Dean Koontz - By the Light of the Moon

Здесь есть возможность читать онлайн «Dean Koontz - By the Light of the Moon» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Город: London, Год выпуска: 2003, ISBN: 2003, Издательство: Bantam, Жанр: Ужасы и Мистика, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

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Dean Koontz has surpassed his longtime reputation as "America's most popular suspense novelist"(Rolling Stone) to become one of the most celebrated and successful writers of our time. Reviewers hail his boundless originality, his art, his unparalleled ability to create highly textured, riveting drama, at once viscerally familiar and utterly unique.
Author of one #1 New York Times bestseller after another, Koontz is at the pinnacle of his powers, spinning mysteries and miracles, enthralling tales that speak directly to today's readers, balm for the heart and fire for the mind. In this stunning new novel, he delivers a tour de force of dark suspense and brilliant revelation that has all the Koontz trademarks: adventure, chills, riddles, humor, heartbreak, an unforgettable cast of characters, and a climax that will leave you clamoring for more.
Dylan O'Connor is a gifted young artist just trying to do the right thing in life. He's on his way to an arts festival in Santa Fe when he stops to get a room for himself and his twenty-year-old autistic brother, Shep. But in a nightmarish instant, Dylan is attacked by a mysterious "doctor," injected with a strange substance, and told that he is now a carrier of something that will either kill him...or transform his life in the most remarkable way. Then he is told that he must flee--before the doctor's enemies hunt him down for the secret circulating through his body. No one can help him, the doctor says, not even the police.
Stunned, disbelieving, Dylan is turned loose to run for his life...and straight into an adventure that will turn the next twenty-four hours into an odyssey of terror, mystery--and wondrous discovery. It is a journey that begins when Dylan and Shep's path intersects with that of Jillian Jackson. Before that evening Jilly was a beautiful comedian whose biggest worry was whether she would ever find a decent man. Now she too is a carrier. And even as Dylan tries to convince her that they'll be safer sticking together, cold-eyed men in a threatening pack of black Suburbans approach, only seconds before Jilly's classic Coupe DeVille explodes into thin air.
Now the three are on the run together, but with no idea whom they're running from--or why. Meanwhile Shep has begun exhibiting increasingly disturbing behavior. And whatever it is that's coursing through their bodies seems to have plunged them into one waking nightmare after another. Seized by sinister premonitions, they find themselves inexplicably drawn to crime scenes--just minutes before the crimes take place.
What this unfathomable power is, how they can use it to stop the evil erupting all around them, and why they have been chosen are only parts of a puzzle that reaches back into the tragic past and the dark secrets they all share: secrets of madness, pain, and untimely death. Perhaps the answer lies in the eerie, enigmatic messages that Shep, with precious time running out, begins to repeat, about an entity who does his work "by the light of the moon."
By the Light of the Moon is a novel of heart-stopping suspense and transcendent beauty, of how evil can destroy us and love can redeem us--a masterwork of the imagination in which the surprises come page after page and the spell of sublime storytelling triumphs throughout.

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'Shep is scared.' The kid's averted face had faded as pale as whatever haunting spirits he might have glimpsed.

'Your hands are clean, no germs, just you and me, nothing to be afraid of. Okay?'

Shepherd didn't reply but continued to shake.

Resorting to the singsong cadences with which his brother most often could be calmed in moments of emotional turmoil, Dylan said, 'Good clean hands, no dirty germs, good clean hands. Gonna go now, go now, hit the road now. Okay? Gonna roll. Okay? You like the road, on the road again, on the road, goin' places where we never been. Okay? On the road again, like old Willie Nelson, you and me, rollin' along. Like always, rollin'. The old rhythm, the rhythm of the road. You can read your book, read and ride, read and ride. Okay?'

'Okay,' said Shep.

'Read and ride.'

'Read and ride,' Shep echoed. The urgency and tension drained out of his voice even though he still shivered. 'Read and ride.'

As Dylan had calmed his brother, Shep had continued to dry his hands with such energy that the towels had shredded. Crumpled rags and frayed curls of damp paper littered the floor at his feet.

Dylan held Shep's hands until they stopped trembling. Gently, he pried open the clenched fingers and removed the remaining tatters of the paper towels. He wadded this debris and threw it in the nearby trash can.

Placing a hand under Shep's chin, he tipped the kid's head up.

The moment their eyes met, Shep closed his.

'You okay?' Dylan asked.

'Read and ride.'

'I love you, Shep.'

'Read and ride.'

A pinch of color had returned to the kid's wintry cheeks. The lines of anxiety in his face slowly smoothed away as crow tracks might be erased from a mantle of snow by a persistent breeze.

Although Shep's outer tranquility became complete, his inner weather remained troubled. Shuttered, his eyes twitched behind his pale lids, jumping from sight to sight in a world that only he could see.

'Read and ride,' Shep repeated, as if those three words were a calming mantra.

