Charles De Lint - Memory and Dream

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Memory and Dream: краткое содержание, описание и аннотация

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Dreams have magic in them. A few of us have the power to make that magic real. A masterwork by one of fantasy’s most gifted storytellers: a magnificent tale of love, courage, and the power of imagination to transform our lives.
This is the novel Charles de Lint’s many devoted readers have been waiting for, the compelling odyssey of a young woman whose visionary art frees ancient spirits into the modern world.
Isabelle Copley’s visionary art frees ancient spirits. As the young student of the cruel, brilliant artist Vincent Rushkin, she discovered she could paint images so vividly real they brought her wildest fantasies to life. But when the forces she unleashed brought tragedy to those she loved, she turned her back on her talent—and on her dreams.
Now, twenty years later, Isabelle must come to terms with the shattering memories she has long denied, and unlock the slumbering power of her brush. And, in a dark reckoning with her old master, she must find the courage to live out her dreams and bring the magic back to life.
Charles de Lint’s skillful blending of contemporary urban characters and settings with traditional folk magic has made him one of the most popular fantasy authors of his generation.
Memory and Dream is the most ambitious work of de Lint’s extraordinary career, an exciting tale of epic scope that explores the power our dreams have to transform the world-or make it a waking nightmare.
It is the story of Isabelle Copley, a young artist who once lived in the bohemian quarter of the northern city of Newford. As a student of Vincent Rushkin, a cruel but gifted painter, she discovered an awesome power—to craft images so real that they came to life. With her paintbrush she called into being the wild spirits of the wood, made her dreams come true with canvas and paint. But when the forces she unleashed brought unexpected tragedy to those she loved, she ran away from Newford, turning her back on her talent-and on her dreams.
Now, twenty years later, the power of Newford has reached out to draw her back. To fulfill a promise to a long-dead friend, Isabelle must come to terms with the shattering memories she has long denied, and unlock the slumbering power of her brush. She must accept her true feelings for her newfound lover John Sweetgrass, a handsome young Native American who is the image of her most intense imaginings. And, in a dark reckoning with her old master, she must find the courage to live out her dreams, and bring the magic back to life.
Charles de Lint - Novelist, poet, artist, and musician, Charles de Lint is one of the most influential fantasy writers of his generation. With such warmly received works as Spiritwalk, Moonheart, Into the Green, and Dreams Underfoot(also set in the town of Newford), he has earned high praise from readers and critics alike, Booklist has called him “one of the most original fantasy writers currently working.” And The Magazine of Fantasy and Science Fiction writes: “De Lint shows us that, far from being escapism, contemporary fantasy can be the deep, mythic literature of our time.” De Lint and his wife MaryAnn Harris, an artist, live in Ottawa, Ontario, Canada, where they are both Celtic musicians in the band Jump At the Sun. “For more than a decade, Charles de Lint has enjoyed a reputation as one of the world’s leading fantasists.”— “A superb storyteller. De Lint has a flair for tales that blur the lines between the mundane world and magical reality, and nowhere is this more evident than in his fictional city of Newford.”— “De Lint can feel the beauty of the ancient lore he is evoking. He can well imagine what it would be like to conjure the Other World among ancient standing stones. His characters have a certain fallibility that makes them multidimensional and human, and his settings are gritty. This is no Disneylike Never-Never Land. Life and death in de Lint’s world are more than a matter of a few words or a magic crystal.” – “There is no better writer now than Charles de Lint at bringing out the magic in contemporary life ... The best of the post-Stephen King contemporary fantasists, the one with the clearest vision of the possibilities of magic in a modern setting.” — “In the fictional city of Newford, replete with the brutal realities of modern urban life, de Lint’s characters encounter magic in strange and unexpected places ... In de Lint’s capable hands, modern fantasy becomes something other than escapism. It becomes folk song, the stuff of urban myth.” —

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But numena were really only sustenance, nothing more. In this he hadn’t lied: it took a piece of the soul of their maker to make numena equal to humans and who would be fool enough to do such a thing? Let the creatures run one’s errands. Let them remain food. Anything else led only to needless complications.

That was something that Isabelle hadn’t stayed with him long enough to learn. Undoubtedly it had been for the best. Had she stayed, she would have continued to grow stronger and one day she might have tried to wrest control from him—as he had wrested control in his time.

His smile deepened and a dreamy look came over his features. Now, that had been a bloody night.

He had bathed in the hot crimson gushing from the man’s throat, astonished at how much blood one human body held. He’d been so strong in those days—even without the sustenance stolen from another’s numena.

He would be that strong again.

X

A sudden relief flooded Rolanda when she realized that the rapping she heard was coming from inside the storeroom where she’d locked away the paintings for safekeeping. Not bothering to put the baseball bat down, she hurried to the door, disengaged the lock with the key from her pocket and flung the door open.

“Cosette,” she cried. “God, am I happy to ...”

Her voice trailed off and she backed away as a tall, red-haired woman walked out of the storeroom.

The stranger was oddly familiar, but Rolanda couldn’t immediately place where she knew her from. She seemed to be in her early thirties and stood a few inches taller than Rolanda. She had a striking figure and carried herself with a stately grace. Her solemn grey eyes were the same color of the calf-length gown she wore over a rust underskirt.

