Joel Arnold - Fetal Bait Apocalypse - 3 Collections in 1

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Fetal Bait Apocalypse • Bait and Other Stories
• Bedtime Stories for the Apocalypse
• Fetal Position and Other Stories
This one volume holds over 120,000 words of fiction that will haunt and terrify you for days on end.
Contains the award winning stories “Some Things Don’t Wash Off” and “Mississippi Pearl” as well as stories that have seen print in such venues as
,
,
,
and
. Six of these stories have received honorable mentions in The Years Best Fantasy & Horror.
In these three collections, you’ll meet:
A father whose intense longing for his dead son lead to disturbing consequences.
A group of college students tubing down a river through a burnt forest who encounter terrifying creatures.
A man seeking redemption for a sinful past through the skill of a tattoo artist.
A Cambodian-American teen who will fit in with the locals at any cost.
A woman who finds a bizarre solace in a rare pearl.
A self-absorbed husband monitoring the end of his existence over the internet.
A teenager digging his way through a deep crust of waste and bone to win his freedom.
A man whose work for the Khmer Rouge returns to haunt him.
A son who has an intensely strange relationship with his mother.
A student with a bizarre homework assignment.
A woman who has a macabre way to deal with bill collectors.
These stories and more will have you up late into the night, glancing over your shoulder and flinching at the slightest of noises.
“Joel Arnold is the real deal. He elicits a subtle element of terror and justice through his writing, delivered without a heavy hand. His exceptional imagery effects readers in a way that leaves them chilled and disturbed; causing the kind of behavior that will leave friends asking ‘what’s bothering you,’ for days afterwards.”
D.L. Russell, editor of
Magazine “Author Arnold has a deft touch with horror that will leave a chill in your spine, but without the violence and gore of much modern horror. The stories remind me of Ray Bradbury at his darkest with their ability to play on the difference between what we know might happen and what we want to happen. These are complex tales with layers below the surface enjoyment of a story well written.”
Armchair Interviews

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My Dearest Christoph,

Your mother rests.

Superintendent Hastings urged me to stay at least one more day. He was eager to show me the improvements in the buildings and grounds since my last visit. I slept on the sofa in his office, and despite my temper, fell quickly asleep.

It is indeed a remarkable place. Many of the patients, including your mother, are free to roam the grounds at their leisure. There are no gates, nothing to keep them locked in, yet they stay of their own free will. Far removed is this institution from the asylums of mere decades ago, when for a small fee, the public could stroll through them as if touring a zoo.

Christoph, a limestone quarry sits on the asylum grounds and employs a dozen patients. More are employed on the farm where they grow all manner of things: peas, squash, corn, green beans, apples — they even have a greenhouse in which they cultivate bananas! They raise and slaughter hogs and cattle. And next to the slaughterhouse, a soap house makes use of the fat. Did you know, Christoph, that they provide soap for all the other institutions in this state? Truly amazing.

Every Tuesday night, entertainers arrive from Rochester. Singers, musicians, thespians, magicians. The patients are encouraged to share their own talents, and today as we toured the grounds, we passed a trio equipped with banjo, clarinet, and tambourine. They’d cut the fingers from their mittens in order to play their instruments even on these coldest of days. They begged Hastings to sing a verse with them, but he politely declined with promises to join them later with his ukulele.

Then there are the caves, dug by the patients themselves. The largest of them is U-shaped for a horse and cart to enter, unload its produce in one of numerous storage niches, and exit the cave without having to back up and turn around. A smaller cave, more recently dug, is used to store bodies during the winter until the ground thaws in the spring. Three unfortunate souls rest there now, none with relatives to claim them.

Your mother wakes.

Later—

My last entry was made in a state of serenity, but now my hand shakes, and I don’t know how to get the words out.

I must pace myself.

When your mother woke, she looked at me as if I was a stranger, but recognition crept over her face like the wax of a melting candle. “Did you hear him?” she asked.

“Whom?”

She rushed from the bed and fell to her knees in front of me. “Christoph. Have you heard him?”

How strange that I’d just been writing to you. “What madness is this?”

“He speaks to me. Don’t you see? That is why I sent for you. Christoph has come back.”

“Shall I call a nurse?”

“No! Brahm, he comes to me, talks to me. You wonder where these scratches are from? Don’t you see? They come from him .”

