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Charles De Lint: Memory and Dream

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Charles De Lint Memory and Dream

Memory and Dream: краткое содержание, описание и аннотация

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Dreams have magic in them. A few of us have the power to make that magic real. A masterwork by one of fantasy’s most gifted storytellers: a magnificent tale of love, courage, and the power of imagination to transform our lives. This is the novel Charles de Lint’s many devoted readers have been waiting for, the compelling odyssey of a young woman whose visionary art frees ancient spirits into the modern world. Isabelle Copley’s visionary art frees ancient spirits. As the young student of the cruel, brilliant artist Vincent Rushkin, she discovered she could paint images so vividly real they brought her wildest fantasies to life. But when the forces she unleashed brought tragedy to those she loved, she turned her back on her talent—and on her dreams. Now, twenty years later, Isabelle must come to terms with the shattering memories she has long denied, and unlock the slumbering power of her brush. And, in a dark reckoning with her old master, she must find the courage to live out her dreams and bring the magic back to life. Charles de Lint’s skillful blending of contemporary urban characters and settings with traditional folk magic has made him one of the most popular fantasy authors of his generation. Memory and Dream is the most ambitious work of de Lint’s extraordinary career, an exciting tale of epic scope that explores the power our dreams have to transform the world-or make it a waking nightmare. It is the story of Isabelle Copley, a young artist who once lived in the bohemian quarter of the northern city of Newford. As a student of Vincent Rushkin, a cruel but gifted painter, she discovered an awesome power—to craft images so real that they came to life. With her paintbrush she called into being the wild spirits of the wood, made her dreams come true with canvas and paint. But when the forces she unleashed brought unexpected tragedy to those she loved, she ran away from Newford, turning her back on her talent-and on her dreams. Now, twenty years later, the power of Newford has reached out to draw her back. To fulfill a promise to a long-dead friend, Isabelle must come to terms with the shattering memories she has long denied, and unlock the slumbering power of her brush. She must accept her true feelings for her newfound lover John Sweetgrass, a handsome young Native American who is the image of her most intense imaginings. And, in a dark reckoning with her old master, she must find the courage to live out her dreams, and bring the magic back to life. Charles de Lint - Novelist, poet, artist, and musician, Charles de Lint is one of the most influential fantasy writers of his generation. With such warmly received works as Spiritwalk, Moonheart, Into the Green, and Dreams Underfoot(also set in the town of Newford), he has earned high praise from readers and critics alike, Booklist has called him “one of the most original fantasy writers currently working.” And The Magazine of Fantasy and Science Fiction writes: “De Lint shows us that, far from being escapism, contemporary fantasy can be the deep, mythic literature of our time.” De Lint and his wife MaryAnn Harris, an artist, live in Ottawa, Ontario, Canada, where they are both Celtic musicians in the band Jump At the Sun. “For more than a decade, Charles de Lint has enjoyed a reputation as one of the world’s leading fantasists.”— “A superb storyteller. De Lint has a flair for tales that blur the lines between the mundane world and magical reality, and nowhere is this more evident than in his fictional city of Newford.”— “De Lint can feel the beauty of the ancient lore he is evoking. He can well imagine what it would be like to conjure the Other World among ancient standing stones. His characters have a certain fallibility that makes them multidimensional and human, and his settings are gritty. This is no Disneylike Never-Never Land. Life and death in de Lint’s world are more than a matter of a few words or a magic crystal.” – “There is no better writer now than Charles de Lint at bringing out the magic in contemporary life ... The best of the post-Stephen King contemporary fantasists, the one with the clearest vision of the possibilities of magic in a modern setting.” — “In the fictional city of Newford, replete with the brutal realities of modern urban life, de Lint’s characters encounter magic in strange and unexpected places ... In de Lint’s capable hands, modern fantasy becomes something other than escapism. It becomes folk song, the stuff of urban myth.” —

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But that’s not a good enough excuse. I had no business pushing at you the way I did.”

“But how can you ever believe me again?”

“How can I not? I know what it took for you to tell me this. I believe in you enough to know that you won’t lie to me again. It’s not like I’ve been perfect either, you know.”

“I thought you’d hate me.”

“Not when you’re willing to admit to the mistake,” Isabelle said. She took him by the hand. “And I guess that just makes you human, doesn’t it? It shows you can make a mistake and screw up with the rest of us.”

“Human,” John said softly.

“That’s right. Human.” She gave him an odd look. “You’re no different from Cosette, are you? For all your talk about how it doesn’t matter, all you’ve ever wanted was to be human. To bleed and dream.”

“To be real,” he said.

“I don’t know exactly what you are,” Isabelle told him, “where you came from or even how it works that I could bring you over, but the one thing I’m sure of is that you’re real. And I don’t care about any of the other questions anymore, except for one: are we going to be friends, or are you going to slip out of my life again? Because this time I’m not sending you away.”

“This time I won’t go away,” John said.

Isabelle stood up. “So let’s rejoin the party, friend.”

But when she tried to draw him to his feet, he wouldn’t budge. Instead he pulled her gently down beside him on the bench again.

“I’d rather stay here with you for a while,” he said, putting his arm around her.

Isabelle smiled. She settled into a more comfortable position, head leaning against his shoulder, legs stretched out in front of her. When she looked up, the sky was filled with stars the way it always was on the island. It was as though the normal pollution of city lights had been washed away for this one night by an aura of enchantment—an enchantment springing from the collective spirit of goodwill, rising up from the party below and being generated, here on this rooftop bench, between John and herself.

“So would I,” she said.

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