Fritz Leiber - Our Lady of Darkness

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Our Lady of Darkness: краткое содержание, описание и аннотация

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Sometime during a three-year drunk in San Francisco, Franz Westen, a pulp author, bought two strange books. One was
—a “science of cities”—by the black magician and socialite Thibaut de Castries; the other an early journal of Clark Ashton Smith, a writer of horror stories. As Westen tries to piece his life together, these books draw him to the ashes of a wealthy, brilliant and degenerate bohemian cult, and to a grotesque living world of technological curses.
One morning, while examining the city through binoculars, Franz glimpses a priest-like dancing figure on a desolate hill. Fascinated and vaguely horrified, he investigates. The hill is deserted but now he sees the faceless spectre across the city, in his own apartment! Paranoia creeps over Franz; he knows intuitively that he has been selected by this entity. Somehow he must break its hold over him. His two eerie books have the answers.
In
Franz discovers an occult science of vicious demons—“paramental entities”—who are intimately related to urban design and engineering. And in the diary of Smith, a disciple of Thibaut de Castries, Franz sees the personalities of the sorcerer and his circle. He goes back to the San Francisco of the 1900s and the Dionysian members of the Bohemian Club—Jack London, the poets George Sterling and Nora May French, Earl Rogers, Gertrude Atherton, Ambrose Bierce. For a brief, heady time, de Castries used these people in his paramental experiments.
Hounded through the city by ravenous ghosts and at the end of his wits, Franz finally confronts his curse, the embodiment of the paramental force: Our Lady of Darkness.
Fritz Leiber has written a subtle and elegant book. His realm is the arcane point where technology and mystery, science and horror, meet.
is a terrifying and ethereal work of science fiction.

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Franz thinks the Brandenburg Fifth somehow saved him, along with Cal’s subsequent quick action, but as to how, he has no theories. Cal says about that only, “I think it’s fortunate that Bach had a mathematical mind and that Pythagoras was musical.”

Once, in a picky mood, she speculated, “You know, the talents attributed to de Castries’s ‘father’s young Polish mistress’ (and his mystery lady?) would correspond quite exactly with those of a being made up entirely of shredded multilingual occult books: amazing command of languages, learned beyond measure in the weird, profound secretarial skills, a tendency to fly apart like an explosive doll, black polka-dotted veil of crape and all—all merciless night animal, yet with a wisdom that goes back to Egypt, an erotic virtuoso (really, I’m a bit jealous), great grasp of culture and art—”

“Far too strong a grasp!” Franz cut her short with a shudder.

But Cal pressed on, a shade maliciously, “And then the way you caressed her intimately from head to heels and made lovey talk to her before you fell asleep—no wonder she became aroused!”

“I always knew we’d be found out some day.” He tried to pass it off with a joke, but his hand shook a little as he lit a cigarette.

For a while after that Franz was very particular about never letting a book or magazine stay on the bed. But just the other day Cal found a straggling line of three there, on the side nearest the wall. She didn’t touch them, but she did tell him about it. “I don’t know if I could swing it again,” she said. “So take care.”

Cal says, “Everything’s very chancy.”

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