Stephen Jones - The Mammoth Book of Best New Horror. Volume 23

“What?”

“This is it.”

Miller looked again at the bridge. “A dollar, to look at a bridge some guy threw up fifty years ago?” Suddenly it wasn’t seeming so dumb a pricing system after all.

The man handed him a small, tarnished key, and raised his other arm to point. Between the trees on the other side of the creek was a small hut.

“It’s in there.”

“What is?”

The man shrugged. “A sad, dark thing.”

The water which trickled below the bridge smelt fresh and clean. Miller got a better look at the hut, shed, whatever, when he reached the other side. It was about half the size of a log cabin, but made of grey, battered planks instead of logs. The patterns of lichen over the sides and the moss-covered roof said it had been here, and in this form, for a good long time — far longer than the house, most likely. Could be an original settler’s cabin, the home of whichever long-ago pioneer had first arrived here, driven west by hope or desperation. It looked about contemporary with the rickety bridge, certainly.

There was a small padlock on the door.

He looked back.

The other man was still standing at the far end of the bridge, looking up at the canopy of leaves above. It wasn’t clear what he’d be looking at, but it didn’t seem like he was waiting for the right moment to rush over, bang the other guy on the head, and steal his wallet. If he’d wanted to do that he could have done it back up at the house. There was no sign of anyone else around — this boy he’d mentioned, for example — and he looked like he was waiting patiently for the conclusion of whatever needed to happen for him to have earned his dollar.

Miller turned back and fitted the key in the lock. It was stiff, but it turned. He opened the door. Inside was total dark. He hesitated, looked back across the bridge, but the man had gone.

He opened the door further, and stepped inside.

The interior of the cabin was cooler than it had been outside, but also stuffy. There was a faint smell. Not a bad smell, particularly. It was like old, damp leaves. It was like the back of a closet where you store things you do not need. It was like a corner of the attic of a house not much loved, in the night, after rain.

The only light was that which managed to get past him from the door behind. The cabin had no windows, or if it had, they had been covered over. The door he’d entered by was right at one end of the building, which meant the rest of the interior led ahead. It could only have been ten, twelve feet. It seemed longer, because it was so dark. The man stood there, not sure what happened next.

The door slowly swung closed behind him, not all the way, but leaving a gap of a couple of inches. No one came and shut it on him or turned the lock or started hollering about he’d have to pay a thousand bucks to get back out again. The man waited.

In a while, there was a quiet sound.

It was a rustling. Not quite a shuffling. A sense of something moving a little at the far end, turning away from the wall, perhaps. Just after the sound, there was a low waft of a new odour, as if the movement had caused something to change its relationship to the environment, as if a body long held curled or crouched in a particular shape or position had realigned enough for hidden sweat to be released into the unmoving air.

Miller froze.

In all his life, he’d never felt the hairs on the back of his neck rise. You read about it, hear about it. You knew they were supposed to do it, but he’d never felt it, not his own hairs, on his own neck. They did it then, though, and the peculiar thing was that he was not afraid, or not only that.

He was in there with something, that was for certain. It was not a known thing, either. It was. he didn’t know. He wasn’t sure. He just knew that there was something over there in the darkness. Something about the size of a man, he thought, maybe a little smaller.

He wasn’t sure it was male, though. Something said to him it was female. He couldn’t imagine where this impression might be coming from, as he couldn’t see it and he couldn’t hear anything, either — after the initial movement, it had been still. There was just something in the air that told him things about it, that said underneath the shadows it wrapped around itself like a pair of dark angel’s wings, it knew despair, bitter madness and melancholy better even than he did. He knew that beneath those shadows it was naked, and not male.

He knew also that it was this, and not fear, that was making his breathing come ragged and forced.

He stayed in there with it for half-an-hour, doing nothing, just listening, staring into the darkness but not seeing anything. That’s how long it seemed like it had been, anyway, when he eventually emerged back into the forest. It was hard to tell.

He closed the cabin door behind him but he did not lock it, because he saw that the man was back, standing once more at the far end of the bridge. Miller clasped the key firmly in his fist and walked over toward him.

“How much,” he said.

“For what? You already paid.”

“No,” Miller said. “I want to buy it.”

It was eight by the time Miller got back to his house. He didn’t know how that could be unless he’d spent longer in the cabin than he realised. It didn’t matter a whole lot, and in fact there were good things about it. The light had begun to fade. In twenty minutes it would be gone entirely. He spent those minutes sitting in the front seat of the car, waiting for darkness, his mind as close to a comfortable blank as it had been in a long time.

When it was finally dark he got out the car and went over to the house. He dealt with the security system, opened the front door and left it hanging open.

He walked back to the vehicle and went around to the trunk. He rested his hand on the metal there for a moment, and it felt cold. He unlocked the back and turned away, not fast but naturally, and walked toward the set of wooden steps which led to the smaller of the two raised decks. He walked up them and stood there for a few minutes, looking out into the dark stand of trees, and then turned and headed back down the steps toward the car.

The trunk was empty now, and so he shut it, and walked slowly toward the open door of his house, and went inside, and shut and locked that door behind him too.

It was night, and it was dark, and they were both inside and that felt right.

He poured a small scotch in a large glass. He took it out through the sliding glass doors to the chair on the main deck where he’d spent the morning, and sat there cradling the drink, taking a sip once in a while. He found himself remembering, as he often did at this time, the first time he’d met his wife. He’d been living down on East Cliff then, in a house which was much smaller than this one but only a couple of minutes’ walk from the beach. Late one Saturday afternoon, bored and restless, he’d taken a walk to the Crow’s Nest, the big restaurant that was the only place to eat or drink along that stretch. He’d bought a similar scotch at the upstairs bar and taken it out onto the balcony to watch the sun go down over the harbour. After a while he noticed that, amongst the family groups of sunburned tourists and knots of tattooed locals there was a woman sitting at a table by herself. She had a tall glass of beer and seemed to be doing the same thing he was, and he wondered why. Not why she was doing that, but why he was — why they both were. He did not know then, and he did not know now, why people sit and look out into the distance by themselves, or what they hope to see.

After a couple more drinks he went over and introduced himself. Her name was Catherine and she worked at the university. They got married eighteen months later and though by then — his business having taken off in the meantime — he could have afforded anywhere in town, they hired out the Crow’s Nest and had the wedding party there. A year after that their daughter was born and they called her Matilde, after Catherine’s mother, who was French. Business was still good and they moved out of his place on East Cliff and into the big house he had built in the mountains and for seven years all was good, and then, for some reason, it was no longer good any more. He didn’t think it had been his fault, though it could have been. He didn’t think it was her fault either, though that too was possible. It had simply stopped working. They’d been two people, and then one, but then two again, facing different ways. There had been a view to share together, then there was not, and if you look with only one eye then there is no depth of field. There had been no infidelity. In some ways that might have been easier. It would have been something to react to, to blame, to hide behind. Far worse, in fact, to sit on opposite sides of the breakfast table and wonder who the other person was, and why they were there, and when they would go.