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Terry Pratchett: I Shall Wear Midnight

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Terry Pratchett I Shall Wear Midnight

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I Shall Wear Midnight is a novel in Terry Pratchett's Discworld series, and the fourth in the Tiffany Aching arc. It centres on Tiffany Aching, who is now fifteen years old and getting on with the hard work of being a witch. The title is a quotation in A Hat Full of Sky: "When I'm old I shall wear midnight, she'd decided. But for now she'd had enough of darkness."

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Letitia looked at Tiffany and the crowd with something like fear and said, ‘Do let’s get going, can we please? Mother is getting vexed.’

And so the coach left and the hurdy-gurdy man thankfully left and the sun left, and in the warm shadows of the twilight some people stayed. But Tiffany flew home alone, up high where only bats and owls could see her face.

1 This was done blindfolded.

2 Speaking as a witch, she knew them very well.

3 Later on, Tiffany realized that all the witches had probably flown across the giant, especially since you could hardly miss him if you were flying from the mountains to the big city. He kind of stood out, in any case. But in Nanny Ogg’s case, she would probably turn round to look at him again.

4 Obviously, Tiffany thought, when jumping over a fire together, one ought to be concerned about wearing protective clothing and having people with a bucket of water to hand, just in case. Witches may be a lot of things, but first and foremost, they are practical.

5 Possibly Petulia’s romantic ambitions had been helped by the mysterious way the young man’s pigs were forever getting sick and required treating for the scours, the blind heaves, brass neck, floating teeth, scribbling eyeball, grunge, the smarts, the twisting screws, swivelling and gone knees. This was a terrible misfortune, since more than half of those ailments are normally never found in pigs, and one of them is a disease known only in freshwater fish. But the neighbours were impressed at the amount of work Petulia put in to relieve their stress. Her broomstick was coming and going at all hours of the day and night. Being a witch, after all, was about dedication.

6 First Sight means that you can see what really is there, and Second Thoughts mean thinking about what you are thinking. And in Tiffany’s case, there were sometimes Third Thoughts and Fourth Thoughts, although these were quite difficult to manage and sometimes led her to walk into doors.

7 The forget-me-lots is a pretty red and white flower usually given by young ladies to signal to their young men that they never wanted to see them again ever, or at least until they’d learned to wash properly and got a job.

8 If you do not yet know who the Nac Mac Feegles are: 1) be grateful for your uneventful life; and 2) be prepared to beat a retreat if you hear anyone about as high as your ankles shout ‘Crivens!’ They are, strictly speaking, one of the faerie folk, but it is probably not a good idea to tell them this if you are looking forward to a future in which you still have your teeth.

Chapter 2: Rough Music

Chapter 2 ROUGH MUSIC SHE GOT ONE hours sleep before the nightmare began - фото 3

Chapter 2

ROUGH MUSIC

SHE GOT ONE hour’s sleep before the nightmare began.

What she remembered most of all about that evening was the thumping of Mr Petty’s head against the wall and the banisters as she hauled him bodily out of his bed and dragged him by his filthy nightshirt down the stairs. He was a heavy man and half asleep, the other half of him being dead drunk.

The important thing was not to give him any time to think, even for one moment, as she towed him behind her like a sack. He was three times her weight, but she knew about leverage. You couldn’t be a witch if you couldn’t manoeuvre someone who was heavier than you. You would never be able to change an invalid’s sheets otherwise. And now he slithered down the last few steps into the cottage’s tiny kitchen, and threw up on the floor.

She was quite glad about that; lying in stinking vomit was the very least the man deserved, but she had to be quick to take charge, before he had time to compose himself.

The terrified Mrs Petty, a mouse of a woman, had run screaming along the lanes to the village pub as soon as the beating had begun, and Tiffany’s father had sent a lad to wake Tiffany up. Mr Aching was a man with considerable foresight and must have known that the beery cheerfulness after a day at the fair could be the undoing of everybody, and as Tiffany sped towards the cottage on her broom-stick, she had heard the rough music begin.

She slapped Petty’s face. ‘Can you hear that?’ she demanded, waving her hand towards the darkened window. ‘Can you hear it? That’s the sound of the rough music, and they are playing it for you, Mister Petty, for you. And they have sticks! And they have stones! They have everything they can pick up, and they have their fists and your daughter’s baby died, Mister Petty. You beat your daughter so hard, Mister Petty, that the baby died, and your wife is being comforted by some of the women and everybody knows that you have done it, everybody knows.’

She stared into his bloodshot eyes. His hands had closed automatically into fists because he had always been a man who thought with them. Soon he would try to use them; she knew it, because it was easier to punch than think. Mr Petty had punched his way through life.

The rough music was getting nearer slowly, because it’s hard to walk across fields on a dark night when you’ve had a skinful of beer, no matter how righteous you are currently feeling. She had to hope that they did not go into the barn first, because they would hang him there and then. If he was lucky , they would just hang him. When she had looked into the barn and seen that murder had been done, she knew that, without her, it would be done again. She had put a charm on the girl to take her pain away, holding it just above her own shoulder. It was invisible, of course, but in her mind’s eye it burned a fiery orange.

‘It was that boy,’ mumbled the man, with vomit trickling down his chest. ‘Coming round here, turning her head so as she wouldn’t listen to her mum or me. And her being only thirteen. It’s a scandal.’

‘William is thirteen too,’ said Tiffany, trying to keep her voice level. It was difficult; the rage was bursting to get out. ‘Are you trying to tell me that she was too young for a bit of romance, but young enough to be beaten so hard that she bled from places where no one should bleed?’

She couldn’t tell if he had really come to his senses, because the man had so few of them at the best of times, it was hard to know if he had any at all.

‘It wasn’t right, what they were doing,’ he said. ‘A man’s got to have discipline in his own house, after all, ain’t that right?’

Tiffany could imagine the fiery language in the pub as the overture to the music got wound up. There were not very many weapons in the villages of the Chalk, but there were such things as reaping hooks and scythes and thatching knives and big, big hammers. They weren’t weapons – until you hit somebody with them. And everyone knew about old Petty’s temper, and the number of times his wife told the neighbours that she had got her black eye by walking into a door.

Oh, yes – she could imagine the conversation in the pub, with the beer joining in and people remembering where all those things that weren’t weapons were hanging in their sheds. Every man was king in his little castle. Everyone knew about that – well, at least every man – and so you minded your own business when it came to another man’s castle until the castle began to stink, and then you had to do something about it lest all castles should fall. Mr Petty was one of the neighbourhood’s sullen little secrets, but it was not a secret any more.

‘I am your only chance, Mr Petty,’ she said. ‘Run away. Grab what you can and run away right now. Run away to where they’ve never heard of you, and then run a bit further, just to be on the safe side, because I will not be able to stop them, do you understand? Personally, I could not care less what happens to your miserable frame but I do not wish to see good people get turned into bad people by doing a murder, so you just leg it across the fields and I won’t remember which way you went.’

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