Charles De Lint - Memory and Dream

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Memory and Dream: краткое содержание, описание и аннотация

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Dreams have magic in them. A few of us have the power to make that magic real. A masterwork by one of fantasy’s most gifted storytellers: a magnificent tale of love, courage, and the power of imagination to transform our lives.
This is the novel Charles de Lint’s many devoted readers have been waiting for, the compelling odyssey of a young woman whose visionary art frees ancient spirits into the modern world.
Isabelle Copley’s visionary art frees ancient spirits. As the young student of the cruel, brilliant artist Vincent Rushkin, she discovered she could paint images so vividly real they brought her wildest fantasies to life. But when the forces she unleashed brought tragedy to those she loved, she turned her back on her talent—and on her dreams.
Now, twenty years later, Isabelle must come to terms with the shattering memories she has long denied, and unlock the slumbering power of her brush. And, in a dark reckoning with her old master, she must find the courage to live out her dreams and bring the magic back to life.
Charles de Lint’s skillful blending of contemporary urban characters and settings with traditional folk magic has made him one of the most popular fantasy authors of his generation.
Memory and Dream is the most ambitious work of de Lint’s extraordinary career, an exciting tale of epic scope that explores the power our dreams have to transform the world-or make it a waking nightmare.
It is the story of Isabelle Copley, a young artist who once lived in the bohemian quarter of the northern city of Newford. As a student of Vincent Rushkin, a cruel but gifted painter, she discovered an awesome power—to craft images so real that they came to life. With her paintbrush she called into being the wild spirits of the wood, made her dreams come true with canvas and paint. But when the forces she unleashed brought unexpected tragedy to those she loved, she ran away from Newford, turning her back on her talent-and on her dreams.
Now, twenty years later, the power of Newford has reached out to draw her back. To fulfill a promise to a long-dead friend, Isabelle must come to terms with the shattering memories she has long denied, and unlock the slumbering power of her brush. She must accept her true feelings for her newfound lover John Sweetgrass, a handsome young Native American who is the image of her most intense imaginings. And, in a dark reckoning with her old master, she must find the courage to live out her dreams, and bring the magic back to life.
Charles de Lint - Novelist, poet, artist, and musician, Charles de Lint is one of the most influential fantasy writers of his generation. With such warmly received works as Spiritwalk, Moonheart, Into the Green, and Dreams Underfoot(also set in the town of Newford), he has earned high praise from readers and critics alike, Booklist has called him “one of the most original fantasy writers currently working.” And The Magazine of Fantasy and Science Fiction writes: “De Lint shows us that, far from being escapism, contemporary fantasy can be the deep, mythic literature of our time.” De Lint and his wife MaryAnn Harris, an artist, live in Ottawa, Ontario, Canada, where they are both Celtic musicians in the band Jump At the Sun. “For more than a decade, Charles de Lint has enjoyed a reputation as one of the world’s leading fantasists.”— “A superb storyteller. De Lint has a flair for tales that blur the lines between the mundane world and magical reality, and nowhere is this more evident than in his fictional city of Newford.”— “De Lint can feel the beauty of the ancient lore he is evoking. He can well imagine what it would be like to conjure the Other World among ancient standing stones. His characters have a certain fallibility that makes them multidimensional and human, and his settings are gritty. This is no Disneylike Never-Never Land. Life and death in de Lint’s world are more than a matter of a few words or a magic crystal.” – “There is no better writer now than Charles de Lint at bringing out the magic in contemporary life ... The best of the post-Stephen King contemporary fantasists, the one with the clearest vision of the possibilities of magic in a modern setting.” — “In the fictional city of Newford, replete with the brutal realities of modern urban life, de Lint’s characters encounter magic in strange and unexpected places ... In de Lint’s capable hands, modern fantasy becomes something other than escapism. It becomes folk song, the stuff of urban myth.” —

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“I’ll bet most of them stay straight through the weekend,” Kathy added. “Oh, god. I hope my plumbing survives the onslaught.”

She’d put the old outhouse back into service, but people were going into the farmhouse to use the facilities as well. The plumbing dated back to her grandfather’s time and had never been upgraded.

“I just hope the beer lasts,” Kathy said.

“We can always make a run to the marina tomorrow,” Isabelle told her. “We’ll probably need more food by then, too.”

“Well, don’t pay for it all yourself—take up a collection before you go.”

“Yeah, right. With this crowd?”

“It’s worth a shot.”

“I suppose,” Isabelle allowed. “Say, do you know who that guy is?”

She’d been noticing him on and off throughout the afternoon and evening, but every time she went to meet him, someone came up to distract her. As the evening progressed she found herself getting more and more curious about him.

Kathy peered in the general direction that Isabelle had indicated. “Which guy?”

“Just on the other side of where Jilly and Sophie are sitting. The one that looks sort of out of place.”

There was something old-fashioned about the cut of his clothes and his hairstyle, though it was hard to tell exactly what because of the poor light. Still, she couldn’t help but feel he’d be more at home on a turn-of-the-century street in Lower Crowsea than here on her island.

“We’re all out of place here,” Kathy said with a laugh. “Except for you, my hardy country girl.”

“You know what I mean. Who is he?”

“I haven’t a clue.” Kathy turned to her. “Do you like him?”

“I don’t even know him. He just looks familiar and it bugs me that I can’t place him.”

