Dean Koontz - By the Light of the Moon

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Dean Koontz has surpassed his longtime reputation as "America's most popular suspense novelist"(Rolling Stone) to become one of the most celebrated and successful writers of our time. Reviewers hail his boundless originality, his art, his unparalleled ability to create highly textured, riveting drama, at once viscerally familiar and utterly unique.
Author of one #1 New York Times bestseller after another, Koontz is at the pinnacle of his powers, spinning mysteries and miracles, enthralling tales that speak directly to today's readers, balm for the heart and fire for the mind. In this stunning new novel, he delivers a tour de force of dark suspense and brilliant revelation that has all the Koontz trademarks: adventure, chills, riddles, humor, heartbreak, an unforgettable cast of characters, and a climax that will leave you clamoring for more.
Dylan O'Connor is a gifted young artist just trying to do the right thing in life. He's on his way to an arts festival in Santa Fe when he stops to get a room for himself and his twenty-year-old autistic brother, Shep. But in a nightmarish instant, Dylan is attacked by a mysterious "doctor," injected with a strange substance, and told that he is now a carrier of something that will either kill him...or transform his life in the most remarkable way. Then he is told that he must flee--before the doctor's enemies hunt him down for the secret circulating through his body. No one can help him, the doctor says, not even the police.
Stunned, disbelieving, Dylan is turned loose to run for his life...and straight into an adventure that will turn the next twenty-four hours into an odyssey of terror, mystery--and wondrous discovery. It is a journey that begins when Dylan and Shep's path intersects with that of Jillian Jackson. Before that evening Jilly was a beautiful comedian whose biggest worry was whether she would ever find a decent man. Now she too is a carrier. And even as Dylan tries to convince her that they'll be safer sticking together, cold-eyed men in a threatening pack of black Suburbans approach, only seconds before Jilly's classic Coupe DeVille explodes into thin air.
Now the three are on the run together, but with no idea whom they're running from--or why. Meanwhile Shep has begun exhibiting increasingly disturbing behavior. And whatever it is that's coursing through their bodies seems to have plunged them into one waking nightmare after another. Seized by sinister premonitions, they find themselves inexplicably drawn to crime scenes--just minutes before the crimes take place.
What this unfathomable power is, how they can use it to stop the evil erupting all around them, and why they have been chosen are only parts of a puzzle that reaches back into the tragic past and the dark secrets they all share: secrets of madness, pain, and untimely death. Perhaps the answer lies in the eerie, enigmatic messages that Shep, with precious time running out, begins to repeat, about an entity who does his work "by the light of the moon."
By the Light of the Moon is a novel of heart-stopping suspense and transcendent beauty, of how evil can destroy us and love can redeem us--a masterwork of the imagination in which the surprises come page after page and the spell of sublime storytelling triumphs throughout.

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'It won't be that way,' Dylan said, but he knew she was right.

Jilly leaned toward him, her voice lowering, but gaining in intensity what it lost in volume: 'Why won't it? Listen, you've got to admit, even if it were just you and me in this mess together, we'd be on a greased slope in glass shoes. So then hang a hundred-sixty-pound, butter-munching millstone around our necks, and what chance do we have?'

'He's not a millstone,' Dylan said stubbornly.

To Shep, she said, 'Sweetie, no offense, but if we have any hope of getting through this, the three of us, we've got to face facts, speak the truth. We lie to ourselves, we're dead. Maybe you can't help being a millstone, but maybe you can, and if you can, then you've got to work with us.'

Dylan said, 'We've always been a great team, me and Shep.'

'Team? Some team. You two couldn't run a three-legged sack race without the sack ending up on somebody's head.'

'He ain't heavy-'

'Oh, don't say it,' she interrupted. 'Don't you dare say it, O'Conner. don't you dare, you hope-drunk lunatic, you power-of-positive-thinking nutball.'

'He ain't heavy, he's my-'

'-idiot-savant brother,' she finished for him.

Patiently, quietly, Dylan explained: 'No. An idiot savant is mentally defective with a low IQ, but with an exceptional talent in one special field, such as the ability to solve complex mathematical problems at lightning speed or to play any musical instrument upon first picking it up. Shep's got a high IQ, and he's exceptional in more ways than one. He's just… some kind of autistic.'

'We're doomed,' she repeated.

Shepherd chewed another pat of butter with enthusiasm, all the while staring at his plate from a distance of just ten inches, as though he, like Dylan, had discovered the purpose of life, and as though that purpose were meat loaf.

19

Each time the door opened and a customer entered, Dylan tensed. The SUV crowd couldn't have tracked them this fast. And yet…

The waitress brought the second round of beers, and after Jilly drew cold comfort from a swallow of Sierra Nevada, she said, 'So we hole up somewhere around the Petrified Forest and… You said what? You said think ?'

'Think,' Dylan confirmed.

