Joel Arnold - Fetal Bait Apocalypse - 3 Collections in 1

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Fetal Bait Apocalypse: 3 Collections in 1: краткое содержание, описание и аннотация

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Fetal Bait Apocalypse • Bait and Other Stories
• Bedtime Stories for the Apocalypse
• Fetal Position and Other Stories
This one volume holds over 120,000 words of fiction that will haunt and terrify you for days on end.
Contains the award winning stories “Some Things Don’t Wash Off” and “Mississippi Pearl” as well as stories that have seen print in such venues as
,
,
,
and
. Six of these stories have received honorable mentions in The Years Best Fantasy & Horror.
In these three collections, you’ll meet:
A father whose intense longing for his dead son lead to disturbing consequences.
A group of college students tubing down a river through a burnt forest who encounter terrifying creatures.
A man seeking redemption for a sinful past through the skill of a tattoo artist.
A Cambodian-American teen who will fit in with the locals at any cost.
A woman who finds a bizarre solace in a rare pearl.
A self-absorbed husband monitoring the end of his existence over the internet.
A teenager digging his way through a deep crust of waste and bone to win his freedom.
A man whose work for the Khmer Rouge returns to haunt him.
A son who has an intensely strange relationship with his mother.
A student with a bizarre homework assignment.
A woman who has a macabre way to deal with bill collectors.
These stories and more will have you up late into the night, glancing over your shoulder and flinching at the slightest of noises.
“Joel Arnold is the real deal. He elicits a subtle element of terror and justice through his writing, delivered without a heavy hand. His exceptional imagery effects readers in a way that leaves them chilled and disturbed; causing the kind of behavior that will leave friends asking ‘what’s bothering you,’ for days afterwards.”
D.L. Russell, editor of
Magazine “Author Arnold has a deft touch with horror that will leave a chill in your spine, but without the violence and gore of much modern horror. The stories remind me of Ray Bradbury at his darkest with their ability to play on the difference between what we know might happen and what we want to happen. These are complex tales with layers below the surface enjoyment of a story well written.”
Armchair Interviews

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Amy’s cheeks darkened with anger. “Why do you keep falling for this crap? You think some guy with freak skin is going to cure me?”

Luke sighed. “We’ve come this far. We’re not going to back out now.” What else could he say? That he was selfish? That he couldn’t imagine life without her?

“Don’t you get it, Dad? I’m tired of this. Of all of this.”

She began to cry. Luke lowered himself next to her. It was so rare that she cried anymore. He put his arm around her, wiped at her tears with his thumb. She leaned into him, her shoulders heaving. Dampness spread across Luke’s shirt. What else could he say? He stroked the back of her neck. He whispered, “I have to try.”

Soft music spilled through the grate. Cello and violin. Amy sat back against the tunnel wall and wiped her tears away. Luke stood again, trying to see through the iron bars. Over the music, Luke heard muffled voices through the rock. How many were up there? How many could afford such a donation? Yet the buzz of people entering the amphitheater quickly grew.

Amy coughed into her fist and grimaced. “That one hurt.”

More feedback over the PA system. More footsteps on the stone stage above. A sonorous voice rose from the speakers, rapid-fire Spanish Luke couldn’t follow. He glanced from the grate in the ceiling to Amy sitting so fragile on the rock ledge. He had to stop doing this to her. Jenna was right. Amy couldn’t take this any more. No matter what the outcome of this trip, he knew he had to take her back home. Back to her mother. Her friends. He prayed it wasn’t too late.

But this one last time…

He had to try.

A shadow fell over the grate. A large, lumbering shape stood over Luke’s upturned face. The announcer stopped talking. The applause that followed shook the tunnel.

The boy had been right . Luke was incredulous when the boy told him the priest performed his healings over a storm grate, but there he was. “Sometimes he pours like rain,” the boy said.

Amy strained to see past her father. “What’s going on?”

Luke held his finger to his lips. His eyes remained on the man above him. The padre shifted, letting in a small stream of light, and shed a blue velvet robe. Gasps and shrieks burst from the audience. He wore nothing but a blue swimsuit pulled tightly around his massive hips. Bumps, welts and cysts cratered his skin.

Padre Sapo . The healer priest.

His voice reverberated through the amphitheater, through the stone, through the tunnel walls like aftershocks.

Por favor ,” he said, his voice hoarse, as if his vocal chords were covered with sores as well.

Numerous feet shuffled and thudded onto the stone platform. Luke could barely make out the shapes of those who approached. He shifted to get a better view, his neck sore from the strain.

