David Nickle - Eutopia

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Eutopia: краткое содержание, описание и аннотация

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The year is 1911.
In Cold Spring Harbour, New York, the newly formed Eugenics Records Office is sending its agents to catalogue the infirm, the insane, and the criminal—with an eye to a cull, for the betterment of all.
Near Cracked Wheel, Montana, a terrible illness leaves Jason Thistledown an orphan, stranded in his dead mother’s cabin until the spring thaw shows him the true meaning of devastation—and the barest thread of hope.
At the edge of the utopian mill town of Eliada, Idaho, Doctor Andrew Waggoner faces a Klansman’s noose and glimpses wonder in the twisting face of the patient known only as Mister Juke.
And deep in a mountain lake overlooking that town, something stirs, and thinks, in its way:
Things are looking up.
Eutopia follows Jason and Andrew as together and alone, they delve into the secrets of Eliada—industrialist Garrison Harper’s attempt to incubate a perfect community on the edge of the dark woods and mountains of northern Idaho. What they find reveals the true, terrible cost of perfection—the cruelty of the surgeon’s knife—the folly of the cull—and a monstrous pact with beings that use perfection as a weapon, and faith as a trap.

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Aunt Germaine looked down at him with pursed lips and a crinkled brow. “Doctor,” she said, “leave us a moment. The boy is distraught. I will calm him.”

“As you wish, Mrs. Frost.”

When Dr. Bergstrom had withdrawn sufficient distance, Aunt Germaine bent down to Jason’s ear and made shushing noises until Jason stopped twisting and struggling and glared at her.

“I am sorry, Nephew,” she said quietly. “Dr. Bergstrom is wrong. You are fine, and this is wrong . But I cannot stop it. It is beyond my authority.”

“Wh-what am I going to do then? What—”

Shh . Dr. Bergstrom means for you to be trapped here. But you need not be.” Aunt Germaine leaned even closer, so her lips brushed Jason’s ear, and she whispered: “You are a hero, Jason Thistledown. Your survival… well, it proves that. You are as great a Man as Nature might commit. Dr. Bergstrom does not understand that. But he has not seen what you have lived through. He has… underestimated you. Foolishly, he has underestimated us both.” She pulled back a bit, so her face was now inches from Jason’s own. “Now turn your hand, slow and careful.”

Jason unclenched his fist, and turned it to meet with Aunt Germaine’s gloved hand. There was something metallic nestled in her palm.

“Careful,” she said. “You do not want to cut yourself. This is a scalpel—a tiny knife. It is small, but wickedly sharp. Should anything happen…”

“What?” he whispered.

“Cut yourself free, my darling hero,” said Aunt Germaine, “and run.”

9 - The Quarantine Obscenity

Jason fingered his scalpel and glared into the dark. Anger was all over him like fleas, nestling anywhere it smelled blood.

He was angry at Dr. Bergstrom, who had snuck up on him, stuck poison in him and put him here, tied like a dog for no good reason, without even knowing what sort of fellow he was. Although she had given him this scalpel and said kind things to him, he was angry at Aunt Germaine for what he identified as nothing but cowardly betrayal. She said she had no power to stop this—but in that bag of hers she had two guns (one belonging to Jason’s mama) and a pile of ammunition (ammunition that Jason had, at no small risk to his own skin, stepped into the Dempsey Store in Cracked Wheel and faced the putrid corpse of Lionel Dempsey, to retrieve). Jason thought that she was plenty powerful to stop this if she wanted to.

And then Jason stumbled on another source for his anger—an unholy pit of it that ran so deep it dizzied him to look down:

His ma.

His ma, who, if she had not been so weak and slow, might have lived through the sickness that took the rest of those damn fools in Cracked Wheel; who might then have just invited Aunt Germaine in for a meal that winter’s morning she showed up with her two pair of snowshoes; a meal where the three of them would have caught up on the goings-on in Philadelphia and New York, and Aunt Germaine could have told how she was doing eugenical research for Dr. Charles Davenport whose privy was filled with damn gold nuggets he was so fine a gentleman. And then together they could have figured out something more intelligent to do about pulling up stakes than getting on a train for this God-damned supposed paradise in Idaho.