'Think about what, besides how to stay alive?'

'Maybe we can figure out how to track down Frankenstein.'

'You forget he's dead?' she asked.

'I mean, track down who he was before they killed him.'

'We don't even have a name, except the one we made up.'

'But he was evidently a scientist. Medical research. Developing psychotropic drugs, psychotropic stuff , psychotropic something, which gives us a key word. Scientists write papers, produce articles for journals, give lectures. They leave a trail.'

'Intellectual breadcrumbs.'

'Yeah. And if I think about it, I might remember more of what the bastard said back there in my motel room, other key words. With enough key words, we can go on the Internet and winnow through the researchers working to enhance brain function, related areas.'

'I'm no tech whiz,' she said. 'Are you?'

'No. But this search doesn't take technical expertise, just patience. Even some of those stuffy science journals run photos of their contributors, and if he was near the top of his field, which it seems he must've been, then he'll have gotten newspaper coverage. As soon as we find a photo, we have a name. Then we can read about him and find out what he's been working on.'

'Unless his research was all top secret, like the Manhattan Project, like the formula for fudge-covered Oreos.'

'There you go again.'

'Even if we get the full skinny on him,' she said, 'how does that help us?'

'Maybe there's a way to undo what he did to us. An antidote or something.'

'Antidote. What – we toss frog tongues, bat wings, and lizard eyes in a big cauldron, stew them up with some broccoli?'

'Here comes Negative Jackson, vortex of pessimism. The folks at DC Comics ought to develop a new superhero around you. They go in for brooding, depressive superheroes these days.'

'And you're a Disney book. All sugar and talking chipmunks.'

In a Wile E. Coyote T-shirt, hunched over his dinner plate, Shep snickered, either because the Disney crack rang his bell or because he found the remaining meat loaf amusing.

Shepherd wasn't always as disconnected as he appeared to be.

'What I'm saying,' Dylan continued, 'is that maybe his work was controversial. And if so, then it's possible some of his colleagues opposed his research. One of them will understand what was done to us – and might be willing to help.'

'Yeah,' she said, 'and if a lot of money is needed to finance the research to find this antidote, we can always get a few billion from your uncle Scrooge McDuck.'

'You have a better idea?'

She stared at him as she drank her beer. One swallow. Two.

'I didn't think so,' he said.

Later, when the waitress brought the check, Jilly insisted on paying for the two beers that she'd ordered.

From her attitude, Dylan deduced that paying her own way was an issue of honor with her. Further, he suspected that she would no more graciously accept a nickel for a parking meter than she would take ten bucks for two beers and a tip.

After putting the tenner on the table, she counted the contents of her wallet. The calculation didn't require much time or higher mathematics. 'I'll need to find an ATM, make a withdrawal.'

'No can do,' he said. 'Those guys who blew up your car – if they have any kind of law-enforcement connections, which they probably do, then they'll be able to follow a plastic trail. And quick.'

'You mean I can't use credit cards, either?'

'Not for a while, anyway.'

'Big trouble,' she muttered, staring glumly into her wallet.

'It's not big trouble. Not considering our other problems.'

'Money trouble,' she said solemnly, 'is never little trouble.'

In that one statement, Dylan could read whole chapters from the autobiography of her childhood.

Although he didn't know for sure that the men in pursuit of her could have connected Jilly to him and Shep, Dylan decided not to use any of his plastic, either. When the restaurant ran his card through their point-of-sale verification machine, the transaction would register in a credit-clearing center. Any legitimate law-enforcement agency or any gifted hacker with dirty money behind him, monitoring that center either with a court order or secretly, might be running software that could track selected individuals immediately upon the execution of a credit-card purchase.

Paying with cash, Dylan was surprised to feel no charge of uncanny energy on the currency, which had passed through uncountable hands before coming into his possession in a bank withdrawal a couple days ago. This suggested that unlike fingerprints, psychic spoor faded completely away with time.

He told the waitress to keep the change, and he took Shep to the men's room, while Jilly visited the ladies'.

'Pee,' Shep said as soon as they walked into the lavatory and he knew where they were. He put his book on a shelf above the sinks. 'Pee.'

'Pick a stall,' Dylan said. 'I think they're all unused.'

'Pee,' Shep said, keeping his head down, peering up from under his brow as he shuffled to the first of the four stalls. From behind the door, as he latched it, he said, 'Pee.'

A robust seventy-something man with a white mustache and white muttonchops stood at one of the sinks, washing his hands. The air smelled of orange-scented soap.

Dylan approached a urinal. Shep couldn't produce at a urinal because he feared being spoken to while indisposed.

'Pee,' Shep called out from behind his stall door. 'Pee.'

In any public restroom, Shepherd became so uncomfortable that he needed to be in continuous voice contact with his brother, to assure himself that he hadn't been abandoned.

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