Charlie Huston - Already Dead

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From Publishers Weekly
Starred Review. After two hard-boiled hits, Caught Stealing and Six Bad Things, Huston does an irresistible and fiendishly original take on the vampire myth. Manhattan is teeming with the undead, the island divided into often-warring vampire clans such as the Society, the Hood and the Enclave. The most powerful is the Coalition, whose goal is to protect its members from public scrutiny and persecution. Rogue PI Joe Pitt (aka Simon), who like all vampires is infected with a virus that requires him to drink blood regularly, is hired by Marilee Horde, a prominent New York socialite, to locate her runaway teenage daughter, Amanda, who may be slumming with homeless goth kids in the East Village. Meanwhile, a "carrier" is on the loose, infecting its victims with a bacterium that turns them into brain-eating zombies. The Coalition wants Pitt to find and destroy the carrier, since the carnage the zombies are causing brings unwanted attention to the undead community. Huston has fun playing with the conventions of the genre, creating his own hip update that will appeal to fans of Quentin Tarantino and Buffy the Vampire Slayer alike.
From Bookmarks Magazine
Already Dead is not for the squeamish. Even so, it surprised even critics who had never thought themselves fans of Count Dracula. Huston portrays a noirish, gritty, alter-Manhattan world, with political rivalries comprised of all sorts of vampires, even "revolutionary" gay and lesbian ones. The terse, hard-boiled prose and characters contain shades of Raymond Chandler, Hunter S. Thompson, and Quentin Tarantino, but are wholly original. Despite the novel’s sophistication, it’s not for everyone. "Huston deserves hardcover publication and will get it soon enough, but it’s probably true that this book’s core audience is among the young, the cool, the hip, and the unshockable" (Washington Post).
Those stories you hear? The ones about things that only come out at night? Things that feed on blood, feed on us? Got news for you: they're true. Only it's not like the movies or old man Stoker's storybook. It's worse. Especially if you happen to be one of them
Just ask Joe Pitt.
There's a shambler on the loose. Some fool who got himself infected with a flesh-eating bacteria is lurching around, trying to munch on folks' brains. Joe hates shamblers, but he's still the one who has to deal with them. That's just the kind of life he has. Except afterlife might be better word.
From the Battery to the Bronx, and from river to river, Manhattan is crawling with Vampyres. Joe is one of them, and he's not happy about it. Yeah, he gets to be stronger and faster than you, and he's tough as nails and hard to kill. But spending his nights trying to score a pint of blood to feed the Vyrus that's eating at him isn't his idea of a good time. And Joe doesn't make it any easier on himself. Going his own way, refusing to ally with the Clans that run the undead underside of Manhattan - it ain't easy. It's worse once he gets mixed up with the Coalition - the city's most powerful Clan - and finds himself searching for a poor little rich girl who's gone missing in Alphabet City.
Now the Coalition and the girl's high-society parents are breathing down his neck, anarchist Vampyres are pushing him around, and a crazy Vampyre cult is stalking him. No time to complain, though. Got to find that girl and kill that shambler before the whip comes down . . . and before the sun comes up.

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'Cause I think I have it figured now, not all of it, but pieces. The piece where Dr. Dale Horde is fucking Whitney Vale I got figured. The piece where Amanda Horde finds out her dad is fucking her friend, freaks and splits, I got figured. And that's enough for me to go after Horde. 'Cause the other thing I got figured is that he's the one had Dobbs taken care of. Dobbs found something out, say he found out about Horde banging Vale and tried a little blackmail. That's about his speed. Horde gets rid of him and cleans out his files. And somewhere in those files is something that can tell him where his daughter is. Marilee was worried about the wrong thing; it's not about keeping Amanda away from him, it's about getting her back. Figure he's got her already, and that means she's on the clock. I don't know where the carrier gets into it, but that's one more thing the fucker's gonna tell me when I start in on him.

So here I am, walking the streets at five in the morning, watching the pale line of blue at the tops of the buildings, looking like just another sad-case junkie trying to get lucky.

I see my mark.

It's not the kind of thing I like, but it'll have to do. A girl in her early twenties wearing last night's party clothes, clearly doing the walk of shame home from some guy's apartment. Her eyes are dull and she's running her fingers along the sides of the parked cars, trying to keep her drunken balance. We're on 11th between B and C. Just up ahead, a brownstone is being gutted and made over for condos. Scaffolding canopies the sidewalk and a thin plywood fence screens the ripped-out facade of the first floor. I can catch her in that dark tunnel, kick through one of the boards, tap her in the building, and the construction guys will find her in an hour and call the cops. It's a crappy job, but hell, I'm probably doing the chick a favor getting her off the street before some nasty piece of shit grabs her and rapes her.

