Charles De Lint - Memory and Dream

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Memory and Dream: краткое содержание, описание и аннотация

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Dreams have magic in them. A few of us have the power to make that magic real. A masterwork by one of fantasy’s most gifted storytellers: a magnificent tale of love, courage, and the power of imagination to transform our lives.
This is the novel Charles de Lint’s many devoted readers have been waiting for, the compelling odyssey of a young woman whose visionary art frees ancient spirits into the modern world.
Isabelle Copley’s visionary art frees ancient spirits. As the young student of the cruel, brilliant artist Vincent Rushkin, she discovered she could paint images so vividly real they brought her wildest fantasies to life. But when the forces she unleashed brought tragedy to those she loved, she turned her back on her talent—and on her dreams.
Now, twenty years later, Isabelle must come to terms with the shattering memories she has long denied, and unlock the slumbering power of her brush. And, in a dark reckoning with her old master, she must find the courage to live out her dreams and bring the magic back to life.
Charles de Lint’s skillful blending of contemporary urban characters and settings with traditional folk magic has made him one of the most popular fantasy authors of his generation.
Memory and Dream is the most ambitious work of de Lint’s extraordinary career, an exciting tale of epic scope that explores the power our dreams have to transform the world-or make it a waking nightmare.
It is the story of Isabelle Copley, a young artist who once lived in the bohemian quarter of the northern city of Newford. As a student of Vincent Rushkin, a cruel but gifted painter, she discovered an awesome power—to craft images so real that they came to life. With her paintbrush she called into being the wild spirits of the wood, made her dreams come true with canvas and paint. But when the forces she unleashed brought unexpected tragedy to those she loved, she ran away from Newford, turning her back on her talent-and on her dreams.
Now, twenty years later, the power of Newford has reached out to draw her back. To fulfill a promise to a long-dead friend, Isabelle must come to terms with the shattering memories she has long denied, and unlock the slumbering power of her brush. She must accept her true feelings for her newfound lover John Sweetgrass, a handsome young Native American who is the image of her most intense imaginings. And, in a dark reckoning with her old master, she must find the courage to live out her dreams, and bring the magic back to life.
Charles de Lint - Novelist, poet, artist, and musician, Charles de Lint is one of the most influential fantasy writers of his generation. With such warmly received works as Spiritwalk, Moonheart, Into the Green, and Dreams Underfoot(also set in the town of Newford), he has earned high praise from readers and critics alike, Booklist has called him “one of the most original fantasy writers currently working.” And The Magazine of Fantasy and Science Fiction writes: “De Lint shows us that, far from being escapism, contemporary fantasy can be the deep, mythic literature of our time.” De Lint and his wife MaryAnn Harris, an artist, live in Ottawa, Ontario, Canada, where they are both Celtic musicians in the band Jump At the Sun. “For more than a decade, Charles de Lint has enjoyed a reputation as one of the world’s leading fantasists.”— “A superb storyteller. De Lint has a flair for tales that blur the lines between the mundane world and magical reality, and nowhere is this more evident than in his fictional city of Newford.”— “De Lint can feel the beauty of the ancient lore he is evoking. He can well imagine what it would be like to conjure the Other World among ancient standing stones. His characters have a certain fallibility that makes them multidimensional and human, and his settings are gritty. This is no Disneylike Never-Never Land. Life and death in de Lint’s world are more than a matter of a few words or a magic crystal.” – “There is no better writer now than Charles de Lint at bringing out the magic in contemporary life ... The best of the post-Stephen King contemporary fantasists, the one with the clearest vision of the possibilities of magic in a modern setting.” — “In the fictional city of Newford, replete with the brutal realities of modern urban life, de Lint’s characters encounter magic in strange and unexpected places ... In de Lint’s capable hands, modern fantasy becomes something other than escapism. It becomes folk song, the stuff of urban myth.” —

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“Will you take me to Isabelle?” she asked instead.

“We’ll be too late.”

“But we could still try.”

Cosette nodded. “Except, they told me to come back to guard the paintings.”

“I will guard the paintings,” the reading woman said.

“His creatures are really scary,” Cosette said, wavering.

“I can call some people to stay with you,” Rolanda told the woman. Then she reached out her hand to Cosette. “Come on. Just show me where Isabelle and the others are. I won’t ask you to go back inside with me.”

Cosette hesitated for a long moment, then allowed herself to be led upstairs. The other numena locked the door to the cellar and pocketed the key before following them up.

“I know some guys in the projects,” Rolanda said. “They’re gang members, but they owe me. All we’ll need is a couple of them to deal with that pair who came by here earlier.”

“Whatever you think is best,” the reading woman said.

It took three calls before Rolanda could get through to the boys she was looking for. They had all found a haven through the Foundation at one point or another in their young lives and were eager to repay the favor.

“They’ll be fifteen minutes,” she said after she’d cradled the receiver. “Go,” the older numena told her. “I can wait on my own until they arrive.”

“But—”

“You waste precious time.”

Rolanda studied her for a moment, then nodded. She pulled a twenty out of her pocket.

“They’re coming in a cab,” she said as she handed the money to the reading woman, “but they won’t be able to pay the driver. This should cover it.”

