Charlie Huston - Already Dead

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From Publishers Weekly
Starred Review. After two hard-boiled hits, Caught Stealing and Six Bad Things, Huston does an irresistible and fiendishly original take on the vampire myth. Manhattan is teeming with the undead, the island divided into often-warring vampire clans such as the Society, the Hood and the Enclave. The most powerful is the Coalition, whose goal is to protect its members from public scrutiny and persecution. Rogue PI Joe Pitt (aka Simon), who like all vampires is infected with a virus that requires him to drink blood regularly, is hired by Marilee Horde, a prominent New York socialite, to locate her runaway teenage daughter, Amanda, who may be slumming with homeless goth kids in the East Village. Meanwhile, a "carrier" is on the loose, infecting its victims with a bacterium that turns them into brain-eating zombies. The Coalition wants Pitt to find and destroy the carrier, since the carnage the zombies are causing brings unwanted attention to the undead community. Huston has fun playing with the conventions of the genre, creating his own hip update that will appeal to fans of Quentin Tarantino and Buffy the Vampire Slayer alike.
From Bookmarks Magazine
Already Dead is not for the squeamish. Even so, it surprised even critics who had never thought themselves fans of Count Dracula. Huston portrays a noirish, gritty, alter-Manhattan world, with political rivalries comprised of all sorts of vampires, even "revolutionary" gay and lesbian ones. The terse, hard-boiled prose and characters contain shades of Raymond Chandler, Hunter S. Thompson, and Quentin Tarantino, but are wholly original. Despite the novel’s sophistication, it’s not for everyone. "Huston deserves hardcover publication and will get it soon enough, but it’s probably true that this book’s core audience is among the young, the cool, the hip, and the unshockable" (Washington Post).
Those stories you hear? The ones about things that only come out at night? Things that feed on blood, feed on us? Got news for you: they're true. Only it's not like the movies or old man Stoker's storybook. It's worse. Especially if you happen to be one of them
Just ask Joe Pitt.
There's a shambler on the loose. Some fool who got himself infected with a flesh-eating bacteria is lurching around, trying to munch on folks' brains. Joe hates shamblers, but he's still the one who has to deal with them. That's just the kind of life he has. Except afterlife might be better word.
From the Battery to the Bronx, and from river to river, Manhattan is crawling with Vampyres. Joe is one of them, and he's not happy about it. Yeah, he gets to be stronger and faster than you, and he's tough as nails and hard to kill. But spending his nights trying to score a pint of blood to feed the Vyrus that's eating at him isn't his idea of a good time. And Joe doesn't make it any easier on himself. Going his own way, refusing to ally with the Clans that run the undead underside of Manhattan - it ain't easy. It's worse once he gets mixed up with the Coalition - the city's most powerful Clan - and finds himself searching for a poor little rich girl who's gone missing in Alphabet City.
Now the Coalition and the girl's high-society parents are breathing down his neck, anarchist Vampyres are pushing him around, and a crazy Vampyre cult is stalking him. No time to complain, though. Got to find that girl and kill that shambler before the whip comes down . . . and before the sun comes up.

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I don't bother asking if she thinks her husband had anything to do with Vale's death. I don't have to. After all, the killer's hand is holding the cigarette I'm smoking.

Her cell rings once.

– That's my car, Joseph.

I get up.

– Whitney stopped coming over around two weeks ago. So what happened between then and when your daughter took off?

She walks to the door and waits for me there. I come down the hall, open the locks, and we walk to the street door.

– I came home one day and she and Dale were fighting. They stopped when I came in. Amanda ran to her room and Dale retreated to his office.

– What'd you do?

– I went to Amanda's room and asked her if her father had touched her.

– What'd she say?

– She said, Moooom. The next morning she was gone.

– And when you heard about Whitney you didn't call the cops? You didn't worry more about your daughter?

– No, Joseph. Something of that nature occurs and we know who to call. We called Mr. Predo. And he called you. The best man for the job is what he said, I believe.

She points at the door.

– Please.

I open the door and we stand there.

– You still want me to find her?

– Why wouldn't I?

– From what you said she might be better off wherever she is.

She glances at her limo, back at me, and puts a hand lightly on my shoulder.

– Find her, Joseph.

She leans close, her breasts press against my chest.

– Find her and bring her home. If she's out there, he might find her first.

She kisses the edge of my mouth.

– And his interests are becoming… baroque.

My voice husks in my throat.

– What the hell does that?

She opens her mouth, bites off what was about to come out, and shakes her head.

– Find her.

She wipes her thumb over the smudge of lipstick at the corner of my mouth, walks to the limo, and it takes her away.

Baroque.

I turn to go back inside and see Evie standing on the sidewalk just up the street. She stares at me for a second, turns and starts to walk away. But she stops. She turns back around. And she flips me off. Then she's gone.