“I ... I know you,” Rolanda said, as recognition finally dawned on her. “You’re the reading woman from the other painting.”

The stranger smiled. “Indeed. And from your greeting I take it you’ve already met Cosette.”

“That’s who I thought you were.”

Rolanda couldn’t stop herself from staring at the woman. She’d accepted the existence of numena, been witness to their ability to appear and disappear at will, but she still wasn’t quite used to having a conversation with someone who had just stepped out of a painting. She didn’t think she ever would.

“Where is Cosette?” the woman asked.

Rolanda gave her an apologetic shrug. She had the sudden uncomfortable sensation of having been entrusted with someone’s child and then simply letting her run off, unattended.

“I don’t really know,” she said. “She went off with Alan and Marisa—do you know them?”

“I’ve ... heard a great deal concerning Alan.”

“And I guess Marisa’s his girlfriend.”

The woman smiled. “That must have been a grave disappointment for Cosette. She was quite taken with him.”

“So I noticed.”

“And where did they go?”

“Ah ...” Rolanda cleared her throat, her uneasiness returning. “They went off to deal with Rushkin.

He’s—”

“I know who he is all too well.” The woman sighed. “And she promised me she’d be careful.”

“I tried to stop them,” Rolanda began.

The woman raised a hand to forestall an explanation. “You’re not to blame. Cosette only listens to reason when it suits her.” She shook her head and gave Rolanda a self-deprecating smile. “I suppose I’m far more protective of her than I should be. While she looks like a child, I don’t doubt she’s as old as you and certainly capable of accepting responsibility for her actions.”

“But still,” Rolanda said.

“But still,” the woman agreed. “I can’t help but worry. Especially at a time such as this.”

“If I can help ... ?”

The woman glanced back toward the storeroom. “You seem to have already done what I came to do. John sent word that we should all guard our own gateways because the dark man’s creatures were abroad again, hunting us.”

“The dark man? You mean Rushkin?”

“I refuse to allow him the privilege of a name,” the woman said bitterly. “Monsters such as he forgo that right through their actions.”

A monster, Rolanda thought. And she’d just let the others go off to confront him. Why hadn’t she gone with them and helped? But if she had gone with them, Rushkin’s numena would have gotten away with stealing the paintings and then where would Cosette and the reading woman be?

“And John?” the woman asked. “Do you know his whereabouts?”

Rolanda shook her head. “I never got the chance to meet him. He went ahead of the others—after Rushkin. Hopefully they caught up with him.”

An odd sound came from the storeroom—a soft whufting cough of air being displaced. As the two women turned to look, Rolanda’s grip tightened on the baseball bat she was still holding at her side. But this time it was Cosette who had materialized there in the dark. She stood in front of her painting for a long moment, then slowly turned to face them.

“John’s dead,” she said as she walked out into the light.

She looked different from the last time Rolanda had seen her. Her eyes were puffy and rimmed with red from crying, but the sadness that had brought on the tears had since been replaced with a grimness that stole away all the lightheartedness in her features that had made her so immediately engaging.

“Rushkin killed him,” Cosette went on, “and Isabelle’s the next to die.”

“He’s going to kill Isabelle?” the reading woman asked, shocked.

“No.” Cosette explained how they’d all been trapped in the makeshift studio Rushkin had put together for Isabelle. “She’s going to kill herself. It’s the only way she thinks she can stop Rushkin.”

“We have to stop her,” Rolanda said, but Cosette only shrugged. “It’s her choice, isn’t it?” she said.

“How can you be so callous?” Rolanda demanded of her. “If it weren’t for Isabelle, you wouldn’t even exist.”

“That’s not exactly such a blessing,” Cosette said. “We didn’t ask to be born. We didn’t ask to be different.”

It felt so odd to Rolanda to hear those familiar complaints in this situation. She was far more used to them coming from the children she saw in her office upstairs. The runaways who felt they owed nothing to anyone for having been brought into a world they hated, who struggled to make do with an existence that offered them only hardship and pain. The immigrant and black children who battled the double grievance of those same joyless homes coupled with the racism directed at them by their peers and the rest of society.

“I’m sure Isabelle never meant to make you unhappy,” she said.

“She never thought of us at all. All she wanted to do was to forget we ever existed. You know what she said to me?” she added, turning to the other numena. “That we’ll never have red crows or dreams, because all we get is the real we have now.”

“Is what we have such a bad thing?” the woman asked.

“Hunted by Rushkin and his creatures?”

“But was that ever Isabelle’s doing?”

Cosette hesitated. Rolanda could see that she didn’t want to deal with the logic of it, but she had no choice—not under the steady gaze of her companion’s solemn-grey eyes.

“No,” she said, her voice pitched low.

Some of the harshness left her features, making her look younger again. Almost fragile. Rolanda knew exactly what the other woman had meant about wanting to protect her. At that moment she wanted to enfold Cosette in a shielding embrace and dare the world to do its worst, because it’d have to go through her first to get at her. But she knew better than to try.

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