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Robert Asprin: Myth-Told Tales

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Robert Asprin Myth-Told Tales

Myth-Told Tales: краткое содержание, описание и аннотация

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MYTH-TOLD TALES is a collection of short stories by Robert Asprin and Jody Lynn Nye that introduce and set up the new Myth Adventures Series which launches in August 2003 with MYTH ALLIANCES!

Robert Asprin: другие книги автора


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— Jody Lynn Nye

The “Discreet Blackout”

It was interesting to read Jody's introduction. (Writer's tip: If you're doing one section of a two-part introduction, always let your partner go first. Then, all you have to do is rebut or go, “Yea. What she said.”) The only trouble was, it was hard to recognize myself in it Okay. I know these intros are supposed to be “love and kisses and how much fun it is to write together,” but there should be a limit I'd say my application for sainthood was rejected, but I never bothered to send it in. For one thing, I assume the powers that be have better things to do with their time than read crank mail. For another, I'm used to getting paid for writing fantasy.

Just because I have good manners and write humor, people tend to assume that I'm a “nice guy.” Well, okay, I am … but only up to a point. That point usually involves protecting me and mine. Unfortunately, “mine” includes my writing.

One thing I've discovered over the years is that the longer you write humor, the more finely tuned you become in your opinions of what is funny and what isn't. Also, the more firmly entrenched the idea becomes that you have a particular recognizable style that the readers expect from anything with your name on it.

What this all boils down to is that when it comes to collaborating, particularly on humor, I can be a real pain in the ass to work with. I like to think that I stop short of bullying my writing partners, but (even by the most generous interpretation of events) I can be “extremely stubborn” when “discussing” a particular joke or scene. When it involves two of my most popular characters, specifically Aahz and Skeeve, it borders on being nightmarish. I mention this not so much to belittle myself as to raise the awareness and appreciation of the readers to what my writing partners actually have to go through.

All that having been said, it really is a joy and a pleasure to work with Jody … even if our memories of certain events and conversations differ.

As an example, while I recall her visiting with Lynn and me in Ann Arbor, my memory of our first meeting was at a gaming convention. That was back in the days when I was doing two or three dozen cons a year to get my name in front of the readers, and was attending comic cons, Star Trek cons, and gaming cons as well as the science fiction-fantasy cons that were my mainstay. She was sitting behind a demonstration table in the dealers room painting lead miniatures, and I recollect getting some excellent tips on dry-brushing techniques. It was a brief meeting, so I'm not surprised that she doesn't remember it I might have paid more attention to her, but I had learned she had a thing going with Bill Fawcett, who at that point was a friend of mine and eventually became her husband and one of my packager/publishers. (Writer's tip: If you're going to flirt with someone at a convention, try to do it with someone who isn't a girlfriend/fiancée/wife of one of your editors. It could affect your long-term book sales much more than a similar encounter with a reader.)

Another interesting overlap was when I discovered that we both had a background in theater. As an aside, I have often compared writing, particularly writing humor, with doing radio theater where you don't have the audience's feedback reactions to work off. I maintain that the most successful humor writers first honed their skills wot king in front of a live audience to build their sense of comic liming before attempting to create humor on paper. While my supporting role as Marcellus Washburn in a production of The Musk: Man lags far behind her leading role as Winifred the Woebegone in Once Upon a Mattress, I think the mutual experience contributes greatly to our ability to work together.

Anyhoo, Butch and Fluffykins are now playing together happily, and the occasional territorial growls and swats only occur when there are no witnesses to box both our ears. Jody is not only an extremely talented writer whose company is always a pleasure, she's also spirited enough to hold her own in a brawl. While, perhaps, not absolutely necessary, all three are definitely desirable in a writing partner.

— Robert Lynn Asprin

MYTH CONGENIALITY

By Robert Asprin and Jody Lynn Nye

I answered the door of the inn in my most repulsive disguise.

“Yeah?” I asked the two small children who looked up at the one-eyed, white-haired rogue with five teeth, tangled hair, bizarrely twisted features, and visible insects crawling in and out of his clothes. They didn't retreat a pace.

“Is the haunted house open?” the older one asked. “Yeah!” the little one said, staring at me with open curiosity. “We wanna see all the monsters!” “Monsters?” I asked, puzzled.

“Yeah! Draggins and wivverns and yuni-corns and creaky floors and stuff! We heard about it in town.”

“No,” I said. Out of the corner of my eye I could see my pet dragon Gleep charging for the door. He loved to answer the door. I put a foot into his chest to keep him from sticking his nose around the edge. “No monsters here.” Now Buttercup wanted to know what was going on, and you can't deter a war unicorn as easily as you can a baby dragon who'd impressed upon you. “Nope. Just a law-abiding, boring old guy living quietly by himself.” I could see them starting to become afraid now. I smiled wistfully. They started to back away nervously. “Just a lonely old man who'd love to have company to while away the hours. Sorry.” I slammed the door shut on them just before Buttercup put his muzzle under my arm.

“Stop it, you guys,” I protested, being nuzzled by a dragon on one side and snuffled by a unicorn on the other. Gleep and Buttercup looked hurt. “I keep telling you to stay out of sight Now the townspeople have seen you. Can you believe it? A haunted house! And they want to come in. I wish Bunny was here.”

Bunny, my former accountant, was staying here at the old inn with me, running interference and pretty much keeping house so that I could get on with my magikal studies. She'd gone off on vacation a few days before. I hadn't realized until she had been gone how lonely it was in the sprawling building by myself. Alone, as I said, except for two exuberant pets.

I let the disguise spell drop. I always had to use one when I opened the door. Nobody in Klahd would be impressed or frightened by my normal appearance. I was young, for one thing, tall but thin, with a thatch of blond hair, and I'd been told that my blue eyes reminded them of Gleep's. When I looked in a mirror I couldn't see the same innocent wide expression, but I'd been assured by Aahz that it was there.

“Come on, you guys. Let's have lunch.”

I wasn't much of a cook, being used to leaning out the door of our tent at the Bazaar on Deva and being in reach of every kind of cuisine from every dimension, some delicious and toothsome, some more frightening to smell or look at than any disguise I'd ever put on. My cooking was somewhere in between, but Gleep ate everything, and Buttercup was always content with his fodder.

The kitchen, as befit one in a building constructed to serve a houseful of guests, was enormous. I kept a small fire going in one of the baking ovens instead of the huge ingle that comprised a whole wall shared with the rest of the inn. We usually ate at a small table tucked in the alcove beside it, cosy and warm. Formality was pointless, since we never had guests, and I could keep my back to the wall.

I dished up stew that had been bubbling away in a closed pot among the embers of the fire. One generous portion for me, five for Gleep. (He also caught his own meals from among the rodents in the barn, but I didn't want to know about that.) It hadn't burned, for which I was grateful, since we were short on supplies. Going into town to shop always elicited curiosity from the merchants and townsfolk as to who I was, where I came from, and what was going on in the old inn. I used to think they were just friendly, but experience made me question everybody's motives. I wasn't sure that was a good thing. I turned all the queries back on those who were asking, inquiring how they were, whether the prize cow had had her calf yet, and so on. I was thought of as a friendly guy, probably the servant of the old man at the inn, yet no one knew much about me. I was content with that, since I wasn't ready to answer those questions myself.

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