Dean Koontz - By the Light of the Moon

Здесь есть возможность читать онлайн «Dean Koontz - By the Light of the Moon» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Город: London, Год выпуска: 2003, ISBN: 2003, Издательство: Bantam, Жанр: Ужасы и Мистика, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

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Dean Koontz has surpassed his longtime reputation as "America's most popular suspense novelist"(Rolling Stone) to become one of the most celebrated and successful writers of our time. Reviewers hail his boundless originality, his art, his unparalleled ability to create highly textured, riveting drama, at once viscerally familiar and utterly unique.
Author of one #1 New York Times bestseller after another, Koontz is at the pinnacle of his powers, spinning mysteries and miracles, enthralling tales that speak directly to today's readers, balm for the heart and fire for the mind. In this stunning new novel, he delivers a tour de force of dark suspense and brilliant revelation that has all the Koontz trademarks: adventure, chills, riddles, humor, heartbreak, an unforgettable cast of characters, and a climax that will leave you clamoring for more.
Dylan O'Connor is a gifted young artist just trying to do the right thing in life. He's on his way to an arts festival in Santa Fe when he stops to get a room for himself and his twenty-year-old autistic brother, Shep. But in a nightmarish instant, Dylan is attacked by a mysterious "doctor," injected with a strange substance, and told that he is now a carrier of something that will either kill him...or transform his life in the most remarkable way. Then he is told that he must flee--before the doctor's enemies hunt him down for the secret circulating through his body. No one can help him, the doctor says, not even the police.
Stunned, disbelieving, Dylan is turned loose to run for his life...and straight into an adventure that will turn the next twenty-four hours into an odyssey of terror, mystery--and wondrous discovery. It is a journey that begins when Dylan and Shep's path intersects with that of Jillian Jackson. Before that evening Jilly was a beautiful comedian whose biggest worry was whether she would ever find a decent man. Now she too is a carrier. And even as Dylan tries to convince her that they'll be safer sticking together, cold-eyed men in a threatening pack of black Suburbans approach, only seconds before Jilly's classic Coupe DeVille explodes into thin air.
Now the three are on the run together, but with no idea whom they're running from--or why. Meanwhile Shep has begun exhibiting increasingly disturbing behavior. And whatever it is that's coursing through their bodies seems to have plunged them into one waking nightmare after another. Seized by sinister premonitions, they find themselves inexplicably drawn to crime scenes--just minutes before the crimes take place.
What this unfathomable power is, how they can use it to stop the evil erupting all around them, and why they have been chosen are only parts of a puzzle that reaches back into the tragic past and the dark secrets they all share: secrets of madness, pain, and untimely death. Perhaps the answer lies in the eerie, enigmatic messages that Shep, with precious time running out, begins to repeat, about an entity who does his work "by the light of the moon."
By the Light of the Moon is a novel of heart-stopping suspense and transcendent beauty, of how evil can destroy us and love can redeem us--a masterwork of the imagination in which the surprises come page after page and the spell of sublime storytelling triumphs throughout.

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A swooping shadow, a thrum overhead. Dylan looked up in time to see a desert bat snare a moth in midflight, the killing silhouetted against a tall parking-lot lamp. This sight would not have chilled him on another night, but chilled him now.

An SUV in the street. Not a Suburban. But cruising past slowly. Dylan watched until it passed out of sight.

The bloodhound of intuition led him across the parking lot to a ten-year-old Pontiac. He touched the driver's door, and every nerve end in his hand received the psychic spoor.

'You were twenty,' Dylan said, 'Emily just seventeen, when the girl came along.'

'We had no money, no prospects.'

'Emily's parents had died young, and yours were… useless.'

'You know what you can't know,' Tanner marveled. 'That's exactly how it was. No family to back us up.'

When the faintly fizzing trace on the driver's door did not electrify Dylan, he moved around the Pontiac to the passenger's side.

At his heels, the old man said, 'Still, we'd have kept her no matter how hard things got. But then in Emily's eighth month-'

'A snowy night,' Dylan said. 'You were in a pickup truck.'

'No match for a semi.'

'Both your legs were broken.'

'Broke my back, too, and internal injuries.'

'No health insurance.'

'Not a dime. And I was a year gettin' back on my feet.'

At the front door on the passenger's side, Dylan found an imprint different from the one on the driver's door.

'Broke our hearts to give that baby up, but we prayed it was the best thing for her.'

Dylan detected a sympathetic resonance between the psychic trace of this unknown person and that of Ben Tanner.

'By God, you're the true thing,' the old man said, abandoning his skepticism more quickly than Dylan would have thought possible. Songless for so long, hope – that feathered thing perched in his soul – was singing again to Ben Tanner. 'You're real.'

