Dan Simmons - Song of Kali

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Song of Kali: краткое содержание, описание и аннотация

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When
was published in 1985, Dan Simmons was virtually unknown, having published only a few short stories. But this sharp, vivid novel struck a raw nerve. A startled and amazed readership could only gasp in wonder and horror at the apparent ease with which the author made readers feel that they were living the nightmarish reality he so potently conveyed in the pages of this blood-curdling novel.
Here is Calcutta, perhaps the foulest and most crime-ridden city in the world: filthy, stench-ridden, crawling with vermin both human and otherwise, possessed of evils so vile that they beggar description.
In this steaming, fetid cradle of chaos, the ordeal of an American man and his family plays out, moment by moment, page by page, in a novel so truly frightening that otherwise jaded readers will quail in fear at its gut-wrenching finale.
One of the great masterpieces of horror of this century,
will leave an indelible imprint on your soul. Once you read it, you'll never forget it. . . . Never.

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"'Perhaps respect is the better word,' I said.

"'No,' said Sanjay, 'the word is fear .'

"On the first night of the new moon following the feast of Durga, on the first night of the celebration of Kali, a man in black met us in the abandoned marketplace to take us to the meeting of the Kapalika Society. On the way we passed down the Street of the Clay Idols, and hundreds of aspects of Kali — straw bones piercing their unfinished clay flesh — watched us as we passed.

"The temple was in a large warehouse. The river flowed beneath part of it, just as it had at the Kalighat. We could hear its constant whispering throughout the ceremony which followed.

"It was a gentle twilight outside, but very dark once we were in the warehouse. The temple was a building within a building. Candles showed the way. A few snakes moved freely across the cool floor, but it was too dark for me to tell if they were cobras, vipers, or less worrisome serpents. I thought it a melodramatic touch.

"The idol of Kali was smaller than the one in the Kalighat — but also gaunter, darker, sharper of eye, and altogether more terrible. In the dim and trembling light, the mouth seemed now to open wider, now to close slightly into a cruel smile. The statue was freshly painted. Her breasts were tipped with red nipples, her groin was dark, and her tongue was bright crimson. The long teeth were very, very white in the gloom, and the narrow eyes watched as we moved closer.

"There were two other visible differences. First, the corpse upon which this idol danced was real. We could smell it as soon as we entered the temple proper. The stink mingled with the heavy scent of incense. The cadaver was that of a man — white of flesh, bones visible under the parchment flesh, its form molded into the attitudes of death with a sculptor's skill. One eye was open slightly.

"I was not totally surprised by the presence of a body. Tradition had it that Kapalikas wore necklaces of skulls, and raped and sacrificed a virgin before each ceremony. Only a few days earlier Sanjay had joked that I might well be the chosen virgin. But now, in the darkness of the warehouse temple, with the smell of corruption in our nostrils, I was glad enough that there was no sign of such a tradition being honored.

"The second difference in the statue was less noticeable and somehow more frightening. Kali continued to raise her four arms in fury; dangling from one hand the noose, from another the skullstaff, and from on high the sword. But her fourth hand was empty. Where there should have been the effigy of a severed head, there was only empty air. The idol's fingers grasped at nothing. I felt my heart begin to pound, and one glance at Sanjay told me that he too was holding back his terror. The smell of our sweat mixed with the holy odors of incense and dead flesh.

"The Kapalikas entered. They wore no robes or special garments. Most wore the simple white dhoti so common in rural areas. All were men. It was too dark to make out any Brahman castemarks, but I assumed there were several priests there. In all, they numbered about fifty. The black-garbed man who had led us to the warehouse blended back into the shadows which filled most of the temple, and I had no doubt that there were more unseen forms there.

"There were six other initiates besides Sanjay and myself. I recognized none of them. We made a trembling half-circle in front of the idol. The Kapalikas moved in behind us and began to sing. My useless tongue barely could form responses and they were always a second late. Sanjay gave up trying to join in the litany and held a thin smile through the entire worship service. Only the whiteness of his lips gave away his tension. Both of us kept returning our glances to the empty hand of Kali.

"The song was from my childhood. I associated its sentimental lyrics with sunlight on temple stone, the promise of holiday feasts, and the scent of scattered flower petals. Now, as I sang it in the night with the smell of carrion meat filling the moist air, the words took on a different meaning:

O Mother mine,
Daughter of the Mountain!

The world is pain,
Its load all bearing past;
Never pine I, never thirst,
For its kingdom vain.

Rosy are her feet,
A shelter free of fear;
Death may whisper — I am near ;
She and I shall smiling meet.

"The service ended abruptly. There was no procession. One of the Kapalikas stepped onto the low dais below the idol. Now that my eyes had adjusted to the dark, I thought I recognized the man. He was an important figure in Calcutta. He would have to be important if I could know his face after only a few months in the city.

"The priest spoke softly. His voice was almost lost against the sound of the river. He spoke of the sacred society of the Kapalikas. Many are called , he intoned, but few are chosen . Our time of initiation, he said, would cover a period of three years. I gasped as he said this, but Sanjay merely nodded. I realized then that Sanjay had known more of what the initiation entailed than he had shared with me.

"'You will be asked to do many things to prove your worth and faith in Kali,' the priest said gently. 'You may leave now, but once you have begun on the Path, you may not turn back.'

"There was a silence then. I looked at the other initiates. No one moved. I would have left then . . . I would have left . . . if Sanjay had not stayed where he was, unmoving, lips pulled tight in a bloodless smile. My own legs felt too heavy to move. My ribs ached from the thudding of my heart. I could hardly breathe. But I did not leave.

"'Very well,' said the priest of Kali. 'You will be asked to fulfill two duties before we meet again tomorrow midnight. The first you may complete now.' So saying, the priest removed a small dagger from beneath the folds of his dhoti . I heard the slight intake of Sanjay's breath at the same instant as mine. All eight of us stood more erect, alert, alarmed. But the Kapalika only smiled and turned the blade across the soft flesh of his palm. The narrow line of blood swelled up slowly and looked black in the candlelight. The priest replaced the knife and then lifted what looked like several blades of grass from the clenched fist of the corpse under the idol's foot. One of these blades of grass he held up to the light. Then he turned his injured hand palm downward above it. The sound of the blood slowly dripping on the stone floor was clearly audible. One end of the three-inch stalk of grass was splashed with a few of these crimson tears. Immediately, another of the Kapalikas came out of the darkness, lifted all of the blades of grass, turned his back to us, and approached the idol.

"When he moved away, the slender stalks were only just visible, protruding from the clenched fist of the goddess Kali. There was no way of telling which one of the identical stalks had been marked with the priest's blood.

"'You may come forward,' said the priest. He pointed to Sanjay. 'Approach the goddess. Receive your gift from the jagrata .'

"To Sanjay's credit, he hesitated for only the smallest fraction of a second. He stepped forward. The goddess seemed to grow taller as Sanjay paused under the outstretched arm. Just as Sanjay reached upward there arose a hideous smell as if some bubble of decomposing gas had chosen that second to emanate from the trammeled corpse.

"Sanjay reached up, plucked a straw, and immediately covered it with his palms. It was not until he returned to our circle that he opened his cupped hands and looked at the blade of grass. It was unmarked.

"An overweight man at the far end of the line was pointed to next. His legs were shaking visibly as he approached the goddess. Instinctively, he hid the quickly grasped stalk, just as Sanjay had done; just as we all were to do. Then he held up the virgin blade of grass. Relief was written into every fold of his fat face.

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