I can't go after her now. I can't be in a scene where there'll be yelling and screaming and tears. Not when I'm this hungry. Instead I stand there and wish the guy in the bathroom at CBGB had finished the fucking job.

It's after four. I need to get my works together. I go down to the basement room and open the safe. I take out the thin leather wallet and unzip it. There's a new pair of rubber gloves inside, a tiny bottle of alcohol and some swabs. I fill the other slots and pockets of the kit with clean needles, some fresh surgical tubing and a couple unused IV bags. I close and lock the safe and slip the wallet inside my jacket. I have a few hours before sunrise to get some blood. I need to get it now so I can be at full strength tomorrow night when I go after Dale Horde.

There are rules. They aren't written down, but you follow them anyway.

1) Don't hunt where you live.

2) Don't get greedy.

3) No gruesome kills.

4) Don't tap anyone who will notice it.

5) No double taps.

6) Don't hunt Clan turf without a permit.

7) No witnesses.

All these rules can be summed up in a single phrase: Don't shit where you eat. But that's easier said than done.

The main thing is, it takes time. Gonna go for a kill? You need time. Time to find the mark. That means someone who won't be missed soon, or so much that it raises a stink. Time to take care of the mark. That means privacy to tap the mark out, drain 'em dry. The human body holds around five to five-and-a-half quarts; that's ten or eleven pints. Only rookies or thrill seekers, like the fuck who infected me, go for a kill and leave anything in the mark. And when you're done, you got a corpse that's been sucked dry to the bone. Something like that draws a little attention. So you need a place to get rid of it, somewhere it will never be found.

Say you're like me, say you don't like the kill, say you think it's bad for business. Why is it bad for business? The Coalition is far and away the largest Clan, and Terry tells me there are just over two thousand members. All together, he figures there's four thousand of us on the island. Most slobs, the rank and file in the Coalition, bottom-feeding Rogues, small outfits like the Family down in Little Italy, most get by on a pint a week. Let's go with the low end, call it an average of four thousand pints a week.

That's five hundred gallons. That's over three hundred and fifty corpses a week to keep us going. Even Brooklyn doesn't have a murder rate that high. So keeping the kills down is in everybody's best interest. Especially mine.

So you go for the tap. But that takes time, too. Got to find a mark you can knock out. That means someone you can drug or get drunk or just bash on the head. Got to make sure you can get the mark somewhere private. That usually means someplace they're comfortable, which means they're maybe comfortable with you, which means maybe they know you, which definitely means extra risks. Or it means finding the right alley at the right hour, the kind of place where you know the right kind of mark will be coming around. And what about those needle tracks? What does a non-IV-drug-user think of the new holes in his arm when he wakes up? So you have to hide the tracks, find a good vein on the ass or in the armpit. That's why junkies are a favorite. They're easy to get alone, all it takes is a dime bag. They nod as soon as they shoot up. And they're not likely to remember who the guy was that got them high or notice another track. The problem is they get tapped so much you have to worry about double tapping, and it's never a good idea to push your luck by hitting the same mark more than once.

Some guys got someone special. They got a Renfield or a Lucy that keeps them well fed and loves it. Those freaks just open their veins and let their owners fill up. They can only do it about four times a month, and that's pushing it, but it's still a good deal. Like having your own milk cow. There's other options. Guys get jobs at blood banks and hospitals, keep themselves stocked and sell a little on the side, as well. I have a hookup like that, but I'm already into him for a few grand and he won't be looking to front me anything more on credit until I pay off. Besides, he's like any other connection, never there when you need him in a hurry.

The main thing is you have to remember the numbers. Manhattan has a population of over eight and a half million. And there are four thousand of us. The odds are kind of against you.

Terry thinks the Coalition owns their own blood bank, thinks they have it outside the city, like an offshore account. He thinks they buy blood from banks around the country through blinds and cutouts, and then bring it into the city to feed their little legion. The rest of us have to walk on our toes and remember those numbers: eight and a half million vs. four thousand. We don't stand a chance.

So don't shit where you eat.

I'm shitting where I eat tonight.

I don't have a choice. I got to hit something quick. I'd like to hit a junkie. That would be the safest deal. But for that I need to have some junk to bait the mark, and I'm not holding. I could try and score and then head for a shooting gallery I know on Ludlow, but I just don't have the time. So it looks like a tap. An unplanned tap. A big turd on my dinner table.

I'm starting to get antsy. I feel little tingles and itches and I'm having trouble staying focused and the booze I drank is doing nothing to keep me mellow. It's the Vyrus coming on. Once it hits I won't be sleeping or thinking about anything else until it's fed. Soon I'll be talking to it, bargaining with it, making promises if it'll just give me a little peace. I have to deal with this now, have to get right and get some rest, have to be fresh tonight when the sun goes down.

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