Silvia Moreno-Garcia - Future Lovecraft

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Future Lovecraft: краткое содержание, описание и аннотация

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Decades, centuries and even thousands of years in the future: The horrors inspired by Lovecraft do not know the limits of time…or space.
Journey through this anthology of science fiction stories and poems inspired by the works of H.P. Lovecraft.
Listen to the stars that whisper and drive a crew mad. Worship the Tloque Nahuaque as he overtakes Mexico City. Slip into the court of the King in Yellow. Walk through the streets of a very altered Venice. Stop to admire the beauty of the flesh-dolls in the window. Fly through space in the shape of a hungry, malicious comet. Swim in the drug-induced haze of a jellyfish. Struggle to survive in a Martian gulag whose landscape isn't quite dead. But, most of all, fear the future.
Featured authors include: Nick Mamatas, Ann K. Schwader, Don Webb, Paul Jessup, E. Catherine Tobler, A.C. Wise, and many more.

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✻ ✻ ✻

He will walk, breathe, and learn by uncontrollable compulsions like great, heaving seas of lava.

✻ ✻ ✻

Time is running out. She, however, has not given up hope. She believes some message will reach her father, the planets, or at least a stray ship.

Sadly, no help will ever reach her. She is alone , too far from anyone.

We see this all and laugh.

Close now are your iron footfalls. With majestic instancy they beat.

Crouching, she uncoils the segments of her cyborged arm, which then part and configure into two snake-like appendages that input into a wall panel nearby, joining metal to metal. Direct communication with the central brain of the CompuMind is now possible. She feels the totality of the station and, in cyberspace throughout it all, lurking, a foreign mind , hunting and sniffing for her. She bypasses this presence whenever she senses it and secretly whispers with the CompuMind in a shut psyche-lock. Her waiting is almost over, she tells it. The CompuMind warns her it hasn’t stored enough energy, yet.

Her hastily-attached synthetic reader, resembling a goggle, retracts and re-lenses. Visual images, albeit poorly, allow her to focus more closely on the end of the lightless corridor.

Your footfalls have stopped, Brother.

A small scoutdrone is suddenly thrust into her line of vision. The drone makes a horrible screech and red lights begin to flash violently around it. She quickly tries to re-lens, to get a better optical reading, but before she can, we feel the drone’s insides ballooning with your meaty metal, Brother, until it explodes, leaving your gleaming feelers quivering with excitement.

Shards of the scoutdrone hit her, cutting and jabbing into her organic parts. She loses her balance and falls over, hitting her plated head, yet still, she manages to remain hooked to the wall panel.

Though dazed, the primitive lizard brain in her humanity causes her to involuntarily send a shocked, lightning-like panic signal to the CompuMind. It answers in kind.

Reams of corded electricity shoot out from capacitors hidden throughout the corridor and impact on you fantastically. Energy illumes you, flashing and exploding in blinding, brilliant lights. Erratically, you still advance, like a dark planet rising within a molten sun. Her lens refocuses and she sees your shape, full of wrong angles and impossible edges and strangely moving contraptions that should not fit together. You heat up like the core of a red-hot star.

She begins to feel pain. Terrible, burning pain . Her flesh bubbles. Her metal heats.

We hear the CompuMind say, in a tone too emotional for a machine, “Impossible! Impossible! Nineteen dimensional spaces! Curved space collapsing, inconceivable angles surfacing!” And then it goes silent. The charges cease, darkness comes and, at long last, ends the chase.

Now your being is upon her like a looming horror. She feels your electrified presence. She sees your terrible hand reach out to her. She awaits her death bravely.

But nothing happens.

She feels, above, your hand swing past her, like a bird of prey swooping for the kill and then leaving. You pass by her like a planet swing. Uninterested. Walking around her.

She turns to see your footfalls recede and then vanish into a wall. You are now on the outside of the asteroid. Your massive shape is moving away. Your alien intent and intelligence are incomprehensible to her. An intelligence more like ours .

How you yearn to set us free. The blessed impurity of angular Space-Time will soon enter her dimension.

Once, there was a God of love and spirit; now they have fashioned a god of metal and of the outer hells. Her father wanted to destroy those responsible for their ceaseless war and then start anew, yet through our influence he created instead a sentient machine, designed to perpetrate genocide on its own creators.

You are like a scapegoat, Brother. In times long gone, when her species was as yet young, they would lay their sins upon a goat and send it into the wastes to die. This creature bore the sins of the people and they would be cleansed of their sins. You, the Talus Machine, are the last scapegoat come back out of the wastes, bearing their sins back to them.

As she prepares to hunt for you on the asteroid, she hears your voice inside her head, metallic and scratchy, say the ultimate incomprehensibility to her mind: Witness as I fall into the sun and pull the worlds down . Then your heavy feet push away from the asteroid. Senseless, she thinks. Utter, complete senselessness.

Seconds pass and then she begins to feel the pull—the great, gravitational pull of the collapsing sun that will soon form into a fast-burgeoning black hole, from which nothing will escape.

These are the last hours of her species. Unbeknownst to her, on Earth, a few days past, the Great Old Ones rose in madness from their sleep and plunged with worshippers and slaves towards the blasphemous, ultra-dimensional, black planet of Yuggoth. And now, the last portal to Tindalos will soon be opened.

Sasana Xavi VI rushes to a window, horrified. The stars in the night-black sky begin to burn out. The celestial bodies move. The asteroid shifts forcefully towards the sun. She looks one last time and then the lights of the universe go out.

We will soon howl free from the other side of our prison-home. It will soon be time for a new arrangement.

*From Edmund Spenser’s The Faerie Queene , Book V, Canto I.

THIS SONG IS NOT FOR YOU

By A. D. Cahill

Avery Cahillhas worn many hats in his life, from working at a cheese factory to Lecturer of Classics. He’s lived in Japan, Italy and Norway, but currently awaits the End Of Time while waging a losing war against fire ants in Florida. He is a graduate of the Odyssey Writing Workshop, and his fiction has appeared in Dog Oil Press and Innsmouth Free Press. Tweeting as Falcifer9000 or blogging at scythe-bearing chariot in the 2D world, he shouts into the meaningless void.

This song is not for you.
The golden pipes sound
Flat fifths on alien scales
Around the all-consuming sun.
A black sun.
Their notes are not for you.
He is pleased.
His writhing, festering pleasure
Strikes a ten-dimensional cord.
He consumes himself,
Excretes himself.
Weaves space, weaves time.
A star. Galaxies. Light.
These endless forms are not for you.
DAL NIENTE
The pitch shifts.
The dance pauses,
And in the rests between
That awful melody,
In the emptiness,
In the void,
In the inhalation before the note,
you.
On dust, you stand
And laugh, and sing
And lust, and cry,
And slay and rut.
And build your cities,
And fight your wars,
And gaze longingly into the void.
A great, sordid emptiness
In the song that is not for you.
The screaming ant
Clamps a morsel,
Dragging it home along
A hormone leash.
Your blood burns.
The sun is warm.
The sky blue and cool.
You know with a vengeance that
I am I.
Yet, this song is not for you.
PERDENDOSI…
A voice in the centre,
The very centre,
Away and down,
Deep, deep down,
Infinitely far away.
The black sun answers the trilling pipes.
The pipes fall silent.
The strings relax.
The terrible dance winds down.
Galaxies rip.
Stars fade.
The eve of atoms has come.
Quivering in entropic ecstasy,
The song is done.
…AL NIENTE
You follow in the wind,
wherever the played note goes,
a node on a silent string.
None of it was for you.

TLOQUE NAHUAQUE

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