Stephen Jones - The Mammoth Book of Best New Horror. Volume 23

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This new anthology presenting a selection of some of the very best, and most chilling, short stories and novellas of horror and the supernatural by both contemporary masters of horror and exciting newcomers. As ever, the latest volume of this record-breaking and multiple award-winning anthology series also offers an in-depth overview of the year in horror, a fascinating necrology of notable names, and a useful directory contact information for dedicated horror fans and writers.
The Mammoth Book of Best New Horror remains the world's leading annual anthology dedicated solely to showcasing the best in contemporary horror fiction on both sides of the Atlantic.

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He hears a movement and moves his head slowly. A corbeau is on the beach, side-walking like a bashful virgin, its beak contained, quiet.

Another movement, and more feet making V-shaped symbols on the sand.

His mouth is dry; the hot rays seem to pour down his throat.

He wishes he could talk to his sons, listen to their little squabbles falling around his ears like soft rain.

Then, a stirring of wings blots out the sun.

MICHAEL MARSHALL SMITH

Sad, Dark Thing

MICHAEL MARSHALL SMITH IS a novelist and screenwriter. Under this name he has published the modern SF novels Only Forward, Spares and One of Us , and is the only person to have won the British Fantasy Award for Best Short Story four times — along with the August Delerth, International Horror Guild and Philip K. Dick awards.

Writing as “Michael Marshall” he has published six international best-selling novels of suspense, including The Straw Men and The Intruders , currently in development with the BBC. His most recent novel is Killer Move , while The Forgotten is forthcoming.

He currently lives in Santa Cruz, California, with his wife and son.

“This story was born out of two things,” explains the author. “The atmosphere of the forests of the Santa Cruz mountains — a place where I’d just vacationed — and a title, given by a friend. The two collided in my head and produced the story almost without any intervention on my part.

“The strange thing is that I’m now living about fifteen minutes’ drive from the kind of place where the story is set. I hope the protagonist’s story will not become my own, however — hope so very much indeed.”

* * *

AIMLESS. A SHORT, simple word. It means “without aim”, where “aim” derives from the idea of calculation with a view to action. Without purpose or direction, therefore, without a considered goal or future that you can see. People mainly use the word in a blunt, softened fashion. They walk “aimlessly” down a street, not sure whether to have a coffee or if they should check out the new magazines in the bookstore or maybe sit on that bench and watch the world go by. It’s not a big deal, this aimlessness. It’s a temporary state and often comes with a side order of ease. An hour without something hanging over you, with no great need to do or achieve anything in particular? In this world of busy lives and do-this and do-that, it sounds pretty good.

But being wholly without purpose? With no direction home? That is not such a good deal. Being truly aimless is like being dead. It may even be the same thing, or worse. It is the aimless who find the wrong roads, and go down them, simply because they have nowhere else to go.

Miller usually found himself driving on Saturday afternoons. He could make the morning go away by staying in bed an extra half-hour, tidying away stray emails, spending time on the deck, looking out over the forest with a magazine or the iPad and a succession of coffees. He made the coffees in a machine that sat on the kitchen counter and cost nearly eight hundred dollars. It made a very good cup of coffee. It should. It had cost nearly eight hundred dollars.

By noon a combination of caffeine and other factors would mean that he wasn’t very hungry. He would go back indoors nonetheless, and put together a plate from the fridge. The ingredients would be things he’d gathered from delis up in San Francisco during the week, or else from the New Leaf markets in Santa Cruz or Felton as he returned home on Friday afternoon. The idea was that this would constitute a treat, and remind him of the good things in life. That was the idea. He would also pour some juice into one of the only two glasses in the cabinet that got any use. The other was his scotch glass, the one with the faded white logo on it, but that only came out in the evenings. He was very firm about that.

He would bring the plate and glass back out and eat at the table which stood further along the deck from the chair in which he’d spent most of the morning. By then the sun would have moved around, and the table got shade, which he preferred when he was eating. The change in position was also supposed to make it feel like he was doing something different to what he’d done all morning, though it did not, especially. He was still a man sitting in silence on a raised deck, within view of many trees, eating expensive foods that tasted like cardboard.

Afterward he took the plate indoors and washed it in the sink. He had a dishwasher, naturally. Dishwashers are there to save time. He washed the plate and silverware by hand, watching the water swirl away and then drying everything and putting it to one side. He was down a wife, and a child, now living three hundred miles away. He was short on women and children, therefore, but in their place, from the hollows they had left behind, he had time. Time crawled in an endless parade of minutes from between those cracks, arriving like an army of little black ants, crawling up over his skin, up his face, and into his mouth, ears and eyes.

So why not wash the plate. And the knife, and the fork, and the glass. Hold back the ants, for a few minutes, at least.

He never left the house with a goal. On those afternoons he was, truly, aimless. From where the house stood, high in the Santa Cruz mountains, he could have reached a number of diverting places within an hour or two. San Jose. Saratoga. Los Gatos. Santa Cruz itself, then south to Monterey, Carmel and Big Sur. Even way down to Los Angeles, if he felt like making a weekend of it.

And then what?

Instead he simply drove.

There are only so many major routes you can take through the area’s mountains and redwood forests. Highways 17 and 9, or the road out over to Bonny Doon, Route 1 north or south. Of these, only 17 is of any real size. In between the main thoroughfares, however, there are other options. Roads that don’t do much except connect one minor two-lane highway to another. Roads that used to count for something before modern alternatives came along to supplant or supersede or negate them.

Side roads, old roads, forgotten roads.

Usually there wasn’t much to see down these last roads. Stretches of forest, maybe a stream, eventually a house, well back from the road. Rural, mountainous backwoods where the tree and poison oak reigned supreme. Chains across tracks which led down or up into the woods, some gentle inclines, others pretty steep, meandering off toward some house which stood even further from the through-lines, back in a twenty- or fifty-acre lot. Every now and then you’d pass one of the area’s very few tourist traps, like the “Mystery Spot”, an old-fashioned affair which claimed to honour a site of “Unfathomable Weirdness” but in fact paid cheerful homage to geometry, and to man’s willingness to be deceived.

He’d seen all of these long ago. The local attractions with his wife and child, the shadowed roads and tracks on his own solitary excursions over the last few months. At least, you might have thought he would have seen them all. Every Saturday he drove, however, and every time he found a road he had never seen before.

Today the road was off Branciforte Drive, the long, old highway which heads off through largely uncolonised regions of the mountains and forests to the south-east of Scott’s Valley. As he drove north along it, mind elsewhere and nowhere, he noticed a turning. A glance in the rear-view mirror showed no one behind and so he slowed to peer along the turn.

A two-lane road, overhung with tall trees, including some redwoods. It gave no indication of leading anywhere at all.

Fine by him.

He made the turn and drove on. The trees were tall and thick, cutting off much of the light from above. The road passed smoothly up and down, riding the natural contours, curving abruptly once in a while to avoid the trunk of an especially big tree or to skirt a small canyon carved out over millennia by some small and bloody-minded stream. There were no houses or other signs of habitation. Could be public land, he was beginning to think, though he didn’t recall there being any around here and hadn’t seen any indication of a park boundary, and then he saw a sign by the road up ahead.

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