Charles De Lint - Memory and Dream

Здесь есть возможность читать онлайн «Charles De Lint - Memory and Dream» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Год выпуска: 1994, ISBN: 1994, Издательство: Tor, Жанр: Ужасы и Мистика, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Memory and Dream: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Memory and Dream»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Dreams have magic in them. A few of us have the power to make that magic real. A masterwork by one of fantasy’s most gifted storytellers: a magnificent tale of love, courage, and the power of imagination to transform our lives.
This is the novel Charles de Lint’s many devoted readers have been waiting for, the compelling odyssey of a young woman whose visionary art frees ancient spirits into the modern world.
Isabelle Copley’s visionary art frees ancient spirits. As the young student of the cruel, brilliant artist Vincent Rushkin, she discovered she could paint images so vividly real they brought her wildest fantasies to life. But when the forces she unleashed brought tragedy to those she loved, she turned her back on her talent—and on her dreams.
Now, twenty years later, Isabelle must come to terms with the shattering memories she has long denied, and unlock the slumbering power of her brush. And, in a dark reckoning with her old master, she must find the courage to live out her dreams and bring the magic back to life.
Charles de Lint’s skillful blending of contemporary urban characters and settings with traditional folk magic has made him one of the most popular fantasy authors of his generation.
Memory and Dream is the most ambitious work of de Lint’s extraordinary career, an exciting tale of epic scope that explores the power our dreams have to transform the world-or make it a waking nightmare.
It is the story of Isabelle Copley, a young artist who once lived in the bohemian quarter of the northern city of Newford. As a student of Vincent Rushkin, a cruel but gifted painter, she discovered an awesome power—to craft images so real that they came to life. With her paintbrush she called into being the wild spirits of the wood, made her dreams come true with canvas and paint. But when the forces she unleashed brought unexpected tragedy to those she loved, she ran away from Newford, turning her back on her talent-and on her dreams.
Now, twenty years later, the power of Newford has reached out to draw her back. To fulfill a promise to a long-dead friend, Isabelle must come to terms with the shattering memories she has long denied, and unlock the slumbering power of her brush. She must accept her true feelings for her newfound lover John Sweetgrass, a handsome young Native American who is the image of her most intense imaginings. And, in a dark reckoning with her old master, she must find the courage to live out her dreams, and bring the magic back to life.
Charles de Lint - Novelist, poet, artist, and musician, Charles de Lint is one of the most influential fantasy writers of his generation. With such warmly received works as Spiritwalk, Moonheart, Into the Green, and Dreams Underfoot(also set in the town of Newford), he has earned high praise from readers and critics alike, Booklist has called him “one of the most original fantasy writers currently working.” And The Magazine of Fantasy and Science Fiction writes: “De Lint shows us that, far from being escapism, contemporary fantasy can be the deep, mythic literature of our time.” De Lint and his wife MaryAnn Harris, an artist, live in Ottawa, Ontario, Canada, where they are both Celtic musicians in the band Jump At the Sun. “For more than a decade, Charles de Lint has enjoyed a reputation as one of the world’s leading fantasists.”— “A superb storyteller. De Lint has a flair for tales that blur the lines between the mundane world and magical reality, and nowhere is this more evident than in his fictional city of Newford.”— “De Lint can feel the beauty of the ancient lore he is evoking. He can well imagine what it would be like to conjure the Other World among ancient standing stones. His characters have a certain fallibility that makes them multidimensional and human, and his settings are gritty. This is no Disneylike Never-Never Land. Life and death in de Lint’s world are more than a matter of a few words or a magic crystal.” – “There is no better writer now than Charles de Lint at bringing out the magic in contemporary life ... The best of the post-Stephen King contemporary fantasists, the one with the clearest vision of the possibilities of magic in a modern setting.” — “In the fictional city of Newford, replete with the brutal realities of modern urban life, de Lint’s characters encounter magic in strange and unexpected places ... In de Lint’s capable hands, modern fantasy becomes something other than escapism. It becomes folk song, the stuff of urban myth.” —

Memory and Dream — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Memory and Dream», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

“Hello, Isabelle,” Rushkin said.

Isabelle thought she should feel alarmed at his appearance, but she found it too hard to concentrate on being concerned. Rushkin shifted slightly on his heels and she saw that he wasn’t alone. Behind him stood another figure and for some reason she could make him out perfectly clearly. It was the old-fashioned stranger she’d been chasing before whatever had happened to her had happened. He stood there, long-limbed and handsome, with a half-smile on his lips, watching her.

“This is Benjamin,” Rushkin said. “He’s an old friend of mine. His origin dates back to before I lost the ability to bring his sort across.”

So he was a numena, Isabelle was able to think. Only not hers, and not one of Rushkin’s new protege’s either.

“We’re having a wonderful time here,” Rushkin went on. “Truly we are. But it’s time for us to go now and we were wondering where you’d put the party favors.”

Isabelle looked blankly at him. She heard what he was saying, but when he’d shifted his position earlier, it had let the moonlight fall upon his features and she was utterly bewitched now with how the light played across the road map of his wrinkles. When Rushkin fell silent and the silence dragged out, she finally realized that he was waiting for her to speak. She cast her mind back through the bewildering snarl of her memories. It was impossible for her to track anything down in a linear sense, but through random access she eventually stumbled upon a fragment of what he’d been saying.

“Favors?” she asked.