A woman with a deformed hand stood in front of the priest, leaned forward and sucked at one of the cysts. She sagged and backed away. Others approached. A man with arthritic knuckles the size of golf-balls licked at Sapo’s skin. He moaned as a man in a black suit gently pulled him away. A woman held out a baby swaddled in a tattered blanket. She swiped her finger across the priest’s oozing skin and put it to the baby’s lips.

Gracias ,” she cried. “ Gracias .”

More people came. They sucked and licked at the lizard-like body.

“Dad? What’s happening?”

Luke snapped out of his trance. He reached into his backpack and grabbed an empty Tupperware container and handkerchief. He pushed the handkerchief through the iron bars and pressed it tentatively to the bottoms of Sapo’s feet. Could he feel this ? Luke squeezed the handkerchief over the container, releasing little more than a drop. He repeated the process, pressing the handkerchief between the unyielding bars, lightly dabbing it against the bottoms of the scabrous feet, squeezing out scarce drops. Was it enough? Soon the soles of the priest’s feet were merely dry riverbeds of calluses.

Above, more people ambled forward and sipped at the liquid that oozed from Sapo’s skin, from his chest, legs and face.

How much time did they have? Luke wished the gaps in the grate were wider. It was impossible to maneuver the handkerchief through them any higher. Besides, what if he was seen? What would happen if someone saw a piece of white cloth poking up through the stage?

A man in a wheelchair sucked on the priest’s fingers. A boy on a splintered crutch lapped at his elbow. An old woman knelt to the floor and sucked on his shin. All of them offered their thanks in muffled Spanish.

The hollow thud of footsteps diminished. A man bent over, a tongue slipping from his deformed face, and suckled a cyst on the priest’s belly.

There couldn’t be much time left. Luke looked at Amy. She stared back with wide, frightened eyes. Could she see the monstrosity above them? Why did he bring her here? Why didn’t he leave her back in the truck? Padre Sapo turned in a slow circle. Luke dug in the front of his backpack. There was a pocketknife, but the blade was too short. He pulled out one of Amy’s spiral-bound notebooks. It was a journal she’d kept religiously since learning she had cancer. Luke tugged and yanked the metal spiral, ripping it free.

Dad!”

“Shhh!”

Frantic now, he straightened out the end of the spiral. Sapo began to lumber away. More light spilled through the grate. Luke wiped sweat from his eyes, then grunted as he jabbed the wire through one of the gaps still covered with Sapo’s foot. He jabbed again and again, holding the Tupperware container in his other hand, catching the thin streams of liquid that trickled between the bars.

The container quickly filled with Padre Sapo’s blood.

Luke stopped and fumbled with the container’s cover, trying to press it on tightly. The light from above disappeared. When Luke glanced up, he realized that Sapo had dropped to his knees, and was now peering through the iron bars of the grate. Luke looked away, finally able to snap the cover into place.

“Get up.” Luke touched Amy’s arm. “Time to go.”

The priest’s deformed fingers hooked around the bars. “Por favor,” he croaked. “No vayas! No vayas!”

Luke shrugged on his backpack and scooped Amy into his arms. Sweat streamed into his eyes, making it hard to see.

Sangre ,” the priest bellowed. “No lo bebes tu. Malo! Malo!”

Luke ran. The cone of his flashlight wobbled over the tunnel walls. He expected someone to appear in its feeble beam at any moment. Guards. Police. Someone who would try to stop him from saving his daughter.

Sapo’s cries echoed through the cavern. “No lo hagas. No lo hagas!”

Surely someone waited for them at the entrance. Someone waiting to take the priest’s healing liquid from them and spill it onto the ground. Someone waiting to throw them into jail, or worse.

Luke stopped. Listened. All he heard was his own breathing, his own heartbeat.

He set Amy down. Tugged off his pack and took out the container of fluid. He pried off the cover and held the container out to Amy. If they were caught, at least the elixir would be working its way through Amy’s body.

“Drink it,” he said.

Amy looked at him with disgust. “No way.”

“You have to.”

“Dad, please.”

Luke’s voice trembled. “What harm can it do, huh? You’re already at death’s door, so what’s a few sips of this gonna do?” He felt like shit saying it, but what else could he do?

He heard something. Footsteps?

“Here, look.” He lifted the container to his lips and took a sip. “See?” He thought a moment. “It tastes like broth.” He wiped the residue off his lips with the back of his hand.

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