Dan Simmons - Song of Kali

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Song of Kali: краткое содержание, описание и аннотация

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When
was published in 1985, Dan Simmons was virtually unknown, having published only a few short stories. But this sharp, vivid novel struck a raw nerve. A startled and amazed readership could only gasp in wonder and horror at the apparent ease with which the author made readers feel that they were living the nightmarish reality he so potently conveyed in the pages of this blood-curdling novel.
Here is Calcutta, perhaps the foulest and most crime-ridden city in the world: filthy, stench-ridden, crawling with vermin both human and otherwise, possessed of evils so vile that they beggar description.
In this steaming, fetid cradle of chaos, the ordeal of an American man and his family plays out, moment by moment, page by page, in a novel so truly frightening that otherwise jaded readers will quail in fear at its gut-wrenching finale.
One of the great masterpieces of horror of this century,
will leave an indelible imprint on your soul. Once you read it, you'll never forget it. . . . Never.

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"So it went with the third man, who could not stifle a soft gasp as he peered into his cupped hands and saw the clean stalk there. So it went with the fourth man who let out an involuntary sob as he reached for the fourth blade. The eyes of the goddess stared downward. The red tongue seemed inches longer than it had been when we arrived. The fourth stalk was clean.

"I was the fifth man chosen. I seemed to be watching myself from a great distance as I approached the goddess. It was impossible not to look into her face before reaching upward. The noose dangled. The empty eye sockets stared from the khatvanga . The sword was made of steel and looked razor-sharp. A gurgle seemed to rise from the twisted corpse as I stood there. It must have been only the river flowing directly under our feet.

"The goddess's cold stone fingers were reluctant to release the stalk of grass I had chosen. I thought that I felt her grip tighten as I tugged. The blade came free then, and without thinking I clapped my hands over it. Even I had not seen the surface of it in the poor light. I remember a great exhilaration coming over me as I returned to the circle. I felt a strange disappointment when I lifted my hand, turned the slender blade in my fingers, and found no mark. I threw back my head and stared directly into the goddess's eyes. Her smile seemed wider now, the long teeth whiter.

"The sixth man was younger than me, little more than a boy. However, he strode manfully to the jagrata and chose his blade of grass with no hint of hesitation. Upon returning to the circle, he held it up quickly, and immediately the red stain was visible to all of us. A final drop actually fell to the dark floor.

"We held our breath then, expecting . . . what? Nothing happened. The priest pointed, and the seventh man claimed his barren blade of grass. The last man lifted the last blade from the goddess's grip. We stood in the circle, silent, expectant, waiting for what seemed many moments, wondering what the boy was thinking, wondering what would come next. Why doesn't he run? Then the thought passed through my mind that although I was sure that the boy had somehow become the anointed of Kali, what if this meant that he was the only one exempted from some fate rather than chosen for it? Many are called, few are chosen the priest had said in what I had taken as a deliberate parody of the tiresome prattle of the Christian missionaries who wandered the plazas near the Maidan. But what if it meant that the boy was the only one to be smiled upon by this jagrata and approved for initiation into the Kapalikas? Disappointment mixed with relief in my confused swirl of thoughts and apprehensions.

"The priest returned to the dais. 'You first duty is fulfilled,' he said quietly. 'Your second must be completed by the time you return tomorrow midnight. Go now to hear the command of Kali, bride of Siva.'

"Two men in black came forward and beckoned. We followed them to the far side of the warehouse temple to a wall that opened onto small alcoves covered by black curtains. The Kapalikas gestured like ushers at a wedding, assigning each of us a cubicle and then moving on a few paces to show the next man his place. Sanjay entered his black alcove and I unconsciously held back a second as the dark man before me beckoned.

"The cubicle was tiny and, as far as I could tell in the almost total darkness, empty of furniture or ornamentation on the three stone walls. The black-garbed man whispered 'Kneel' and closed the heavy curtain. The last bit of light was gone. I knelt.

"It was deathly quiet. Not even the sound of the river intruded on the hot silence. I decided to put the poundings of my heart to work and had counted twenty-seven pulse beats when a voice whispered directly in my ear.

"It was a woman's voice. Or rather, it was a soft, sexless voice. I jumped up then and threw out my hands but no one was there.

"'You shall bring me an offering,' the voice had whispered.

"I got back down on my knees, trembling, waiting for another sound or for something to touch me. A second later the curtain was pushed aside and I rose and left the alcove.

"We had already formed the half-circle of initiates before the idol when I realized that only seven of us were there. Good , I thought. He ran . Then Sanjay touched my arm and nodded toward the goddess. The naked corpse she danced upon was younger, fresher. And headless.

"Her fourth hand was no longer empty. The burden she dangled by the hair swayed slightly. The expression on its young face was one of mild surprise. The dripping made a soft, starting-of-rainfall sound on the floor.

"I had heard no outcry.

"'Kali, Kali, balo bhai,' we sang. 'Kali bai aré gaté nai.'

"The Kapalikas filed out. A man in black led us to a door in the darkness. In the anteroom we put on our sandals and left the building. Sanjay and I found our way through the maze of alleys to Strand Road. There we hailed a rickshaw and returned to our room. It was very late.

"'What did she mean?' I asked when both of the lanterns were lit and we were in our charpoys and under the blankets. 'What kind of offering?'

"'Idiot,' said Sanjay. He was trembling as fiercely as I was. His string bed shook. 'We have to bring her a body by tomorrow midnight. A human body. A dead body.'"

Chapter Seven

"Calcutta, Calcutta, you are a night obsessed field,

infinite cruelty,

Serpentine mixed current, on which I flow

to who knows where."

— Sunilkumar Nandi

Krishna stopped translating. His voice had grown more and more hoarse until the croak of it perfectly complemented his toad-like eyes. It was with an effort that I looked away from Muktanandaji. I realized that I had become so absorbed that I had forgotten Krishna's presence. Now I felt precisely the same irritation at him for stopping that one would feel toward a balky tape recorder or a television that malfunctioned at an inappropriate time.

"What's the matter?" I asked.

Krishna tilted his head, and I turned to look. The white-stubbled proprietor was approaching us. Incredibly, the huge room had emptied without my noticing it. Bulky chairs were upended on all of the other tables. The fans had ceased their slow turning. I glanced at my watch. It was 11:35.

The proprietor — if that is what he was — grumbled at Krishna and Muktanadaji. Krishna flicked his hand tiredly, and the man repeated something in a louder, more petulant voice.

"What's the matter?" I asked again.

"He must close," croaked Krishna. "He is paying for the electricity."

I glanced at the few dim bulbs still glowing and almost laughed aloud.

"We can finish this tomorrow," said Krishna. Muktanadaji had removed his glasses and was rubbing tiredly at his eyes.

"The hell with that," I said. I flipped through the few bills of Indian currency I'd brought with me and handed the old man a twenty-rupee note. He remained standing and mumbled something to himself. I gave him ten more rupees. He scratched at his whiskery cheeks and shuffled back toward his counter. I had parted with less than three dollars.

"Go on," I said.

"Sanjay was confident that we could find two corpses before midnight. This was, after all, Calcutta.

"In the morning, as we rode to the center of the city, we asked the Harijan dead-animal transporters if they ever carried human bodies in their trucks. No, they answered, the City Municipal Corporation hired other men — poor men but men of caste — to go out in the mornings and retrive the bodies which inevitably littered the sidewalks. And that was only in the business and downtown sections. Farther out, where the great chawls began, there was no arrangement. Bodies were left to the families or dogs.

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