I come up behind her and whack her on the back of the head. I give her a good straight shot, use the pad of muscle at the base of my open hand. Her head snaps forward and her brain bangs against the front of her skull and she goes limp. She's so gone I barely had to hit her. I catch her as she goes down, lay her out on the sidewalk, get a grip on one of the four by eight plywood sheets that make up the fence, and wrench it loose. I scoop up the girl, get her inside, scrape the plywood back into place and get to work.

She has some great veins in her arm and I don't have time to get creative. I unzip my kit, roll on the gloves and put the works together. I remove the needle from the blood cup, screw it into the receiving tube and attach the hose and bag. Then I tie the tourniquet above her elbow and swab her skin with alcohol. I hold the needle in my right hand and her arm in my left, bracing the vein with my thumb, and slide the needle in. It's a good strong vein. Blood fills the tube. I release the valve and pressure from her young, healthy heart pumps blood through the hose and starts to fill the bag. I watch the rich, almost purple blood and my dick starts to get hard.

It's over in less than five minutes. I break down my works, carefully slide the IV bag inside my jacket and it's over. I'm gonna drink this straightaway when I get home so I don't even have to worry about adding anti-clotting agents. She's got a tiny mark on her arm, but her skin is dark and I don't think she'll be bruising. Little luck and she'll think it's a bug bite. Before I leave I open her handbag and shake the contents onto the ground. I take the five bucks she's got and her cell phone. I'll just dump the phone later, but it'll make it look a little more like a mugging this way. I stand up and get ready to move the plywood out of the way. I stop.

I take another look at her, limp and helpless on the ground. I should take another pint. Just to be safe I should take one more. Hell, I should just drain her. I can. I can carry her to the avenue like she's my drunk girlfriend. Get her in a cab, take her home and have all the time in the world to get it all. Fucking chick like that, walking around loaded, shit-faced out of her mind, chick like that is asking for trouble. Shit, chick like that probably has a death wish. Be doing her a fucking favor. I bend over to pick her up.

I stop.

It's the Vyrus. It's just the fucking Vyrus talking. It's not me. I know better. That's not the way to do things. It's stupid and it's weak. It's not who I am. I may not be the sharpest crayon in the box, but I'm smarter than that. And I'm not that weak. Not yet.

So I shove the plywood out of the way, step onto the sidewalk, shove it back and head for home. I get about two steps before Hurley clobbers me again.

– I fucking knew it.

Oh, hell.

– Fucking knew it. Consorting. Consorting and poaching.

I keep my eyes closed. I know who I'm gonna see when I open them and I'd just as soon put it off for another minute.

– Mr. Clean. Mr. Shit Don't Stick on Me, and there he is, consorting with the Coalition and poaching that chick.

– Don't say chick.

– Yeah, yeah. Poaching that woman. I told Terry, told him and told him, but he coddles this guy. Knows he spooks for the Coalition and he lets him stay down here anyway. Well not anymore. Wanted evidence?

I open my eyes. Closet. Dark. Dank. Dim cracks of light sneak in around the edges of an ill-fitting door.

– I got evidence.

I'm lying on my side. I go to push myself up and realize that my hands are cuffed and my ankles are shackled. I squirm into a sitting position. The brick wall behind my back sweats moisture.

– What kind of evidence?

– Well I saw him, didn't I? Me and Hurley both saw him.

– But doing what, Tom?

– We saw him take that Coalition chick… woman into his place, and we saw him poach that other ch… woman.

– How do you know she was Coalition? Are they wearing uniforms now?

– Trust me, you saw this one, you'd know she was Coalition.

– How?

– How? The way you always know. Had that attitude, that the world belongs to me attitude. Talk about a bitch who thinks her shit doesn't stink. This one-

– Don't call women bitches.

– Yeah, right.

I scoot closer to the door and put my eye against one of the cracks. I'm back at Society headquarters. Squares of carpet sample are spread around on the floor and handmade anarchist protest posters that look like oversized ransom notes cover the walls. I can see Tom Nolan's back. He's standing at a hot plate, stirring a big pot of something steaming and smelly.

– So you saw him with a woman who might be Coalition. And what else?

– She was Coalition. But even if she wasn't? He poached. Right on the street, just whacked that girl.

– Was she a child?

– What?

– Was she a child?

– In her twenties or something.

– So she's not a girl, right?

– Right, yeah. He whacked this woman right on the street and dragged her into a construction site. Tapped her right there for anyone to see. A total fucking abuse of Society policies. On our turf. A slap in the face to our beliefs and methods. That can't be disputed, period. And besides, you're the one who's always going on about how more women are tapped than men.

Lydia comes into view and stands next to Tom.

– I'm not going on about anything. There is a huge imbalance in the number of women victimized by Vyrus-incited violence.

– That's what I'm saying.

– So you just had Hurley knock him out and carry him down the street to here?

– Hey, I had to take action. There's no telling what he's plotting with his bosses up there, what kind of trouble they have him stirring up. It was time to deal with it. He's a Coalition stooge and the time has come.

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