“I will deal with whatever arises,” the reading woman said.

“Right.” Rolanda gave Cosette a quick glance. She looked terrible. “You ready?”

When Cosette nodded, Rolanda led the way to the front door. Opening it, she found yet another half-familiar stranger standing there on the porch. In the poor light he seemed to loom up taller than his bulky six-two, one hand raised, reaching for the doorbell. He glanced down at the baseball bat that Rolanda was holding and took a step back from her.

“I’m reaching for my ID,” he said as his hand went for the inner pocket of his sports jacket.

He brought out a small billfold and flipped it open so that she could see his badge and identification.

“Detective Roger Davis, NPD,” he said slowly. “We met one of the times you brought some of your kids down to the precinct for a tour.”

“I remember,” Rolanda said.

“I want to ask you a few questions about this afternoon’s attempted robbery—in particular, what you know about the Native American with the ponytail who was involved.”

“He thinks Bitterweed’s John,” Cosette said.

The detective had misleadingly placid features. Rolanda remembered thinking when she first met him on that precinct tour how he seemed to be just a big easygoing guy. Then she’d looked into his eyes and realized that he didn’t miss a thing. That penetrating gaze that had so surprised her was now focused on Cosette.

“You know who I’m talking about,” he said, making a statement of what could have been a question.

Cosette shrugged. “It wasn’t John’s fault they looked the same, but he was getting blamed for what Bitterweed did.” She turned her attention away from the detective to look at Rolanda. “It was Bitterweed who killed Kathy’s mother—not John. And certainly not Alan.”

“You’re saying that we’re dealing with two men here and they look exactly the same?” Davis asked.

Cosette gave him a tired nod.

“One named Bitterweed and one named John?”

“John’s dead,” Cosette said in a voice drained of expression. “As for Bitterweed, if you hang around here long enough, he’ll be—”

She broke off suddenly, features going ashen. Behind them, Rolanda heard the reading woman gasp.

“What is it?” Rolanda asked, looking from Cosette to the older numena. “What’s happened?”

“She ... she did it,” Cosette said softly. “She really did it ...”

They were talking about Isabelle, Rolanda realized. Through their connection to the artist, they’d just felt her die. Rolanda thought she was going to be sick.

“You mind telling me what’s going on here?” the detective asked.

Rolanda straightened up, determined not to fall apart. Someone had to hold things together because there were still other lives at stake. Ignoring Davis, she asked the reading woman, “And the others? Alan and Marisa?”

“There’s no way to tell. We’ve no connection to them as we ... as we had with Isabelle.”

“Did you drive over?” Rolanda asked the detective.

“Sure,” he replied, pointed to the unmarked sedan that stood at the curb. “But what’s that got to do with anything?”

“We’ll tell you in the car. Right now we need to get to a tenement in the Tombs before somebody else dies.”

“Look, lady—”

Rolanda gave him a hard glare. “I don’t have time to argue with you. If you want to help, give us a lift. Otherwise, just stay out of our way.”

She took Cosette’s hand and hurried down the walk toward his car without waiting to see if he’d follow. Davis hesitated for a long moment before he sighed and joined them.

“This better be good,” he said as he started up the car. “The only reason I’m going along with you is because I know you folks are straight shooters, but if you’re dicking me around we’re going to be playing twenty questions down at the precinct. Take that as a serious promise, lady.”

“My name’s Rolanda.”

“Whatever.”

He pulled away from the curb, putting his cherry light on the dash with his free hand. As he reached for the siren’s switch, Rolanda caught his hand. “No sirens,” she said. “Otherwise you’ll scare them away.”

He pulled free of her grip. “Fine. You mind giving me an address so I can call it in?”

“We don’t have an address.”

The car slowed. “Lady,” he began, then started over at the sharp look she gave him. “Look, Rolanda. If you can’t trust me with the address, why the hell are you having me tag along?”

“We don’t know the address,” Rolanda said. “Cosette can tell us how to get there, but she hasn’t got a street name or number.”

Davis glanced at the pale-faced girl who sat between them.

“Great.”

He put his foot on the accelerator and the car picked up speed again, heading north for the no-man’s-land of the Tombs.

“Turn right here,” Cosette said.

Davis nodded and followed her direction. Once they were out of the traffic and driving down the empty, rubble-strewn streets of the Tombs, he slowed down and turned off the cherry light.

“Left,” Cosette said.

“I’ve got to call this in,” Davis told Rolanda.

When she nodded, he unhooked the mike from its holder, but before he activated it, he studied the graffitied walls and darkened streets that lay beyond the windshield. There were no street signs. There was no indication that anyone had lived here for decades. All he could see were derelict buildings and over-grown lots.

“I haven’t a goddamn clue where we are,” he said.

“Left here,” Cosette told him.

After he made the turn, he replaced the mike on its holder. He had to swing around a couple of abandoned cars, weave around a rotting mattress that lay in the middle of the street, and then the way was relatively clear for a few more blocks. Ahead of them, at the far end of the block, the car’s headlights caught the rusting bulk of a city bus, its sides festooned with graffiti.

“We’re almost there,” Cosette said.

Davis nodded. “Almost where?” he tried.

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