“Familiar as in you might have seen him around, or he looks like someone you do know?”

“A little of both.”

“So go ask him,” Kathy said, ever the pragmatist.

“I would, except I can never seem to get near to him. Whenever I try, that’s exactly the moment somebody comes up to me and asks me something and the next thing I know he’s gone.”

“Allow me to investigate this phenomenon,” Kathy said loftily, beginning to rise to her feet.

Isabelle pulled at the sleeve of Kathy’s sweater, making her sit down again. “Too late. He’s gone again.”

It was true. The place where he’d been standing was now occupied by two women having an animated conversation. Isabelle knew that the Oriental woman was a performance artist, but she couldn’t remember her name. The other woman was a complete stranger to her.

“Now I’m intrigued,” Kathy said. She turned, suddenly. “You don’t think it was one of your numena?”

Mostly Isabelle had gotten used to life without her otherwordly friends. She still painted an occasional gateway painting and she kept all of them safely stored away, but it was starting to get to the point when their existence seemed to be nothing more than a dream—a fading memory from the past that she wasn’t sure had ever actually been real. But then something would remind her of them and the memories would tumble back into her mind along with a blazing shock of realization that couldn’t be denied. They had been real. And she missed them terribly.

Kathy’s casual mention of her numena reawoke all those old memories and feelings. Isabelle felt a sudden tightening in her chest, but she forced herself to remain calm, to not let the memories take hold and spoil her mood.

“If he is,” she said after a moment, “he’s not one of mine.”

“Hmm.” Kathy gave her a quick smile. “I wonder if that new protege of Rushkin’s has come far enough along in her studies to bring them across. Maybe she’ll paint the perfect companion for me.”

“Oh, please.”

“Well, you won’t.”

“Trust the voice of experience,” Isabelle said. “It doesn’t work out.”

Kathy shook her head. “Sorry, but I don’t buy it. The next thing you’ll tell me is that if your relationship with the first boyfriend you ever have falls through, then you might as well just give up on ever finding another one.”

“You could be right.”

“Oh, poo. You’re far too young and attractive to become a hermit—which is what’s basically happening to you. You do know that, don’t you?”

“This from the woman who hasn’t had a steady boyfriend for as long as I’ve known her?”

“That’s different,” Kathy told her. “I’m just waiting for you to bring across the perfect numena.”

Isabelle sighed with mild exasperation.

“So until then,” Kathy added, “we’re stuck with each other.”

“That I can handle.”

“Hey, Izzy!” someone called.

Isabelle turned to see an indistinct figure approaching them. It wasn’t until she stepped into the light cast by the fire that Isabelle recognized her as Nora. With her spiky brown hair standing at attention and her baggy jacket and jeans hanging loose on her slender frame, she looked like a gamine set loose from a Dickens or Hugo novel and gone feral in this setting.

‘jack’s here with the Maypole,” Nora said when she reached them, “except he doesn’t know where you want it.”

Initially Isabelle had planned to put it in the field behind them, but it was so full of tents by now that she couldn’t see how it would fit.

“Why don’t we do put it up in that meadow you took me to this morning?” Kathy said. “The one that had all those yellow fish flowers in it.”

“Trout lilies,” Isabelle explained for Nora.

“They didn’t look anything like trout to me,” Kathy said.

“They’re called that because of their speckled leaves.”

Nora nodded. “My grandmother’s got those in her garden except she calls them adder’s-tongue.”

“An even more apt description,” Kathy said wryly. “Anyway, I think it’d be the perfect spot.”

Isabelle agreed. “I’ll come show you where it is.”

“You’ll have to show Jack yourself,” Nora said. “I think I’ve had one glass of wine too many to go traipsing off into the woods about now.”

In the end, Isabelle and Kathy both went along to help. Isabelle had to grab Kathy’s arm for a second when she first stood up, because everything went spinning.

“Are you okay?” Kathy asked.

“Too much mystery punch,” Isabelle explained.

Kathy laughed. “Too much vodka in the mystery punch is more like it.”

Jack Crow was the last person Isabelle would have approached to help her with the Maypole. He worked in a tattoo parlor and looked more like a biker, with his leathers and all his tattoos, than someone who would have gone out with Sophie for a few months. But Jilly had assured her he’d be perfect, and now that Isabelle could see his work—albeit in the light cast by a couple of flashlights—she had to agree that he’d done a wonderful job. There seemed to be hundreds of streamers of colored cloth, wrapped around the pole to transport it, each one a different color and breadth, complementary colors vibrating against each other so that the entire length of the pole appeared to pulse. Looking at the pattern they produced made Isabelle think of the cloth bracelets she’d made from Paddyjack’s ribbons. Without thinking of it, her hand strayed to her wrist, but the bracelet wasn’t there. She’d stopped wearing it a long time ago and kept it tacked to the wall of her studio. She hadn’t thought of it in months, but for some reason she missed it now.

It took them a half hour to get the Maypole to the meadow Kathy had suggested and then set it up.

The last thing they did was unwrap the streamers. A light breeze plucked at them, making them whirl and dance. Isabelle watched them, mesmerized. It seemed as though the streamers all had afterimages that pulsed and throbbed with as much energy as the streamers themselves, making a whirling kaleidoscope of moon-drenched color. For a moment she thought she could hear a rhythmic tappa-tap-tap, but it was only in her memory.

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