her great black eyes opened in horror, and even after Jake had finished she stared at him. Then, breathlessly, she said: “I’ll be back in a minute,” and hurried out to the street.

Jake said: “It’s so raw it stinks.”

In a few minutes she was back, but instead of going to the booth, she flitted through the door with the pictures on it. The soldier ordered another double hooker of Scotch. Jake served a single, with soda. The soldier asked: “What time is it?”

“Little after twelve.”

“I was supposed to catch a bus.”

“It left. I seen it go by.”

“OK.”

Jake returned to the bar and Fred sang several songs. Then a woman came out of the door with the pictures on it, walked quickly around to where Jake was, leaned over, and said quietly to him: “You better get back there.”

“Back where?”

“Ladies’ room.”

“What for?”

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