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Terry Pratchett: Good Omens

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Terry Pratchett Good Omens

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The Arrangement was very simple, so simple in fact that it didn't really deserve the capital letter, which it had got for simply being in exis­tence for so long. It was the sort of sensible arrangement that many iso­lated agents, working in awkward conditions a long way from their superi­ors, reach with their opposite number when they realize that they have more in common with their immediate opponents than their remote allies. It meant a tacit non‑interference in certain of each other's activities. It made certain that while neither really won, also neither really lost, and both were able to demonstrate to their masters the great strides they were making against a cunning and well‑informed adversary.

It meant that Crowley had been allowed to develop Manchester, while Aziraphale had a free hand in the whole of Shropshire. Crowley took Glasgow, Aziraphale had Edinburgh (neither claimed any responsibility for Milton Keynes, [7]but both reported it as a success).

And then, of course, it had seemed even natural that they should, as it were, hold the fort for one another whenever common sense dictated. Both were of angel stock, after all. If one was going to Hull for a quick temptation, it made sense to nip across the city and carry out a standard brief moment of divine ecstasy. It'd get done anyway, and being sensible about it gave everyone more free time and cut down on expenses.

Aziraphale felt the occasional pang of guilt about this, but centuries of association with humanity was having the same effect on him as it was on Crowley, except in the other direction.

Besides, the Authorities didn't seem to care much who did any­thing, so long as it got done.

Currently, what Aziraphale was doing was standing with Crowley by the duck pond in St. James' Park. They were feeding the ducks.

The ducks in St. James' Park are so used to being fed bread by secret agents meeting clandestinely that they have developed their own Pavlovian reaction. Put a St. James' Park duck in a laboratory cage and show it a picture of two men‑one usually wearing a coat with a fur collar, the other something somber with a scarf‑and it'll look up expectantly. The Russian cultural Attachés black bread is particularly sought after by the more discerning duck, while the head of M19's soggy Hovis with Marmite is relished by the connoisseurs.

Aziraphale tossed a crust to a scruffy‑looking drake, which caught it and sank immediately.

The angel turned to Crowley.

"Really, my dear," he murmured.

"Sorry," said Crowley. "I was forgetting myself." The duck bobbed angrily to the surface.

"Of course, we knew something was going on," Aziraphale said. "But one somehow imagines this sort of thing happening in America. They go in for that sort of thing over there."

"It might yet do, at that," said Crowley gloomily. He gazed thoughtfully across the park to the Bentley, the back wheel of which was being industriously clamped.

"Oh, yes. The American diplomat," said the angel. "Rather showy, one feels. As if Armageddon was some sort of cinematographic show that you wish to sell in as many countries as possible."

"Every country," said Crowley. "The Earth and all the kingdoms thereof."

Aziraphale tossed the last scrap of bread at the ducks, who went off to pester the Bulgarian naval Attaché and a furtive‑looking man in a Cam­bridge tie, and carefully disposed of the paper bag in a wastepaper bin.

He turned and faced Crowley.

"We'll win, of course," he said.

"You don't want that," said the demon.

"Why not, pray?"

"Listen," said Crowley desperately, "how many musicians do you think your side have got, eh? First grade, I mean."

Aziraphale looked taken aback.

"Well, I should think‑" he began.

"Two," said Crowley. "Elgar and Liszt. That's all. We've got the rest. Beethoven, Brahms, all the Bachs, Mozart, the lot. Can you imagine eternity with Elgar?"

Aziraphale shut his eyes. "All too easily," he groaned.

"That's it, then," said Crowley, with a gleam of triumph. He knew Aziraphale's weak spot all right. "No more compact discs. No more Al­bert Hall. No more Proms. No more Glyndbourne. Just celestial harmo­nies all day long."

"Ineffable," Aziraphale murmured.

"Like eggs without salt, you said. Which reminds me. No salt, no eggs. No gravlax with dill sauce. No fascinating little restaurants where they know you. No Daily Telegraph crossword. No small antique shops. No bookshops, either. No interesting old editions. No"‑Crowley scraped the bottom of Aziraphale's barrel of interests‑"Regency silver snuff­boxes . . ."

"But after we win life will be better!" croaked the angel.

"But it won't be as interesting. Look, you know I'm right. You'd be as happy with a harp as I'd be with a pitchfork."

"You know we don't play harps."

"And we don't use pitchforks. I was being rhetorical."

They stared at one another.

Aziraphale spread his elegantly manicured hands.

"My people are more than happy for it to happen, you know. It's what it's all about, you see. The great final test. Flaming swords, the Four Horsemen, seas of blood, the whole tedious business." He shrugged.

"And then Game Over, Insert Coin?" said Crowley.

"Sometimes I find your methods of expression a little difficult to follow."

"I like the seas as they are. It doesn't have to happen. You don't have to test everything to destruction just to see if you made it right."

Aziraphale shrugged again.

"That's ineffable wisdom for you, I'm afraid." The angel shud­dered, and pulled his coat around him. Gray clouds were piling up over the city.

"Let's go somewhere warm," he said.

"You're asking me?" said Crowley glumly.

They walked in somber silence for a while.

"It's not that I disagree with you," said the angel, as they plodded across the grass. "It's just that I'm not allowed to disobey. You know that."

"Me too," said Crowley.

Aziraphale gave him a sidelong glance. "Oh, come now," he said, "you're a demon, after all."

"Yeah. But my people are only in favor of disobedience in general terms. It's specific disobedience they come down on heavily."

"Such as disobedience to themselves?"

"You've got it. You'd be amazed. Or perhaps you wouldn't be. How long do you think we've got?" Crowley waved a hand at the Bentley, which unlocked its doors.

"The prophecies differ," said Aziraphale, sliding into the passenger seat. "Certainly until the end of the century, although we may expect certain phenomena before then. Most of the prophets of the past millen­nium were more concerned with scansion than accuracy."

Crowley pointed to the ignition key. It turned.

"What?" he said.

"You know," said the angel helpfully, " 'And thee Worlde Unto An Ende Shall Come, in tumpty‑tumpty‑tumpty One.' Or Two, or Three, or whatever. There aren't many good rhymes for Six, so it's probably a good year to be in."

"And what sort of phenomena?"

"Two‑headed calves, signs in the sky, geese flying backwards, showers of fish. That sort of thing. The presence of the Antichrist affects the natural operation of causality."

"Hmm."

Crowley put the Bentley in gear. Then he remembered something. He snapped his fingers.

The wheel clamps disappeared.

"Let's have lunch," he said. "I owe you one from, when was it . . . "

"Paris, 1793," said Aziraphale.

"Oh, yes. The Reign of Terror. Was that one of yours, or one of ours?"

"Wasn't it yours?"

"Can't recall. It was quite a good restaurant, though."

As they drove past an astonished traffic warden his notebook spon­taneously combusted, to Crowley's amazement.

"I'm pretty certain I didn't mean to do that," he said.

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