All that they might have done and more, if only she hadn’t abandoned him.

But that anger was too deep and complicated to hold long without it changing to something else. And as Jason faced it, he felt his chest hitch up and the tears start in the corners of his eyes. He was crying. For the first time, since the time his mama stopped breathing in Cracked Wheel, Jason was crying.

This time, he let it come. He pushed the scalpel away from his hand so he wouldn’t cut himself when his fist clenched, and then he let that fist go ahead and clench as hard as it wanted, and the other one too, screwed his eyes shut, and let the weeping out in big, whooping gasps. He cried for his ma, all right—these were tears of grief, and although he was mad he hadn’t finished grieving her, if he ever even would.

But it wasn’t just for his ma. He had been selfish in his grief and in that he had done many a bad turn. When he’d gone to collect that ammunition in Cracked Wheel, hadn’t he looked into the dead eye of Lionel Dempsey—a fellow who’d always been fine to him whenever they met up? Had he even once thought about some of those times they’d seen each other and it had been good enough? No. Had he once uttered a prayer for Mr. Dempsey’s poor unshriven soul? No. Had he ever prayed for any of them—any but his ma, who was but one in a hundred or more who’d died gasping and choking in Cracked Wheel? No, no, a hundred times no.

If he’d thought about it at all, he supposed he’d figured he was being self-sufficient in not doing so. But how self-sufficient is a boy, a man, being, really, when he takes off with his new aunt at the first opportunity, abandoning what plans he had and what responsibilities were left?

Aunt Germaine had called him a hero. Jason had read about plenty of heroes. Maybe he was like Theseus, made for one good turn before he ruined it all afterward. Maybe…

Jason opened his eyes. And as he did, he blinked. A shadow capered across the moonlit squares on the far wall of the ward room. Jason swallowed a mouthful of his own tears.

The shadow moved slowly against the silver rectangles on the far wall: one after the other, very methodical, slow enough that it could spend awhile working at each pane. It used its whole body—Jason could make out skinny legs, a torso that narrowed at the hip, and skinny arms that pressed against the glass.

Jason glanced up over his head. He could not see much of the windows—his bed was directly beneath them, head against the outside wall. But he figured the windows at the top of the wall weren’t more than two feet tall. That meant that the figure—which in shadow looked like a normal man—would have to be considerably shorter than that.

He looked back at the shadow as one of those windows made a snap! and a creaking sound. The shadow ducked, and then it vanished before Jason could look up and see.

Jason unclenched his fist, fumbled for the scalpel, and narrowly avoiding cutting himself on the blade, as he thought again about what Aunt Germaine had said before she and Dr. Bergstrom had left.

Cut yourself free, my darling hero. And run.

Jason set to work. It was not as easy as he might have thought; he had to hold the scalpel in his fist so that the blade came out next to his baby finger, and then position it underneath the middle of three straps that held him down. Then he had to start flicking and sawing.

The leather bit into him fiercely as he did so but he would not stop. The thing, whatever it was, had fallen to the floor. He could hear it scurrying. But he could not see. He could not tell how near it was.

What was it? It was shaped like a man, but no more than a foot or two tall. Bulfinch’s would say it was a dwarf. A better explanation might be that it was a monkey. That would explain its size, and also its speed.

But as he sawed and picked at the leather, struggling to keep a grip with his sweat-slicked hand, listening as the scrambling sound made its way to and fro across the floor, Jason realized it wasn’t just the appearance of the thing.

There was also the whistling.

It was mournful, like an Irish tune about dead lovers—but absent any melody. Jason could not say when it started. The sound seemed in him—like the ringing in the ears that came during long silences—a ringing that might always have been there. Jason listened. As he did, he was dimly aware of the scalpel, slipping from his grip. He took hold of it again, so it would not fall away, but he could not imagine how he would begin cutting.

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