Joel Arnold - Fetal Bait Apocalypse - 3 Collections in 1

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Fetal Bait Apocalypse • Bait and Other Stories
• Bedtime Stories for the Apocalypse
• Fetal Position and Other Stories
This one volume holds over 120,000 words of fiction that will haunt and terrify you for days on end.
Contains the award winning stories “Some Things Don’t Wash Off” and “Mississippi Pearl” as well as stories that have seen print in such venues as
,
,
,
and
. Six of these stories have received honorable mentions in The Years Best Fantasy & Horror.
In these three collections, you’ll meet:
A father whose intense longing for his dead son lead to disturbing consequences.
A group of college students tubing down a river through a burnt forest who encounter terrifying creatures.
A man seeking redemption for a sinful past through the skill of a tattoo artist.
A Cambodian-American teen who will fit in with the locals at any cost.
A woman who finds a bizarre solace in a rare pearl.
A self-absorbed husband monitoring the end of his existence over the internet.
A teenager digging his way through a deep crust of waste and bone to win his freedom.
A man whose work for the Khmer Rouge returns to haunt him.
A son who has an intensely strange relationship with his mother.
A student with a bizarre homework assignment.
A woman who has a macabre way to deal with bill collectors.
These stories and more will have you up late into the night, glancing over your shoulder and flinching at the slightest of noises.
“Joel Arnold is the real deal. He elicits a subtle element of terror and justice through his writing, delivered without a heavy hand. His exceptional imagery effects readers in a way that leaves them chilled and disturbed; causing the kind of behavior that will leave friends asking ‘what’s bothering you,’ for days afterwards.”
D.L. Russell, editor of
Magazine “Author Arnold has a deft touch with horror that will leave a chill in your spine, but without the violence and gore of much modern horror. The stories remind me of Ray Bradbury at his darkest with their ability to play on the difference between what we know might happen and what we want to happen. These are complex tales with layers below the surface enjoyment of a story well written.”
Armchair Interviews

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Let me know if you need anything else.

Warmly,

Cynthia Lemon

Publicity Liaison, Wyoming Department of Tourism

Portion of Craig Vetter interview transcribed from a micro-cassette tape found in John Paris’ belongings:

Paris: It’s 5:20 PM Mountain Time, September 4 th, 2008. I’m here at the Bear Pit in the Old Faithful Inn sharing a couple pints of Black Dog Ale with Craig Vetter, who is here to tell me all he knows about the ghost bride of the Old Faithful Inn.

Vetter: (chuckles)

Paris: Mr. Vetter, you worked at the Inn?

Vetter: The only one calls me Mr. Vetter is my tax guy, and only because he’s a jerk. So, please — it’s Craig.

Paris: Craig, then.

Vetter: Started bell hopping here the summer of 1970. The Yellowstone bug must’ve bit me, ‘cause I kept coming back every summer and winter until ‘98. Became Bell Captain in ‘74, and worked in that capacity until ‘92. Went on to be Assistant Location Manager, then finally Location Manager of the Inn in ‘96. Finally left on account of getting married to a beautiful woman who happened to also work here as a front desk clerk, and found ourselves with a brand-spanking-new bouncing baby girl. Yellowstone is a great place to work and live, but not a great place to raise kids. So we moved to Bozeman.

Paris: What do you do now?

Vetter: Personnel manager at the Doubletree.

Paris: Okay, let’s get right to the tale of the headless bride.

Partial Transcript of daily talk given by Old Faithful Inn tour guide, Tammy Whitney:

“What’s the first thing people do as they enter the lobby of the Inn? That’s right, they look up. The lodge-pole pine that makes up much of the inn rises over ninety feet from where you’re standing up to the roof’s apex. Robert Reamer, the Inn’s architect, wanted the Inn’s interior to reflect the surrounding countryside. He wanted the sun shining through the windows to remind us of sun filtering through treetops. He wanted the stone fireplace in front of us to remind us of the many mountains in Yellowstone. Just look up into the scaffolding; it looks like you’re looking up into a forest…”

From the Craig Vetter interview :

Vetter: I’ve told this story so many times, and I’ll hear it come back around — you know, someone else telling it to me not realizing I know the story probably better than anyone — and the story’s always changed a bit, little details mutating here and there. Sometimes even a big detail gets a makeover.

Paris: Tell it the way you best know it.

Vetter: The way I heard it was that a newly married couple came here for their honeymoon back in the early days.

Paris: 1908.