Dylan regarded the bank of toilet stalls. The door of the fourth stood open, as he had left it after he'd checked on the nature of the partitions. The doors of the two middle stalls were ajar, and that of the first remained tightly closed.

'Read and ride,' said Shep.

'Read and ride,' Dylan assured him. 'I'll get your book.'

Leaving his brother beside the towel dispenser, Dylan retrieved Great Expectations from the shelf above the sinks.

Shep stood where he'd been left, head still raised even though Dylan's supporting hand had been removed. Eyes closed, but busy.

Carrying the book, Dylan went to the first stall. He tried the door. It wouldn't open.

'Here, there,' Shep whispered. Standing with his eyes closed, arms slack at his sides, and hands open with both palms facing front, Shepherd had an otherworldly quality, as though he were a medium in a trance, bisected by the membrane between this world and the next. If he had risen off the floor, his levitation would have conformed to his appearance so completely that you would not have been much surprised to see him floating in the air. Although Shep's voice remained recognizably his own, he almost seemed to speak for a seance-summoned entity from Beyond: 'Here, there.'

Dylan knew that no one could be in the first stall. Nevertheless he dropped to one knee and peered under the door to confirm what he understood to be a certainty.

'Here, there.'

He got up and tried the door again. Not just stuck. Locked. From the inside, of course.

A faulty latch, perhaps. Loose, the drop bar might have fallen into the latch channel when no one had been in the stall.

Maybe Shepherd had approached this first compartment, as Dylan had seen him do, but had found it inaccessible, and had at once moved to the fourth without Dylan noticing.

'Here, there.'

The chill found bone first, not skin, and radiated through Dylan from the core of every limb. Fear iced his marrow, although not fear alone; this was also a chill of not entirely unpleasant expectation and of awe inspired by some mysterious looming event that he sensed much in the manner that a storm petrel, winging under curdled black clouds, senses the glorious tempest before being alerted by either lightning or thunder.

Strangely, he glanced at the mirror above the sink, prepared to see a room other than the lavatory in which he stood. His expectation of wonders outstripped the capacity of the moment to deliver them, however, and the reflection proved to be the mundane facts of toilet stalls and urinals. He and Shep were the only figures occupying the reversed image, though he didn't know who or what else he might have expected.

With one last puzzled glance at the locked stall door, Dylan returned to his brother and put one hand on his shoulder.

At Dylan's touch, Shepherd opened his eyes, lowered his head, let his shoulders slump forward, and in general reassumed the humble posture in which he shuffled through life.

'Read and ride,' Shep said, and Dylan said, 'Let's roll.'

20

Jilly waited pensively near the cashier's station, by the front door, gazing out at the night, as radiant as a princess, perhaps the heir of a handsome Roman emperor who had ventured in conquest south of Sidra's shores.

Dylan nearly stopped midrestaurant to study her and to lock in his memory every detail of the way she looked at this moment in the dialed-down, bevel-sheared light from the cut-glass ceiling fixtures, for he wanted to paint her eventually just as she stood now.

Always preferring to remain in motion in any public place, lest a hesitation should encourage a stranger to speak to him, Shepherd allowed no slightest pause, and Dylan was drawn after his brother by their invisible chain.

Bringing hand to hat brim, a departing customer graciously tipped his Stetson to Jilly as she stepped aside to give him easier access to the door.

When she looked up and saw Dylan and Shep approaching, palpable relief chased the pensive expression from her face. Something had happened to her in their absence.

'What's wrong?' he asked when he reached her.

'I'll tell you in the truck. Let's get out of here. Let's go.'

Opening the door, Dylan put his hand on fresh spoor. Bleakness, an oppressive sense of solitude, a dark-night-of-the-soul loneliness pierced him and filled him with an emotional desolation as blasted, burnt, and ash-shrouded as a landscape in the aftermath of an all-consuming fire.

He tried immediately to insulate himself from the power of the latent psychic print on the door handle, as he had learned to do with the restaurant menu. This time, however, he wasn't able to resist the influx of energy.

With no memory of crossing the threshold, Dylan found himself outside and on the move. Even hours past sundown, the mild desert night withdrew the banked heat of the day from the blacktop, and he detected the faint scent of tar under the kitchen odors that rose from the restaurant roof vents.

Glancing back, he saw Jilly and Shep standing in the open door, already ten feet behind him. He had dropped Shep's book, which lay on the pavement between him and them. He wanted to retrieve the book and return to Shep and Jilly. He could not. 'Wait here for me.'

Car to pickup to SUV, he was impelled to venture farther into the parking lot, not with the urgency that had earlier caused him to turn the Expedition on a dime and leave nine cents change, but with a nonetheless motivating perception that an important opportunity would shortly be foreclosed if he didn't act. He knew that he wasn't out of control, that on a subconscious level he understood exactly what he was doing, and why, as he had subconsciously understood his purpose when he had driven pell-mell and hell-bent to the house on Eucalyptus Avenue, but he felt out of control just the same.

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