No matter what might come, Dylan remained compelled to follow this incident to its inevitable conclusion. He could no more easily turn away than a rainstorm could reverse course and pour upward from the puddled earth into the wrung-out thunderheads from which it had fallen. Nevertheless, he was loath to raise the old man's hopes, for he couldn't foresee the end point. He couldn't guarantee that the father-and-child reunion that seemed miraculously in process was, in fact, destined to occur this night – or ever.

'You're real,' Tanner repeated, this time with a disquieting reverence.

Dylan's hand tightened around the Pontiac door handle, and in his mind a connection occurred with the solid ca-chunk of railroad cars coupling. 'Dead man's trail,' he murmured, not sure what he meant, but not thrilled by the sound of it. He turned from the car toward the restaurant. 'There's an answer here, if you want it.'

Seizing Dylan by the arm, halting him, Tanner said, 'You mean the girl? In there? Where I just was?'

'I don't know, Ben. It doesn't work that way with me. No clear visions. No final answers till I reach the end. It's like a chain, and I go link by link, not knowing what the last link is until I've got it.'

Choosing to ignore the warning implicit in Dylan's words, the old man said wonderingly, 'I wasn't actually looking for her here. Not in this town, this place. Pulled off the road, came for dinner, that's all.'

'Ben, listen, I said there's an answer here, but I don't know if the answer is the girl herself. Be prepared for that.'

The old man had taken his first taste of hope not a minute ago, and already he was drunk with it. 'Well, like you said, if this isn't the last link, you'll find the next one, and the one after that.'

'All the way to the last link,' Dylan agreed, recalling the relentlessness of the compulsion that had driven him to Eucalyptus Avenue. 'But-'

'You'll find my girl, I know you will, I know.' Tanner didn't seem to be the type who could flip from despair to joy in a manic moment, but perhaps the prospect of resolving fifty years of regret and remorse was sufficiently exhilarating to effect an immediate emotional transformation even in a stoic heart. 'You're an answer to prayers.'

In truth, Dylan might have been at least mildly enthusiastic about playing hero twice in one night, but his enthusiasm curdled when he realized how devastated Ben Tanner would be if this chase didn't have a storybook ending.

Gently, he broke the old man's grip on his arm and continued toward the restaurant. Since there was no turning back, he wanted to finish this as quickly as possible and put an end to the suspense.

Jinking bats, now three in number, frolicked in their aerial feast, and the paper-fragile exoskeleton of each doomed moth made a faint but audible crunch when snapped in those rodent teeth: entire death announcements in crisp strokes of exclamatory punctuation.

If Dylan had believed in omens, these lamplit bats would have warranted a pause for consideration. And if they were an omen, they certainly didn't portend success in the search for Ben Tanner's girl.

Dead man's trail.

The words returned to him, but he still didn't know what he ought to infer from them.

If a chance existed that the old man's long-lost daughter would be found inside the restaurant, then perhaps it was equally likely that she was dead and that who waited to be discovered instead at the end of this particular chain was the physician who had attended her during her final hours or the priest who'd given her last rites. No less possible: She might not merely have died; she might have been murdered, and at dinner this evening might be the policeman who had found her body. Or the man who had murdered her.

With the buoyant Ben at his side, Dylan paused when he reached Jilly and Shep, but made no introductions, offered no explanations. He handed his keys to Jilly, leaned close, and said, 'Get Shep belted in. Get out of the parking lot. Wait for me half a block that way.' He pointed. 'Keep the engine running.'

Events in the restaurant, whether they proved to be good or bad, might cause sufficient commotion to ensure that the employees and the customers would be interested enough in Dylan to watch him through the big front windows when he left. The SUV must not be near enough for anyone to read the license plates or to discern clearly the make and model of the vehicle.

To her credit, Jilly asked no questions. She understood that in his stuff -driven condition, Dylan couldn't do other than what he was impelled to do. She accepted the keys, and she said to Shep, 'Come on, sweetie, let's go.'

'Listen to her,' Dylan told his brother. 'Do what she says,' and he led Ben Tanner into the restaurant.

The hostess said, 'I'm sorry, but we're no longer seating for dinner.' Then she recognized them. 'Oh. Forget something?'

'Saw an old friend,' Dylan lied, and headed into the dining area with the confidence that although he didn't know where he was going, he would arrive at where he needed to be.

The couple sat at a corner table. They appeared to be in their middle to late twenties.

Too young to be Ben Tanner's daughter, the woman looked up as Dylan approached her without hesitation. A pretty, fresh-faced, sun-browned brunette, she had eyes that were a singular shade of blue.

'Excuse me for interrupting,' Dylan said, 'but do the words dead man's trail mean anything to you?'

Smiling uncertainly but as though prepared to be delighted, the woman glanced at her companion. 'What's this, Tom?'

Tom shrugged. 'A setup for some joke, I guess, but it's not my joke, I swear.'

Turning her attention to Dylan once more, the woman said, 'Dead Man's Trail is a desert back road 'tween here and San Simon. Just dirt and tire-snapped rattlesnakes. It's where me and Tom first met.'

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