It was interesting listening to the way her voice modulated, she thought. She’d never thought about it before, but there was a world of meaning tangled up in those two syllables.

“The paintings,” Rushkin said. “I’ve come for the paintings. There’s no need to get up and fetch them for me. Simply tell me where they are and Benjamin here will help me deal with them.”

While she couldn’t muster alarm for herself at Rushkin’s appearance here on the island, her numena were another matter entirely. At Rushkin’s mention of them, she caught hold of his sleeve and pulled herself up into a sitting position. She felt as though there were bits and pieces of her mind lying all over the lawn, and she made a huge effort to gather them together and focus on the moment at hand.

“You. Can’t. Have. Them,” she said, carefully articulating each word. “Now, that’s plain ungratefulness,” Rushkin said. He looked over his shoulder. “Don’t you think, Benjamin?”

“I would never have thought it of her,” the numena agreed.

Benjamin has such a wonderful voice, Isabelle thought. So resonant. John’d had a wonderful voice as well. Maybe it was something particular to numena.

Rushkin sighed, returning his attention to her. “And after all I’ve done for you, too.”

“What ... what ..... Isabelle began, but then she lost track of what she was trying to say. The word continued to echo inside her head long after she’d spoken.

“I certainly didn’t come emptyhanded,” Rushkin told her.

“She probably doesn’t appreciate your gift,” Benjamin said.

Rushkin peered a little more closely into Isabelle’s face.

“Yet she certainly appears to have sampled it,” he said. His breath was warm on Isabelle’s cheek and smelled vaguely of cinnamon. “Potent, isn’t it, Isabelle?”

Isabelle. That was her name. She was Isabelle. Fine. But what did cinnamon and numena have to do with ... with ...

The thought was confusing enough to begin with and she simply couldn’t hold on to it any longer. She watched it flicker away, past Rushkin’s head, past where Benjamin stood, up and up, in among the stars, until it suddenly winked out like a snuffed candle, a faint glow remaining before it, too, faded and was gone. When she looked back at Rushkin’s face, his moonlit features strobed. From the farmyard came the sound of voices raised in alarm. She could hear what they were saying but it took the longest time for anything to make sense to her.

“... so it must have been in the punch.”

“... oh, shit ...”

“... had three glasses ...”

“... thought I was having a flashback, I was getting so ...”

“... spiked with ...”

“... I know acid, man, and I’m telling you this is ...”

“... feeling too weird ...”

“... cut with some serious speed ...”

“... this sucks ...”

“... if I find the asshole who ...”

“... I think he’s freaking out ...”

“... oh, man, I am gone ...”

“... somebody hold her ...”

The strangeness inside Isabelle ebbed and flowed. From only being able to see Rushkin as a light show she slipped into a long lucid moment where she clearly understood what was going on. But that was almost worse. Raw panic swept through her once she realized that it was Rushkin who had brought the jugs of punch spiked with LSD, that she, along with God knew how many others, were now tripping.

“You can give the paintings to me,” Rushkin was saying, “or I can make you give them to me, Isabelle. The choice is yours.”

She looked at him in horror. “How could ... how could you do this to us ...?”

He shrugged. “It’s a party. I thought you’d appreciate a litde excursion into an altered state of consciousness. Quick now,” he added. “I haven’t all night to waste on this.”

“Maybe we should take another look around,” Benjamin said.

Rushkin shook his head. “No. They’re here, they’re close. I can feel them. But she has them too well hidden.” His face pressed up close to hers again. “Isn’t that so, Isabelle? You thought you could hide them away from me?”

“You ... you ... monster ...”

Isabelle’s moment of lucidity was rapidly slipping away once more. Rushkin’s features began to distort, distending and receding at the same time. When he pushed a box of wooden matches into her hand, she tried not to take them but found herself gripping them tightly all the same.

“They’re in one of these buildings,” Rushkin said. “I know that much.”

In the distortion that passed for his face, his eyes seemed to glow. Isabelle couldn’t take her gaze from them. She felt cut loose from her body, adrift except for the grip of his gaze on hers.

“Tell me which one,” Rushkin said, “and we will take what we need and go.”

It took all the effort Isabelle could muster to shake her head.

“If you don’t,” Rushkin warned her, “I will make you destroy them. Your hand will set the fire that will feed me.”

Isabelle dimly remembered something Kathy had told her once about a bad acid trip she’d taken.

“The only thing you can do,” she’d told Isabelle, “is let yourself go. Fighting it just builds up the pressure.

If you let go, you just pass out and lose a few hours of your life. If you fight it, you could lose your mind.”

She glared at Rushkin. “I won’t,” she tried to say.

The words only came out as muffled sounds without meaning, but it didn’t matter. She stopped trying to control the drug, stopped fighting it. Instead she let herself fall into its embrace. She could still hear the wild uproar that rose from the general vicinity of the farmyard. She could still see Rushkin’s distorted features, pressing up against her own, his cinnamon breath clogging her nostrils. She still held the box of matches in her hand, squeezing it so tightly that the cardboard was caving in along the sides. And then it all went away. She was swallowed by an eddying vortex that took her past the amplification of all her senses to a place where there were no sights or smells or sounds. To a place where there was only silence. And darkness.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Memory and Dream»

Представляем Вашему вниманию похожие книги на «Memory and Dream» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Memory and Dream»

Обсуждение, отзывы о книге «Memory and Dream» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x