I threw open the door. What blasphemy! I shouted into the empty hall. “Nurse! Somebody fetch the superintendent.”

She grabbed my coat. “Please listen to me.”

No matter how I twisted and turned, she wouldn’t let go. A nurse arrived and pried her from me. When I left, she was on her bed, mewling like a hungry kitten.

There is a sharp chill within these halls, a draught that pierces my clothing. I must meet with Hastings to discuss your mother’s behavior.

Later—

It is lovely outside, even in the winter. Oak, aspen, evergreen and ash flourish on the rolling hills. Deer browse the snow unafraid. And the air here is so clean, so invigorating. How could this not be the best place for your mother?

Hastings and I talked at great length. He assured me that it’s not unusual for someone in Gerta’s condition to hear voices. It is part of her madness; Dementia Praecox.

You laugh. You say I should know this. But in matters of the family, all cognition is an elusive wisp of smoke.

Hastings is an intelligent man. He put me at ease over brandy and cigars, and convinced me of something I’ve known all along; that I should treat Gerta with gentleness, rather than vehemence. He suggested I play along with her delusions. Act as if her ravings are fact. Perhaps then she’ll recognize the paradox and see that what she takes to be real is merely a trick of the mind.

It is evening now, and I must go to your mother’s room.

Later—

She entered the room shivering and wet shortly after I arrived. I asked her where she’d been.

“Talking with Christoph,” she said.

“Out in the snow?”

“Don’t mock me.”

“Why not talk to Christoph here?”

“Please, Brahm — “

“No — Gerta — forgive me,” I said. “I want to know what you and he talk about.”

Her suspicion faded with a smile. “He tells me such wonderful things. He asks about you often.”

“Does he?”

“Oh, yes.” She touched my arm, and then hugged me tightly. “I’m so glad you came.” She kissed my cheek. “He wants to come back.”

“Come back?”

She trembled. “He needs your help.”

“Bring him here, now, so that I can talk with him,” I whispered.

“We must go to him.”

“Then take me to him at once.”

“Tomorrow night,” she said.

“I wish to see him now.”

She let go of me and backed away. “No. Not tonight.” Her shoulders slumped, and her face fell slack with exhaustion. She peeled off her wet clothes and slid into bed.

Now I, too, must sleep.

January 15, 1898

My Dearest Christoph:

She is in good spirits today, as if a great weight has been lifted from her. We lunched with the other patients in a large dining room, a bright and cheery place with large windows overlooking the snowy grounds. Hastings joined us for a dessert of apple pie, and he was proud to point out that the apples were grown on the property.

Your mother sleeps now. How she enjoys her post-dinner naps! A subtle light enters her room such as in Vermeer’s The Milkmaid . You remember the one?

When she wakes, she will take me to meet you. It is hard to write such a thing without throwing my hands in the air with contempt and frustration, but I shall do my part as the superintendent wishes. I will try to gently back her into a corner of her own mad logic. But I question the point of it all, for if the truth at last shines upon her, will not a half-dozen more delusions creep into her mind like a thick fog?

Later—

Hastings arrived while your mother slept, and inquired if all was well. I assured him it was. He invited me to accompany him on his rounds, and I eagerly accepted. Why is it that the ill fortune and madness of others fascinate me so?

We started in the women’s wing. Hastings introduced me to his patients as a visiting doctor — a slight deception, yes, but at the same time, very true. I kept quiet and stood out of his way as much as possible in order to keep the patients from becoming upset or over-excited at the presence of a stranger. But the doctor’s easy manner and congeniality never failed to put the female patients at ease. Some of the women actually fawned over him, touching him as if a pet.

A strange thing, Christoph; during the course of our rounds, I crossed paths with a female who had a large tumor protruding from the front of her neck. It was the size of a grapefruit. My instincts as a doctor took over, and I tried to question her about the growth, but she refused to talk. She covered her face and hurried away, as if ashamed. But what was most odd, was that as she turned a corner, the tumor appeared to pulse.

Hastings informed me it was a recent growth that will likely soon kill her. I felt sorry for the poor soul.

We soon passed through a central rotunda and into the men’s wing. Hastings pulled two cigars from his shirt pocket and offered me one. I accepted, but as he lit my cigar, a troubling thought jumped into my head like a hungry flea. I paused mid-puff and put my hand to my forehead.

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