Vetter: Sure. 1908. The Inn had only been open four seasons, but it was already well known not only here, but also throughout Europe. Hell, just look around. You ever seen anyplace like this in your life? Anyway, they come here and everything’s going great. They eat in the dining room, dance in the lobby while a band plays up high in the crow’s nest. Everything’s great, right? When the night’s over, they go to bed. Next morning, the maid knocks on their door. No one answers, so she figures it’s safe to go in. She goes in. Finds the bride’s body on the bed. Minus her head. Maid sees this, sees all the blood, freaks out, screams bloody murder. The Inn’s manager goes in for a look, sees the bride’s body still in her wedding dress, the sheets soaked with blood, and her head’s missing. They turn the place inside out, send rangers out onto the roads, the trails, everywhere, looking for the groom, but he’s nowhere to be found. Neither is the bride’s head.

Paris: Wow.

Vetter: And sometimes you’ll hear it that she was found in the tub, but the way I heard it, she was on the bed. More symbolic that way — murdered on her marriage bed still wearing her wedding dress? Anyway, ever since, people claim to see her ghost, sans head, wandering the balconies in the early, early morning hours.

Paris: Were the bride and groom registered guests?

Vetter: If they had a room, they were registered guests.

Paris: Do you know their names?

Vetter: (chuckles) No. I suppose you could dig around the archives up in Gardiner. Find their names there. Lee could probably help you out.

Paris: Lee?

Vetter: Lee Bartlesby. Park historian, archivist, et cetera.

Paris: Did you ever see her?

Vetter: The bride? Naw. I honestly don’t believe in that shit any more than I believe in the tooth fairy. Do you? But hey, if telling the story got me a better tip, I’d tell guests I not only saw her ghost, but we kept her head in a case in the bellmen’s quarters.

Paris: I don’t suppose you could join me tomorrow night up on the balcony? For the hundred-year anniversary?

Vetter: A hundred years? Is that right? (laughs) I’d love to, but I’ve got a nine-year old girl and two-year old identical twin boys at home. Betty’d kill me.

Paris: Understood. Hey, thanks for your time. I appreciate—

Vetter: Well, hold on. As long as you’re buying the beer, there’s one other thing you might want to know about the headless bride that I haven’t told you yet.

Paris: Yeah? What’s that?

From a statement made by Wayne Gooding, owner of Wild West Olde Tyme Photos in Jackson, Wyoming, to the National Park Service on September 8 th , 2008, 4:30 PM MDT:

“Mr. Paris came in to my shop around 8:50 pm on September 3 rd, just before closing. He asked if I had a wedding dress that he could rent for the weekend. Claimed it was for a photo-shoot he was doing at the Old Faithful Inn concerning the ghost of a bride or something like that. We’ve got all sorts of old West clothing for our photos — simple things you can take on and off really fast. They just tie in the back. Work great for our portraits. Anyway, we had an old-fashioned wedding gown, and I let him rent it for $75 for the weekend. I’ve got a copy of the receipt. Since it happened on National Park property — if I could get reimbursed for the dress — you’ve got a slush fund for that kind of thing, right?”

From the statement of Andrea Anderson of Seattle, Washington, seasonal concessionaire worker at the Old Faithful Inn, housekeeping department, given to the National Park Service on September 6 th , 2008, 6:25 AM MDT:

“I can’t believe he did that. I mean, he seemed so nice. I thought it was a fun idea. Morbid, sure, but in a fun way, you know?

“He wanted me to pose in this frumpy old wedding dress walking along the balcony, looking all melancholy. There was nothing kinky about it, nothing that got my radar going. Plus, the dress just slipped over the clothes I already had on, so it wasn’t like I had to take my clothes off, and we were in the lobby and up in the balconies the whole time, so I was never afraid of anything — you know — weird happening…

“He said he was sorry he couldn’t pay me, but he did buy me a latte, and he promised he’d send me a copy of the magazine when it came out. American Highways , or something like that? I thought it would be a cool souvenir, you know?”

From Tammy Whitney’s tour speech:

“Five hundred tons of volcanic rock. Can you imagine? Fitting the fireplace together one huge rock at a time until it rose forty-two feet to the roof, and then extended another forty feet beyond that. The Hebgen earthquake of 1959 caused the upper portion to collapse and blocked off five of the eight inner flues, which is why now we keep only part of the fireplace lit. There were plans to restore it to its original glory two years ago during the Inn’s renovation, but the construction team realized they’d not only have to take the entire thing apart, piece by piece, but they’d also have to put it back together the same way. Way too costly. I’ve gotta admit, I was a bit disappointed. I wanted to see what they’d find in those blocked-up chimneys. You could fit a lot of bodies in there…”

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