Richard Matheson - Nightmare at 20,000 Feet

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Remember that monster on the wing of the airplane? William Shatner saw it on
, John Lithgow saw it in the movie—even Bart Simpson saw it. “Nightmare at 20,000 Feet” is just one of many classic horror stories by Richard Matheson that have insinuated themselves into our collective imagination. Here are more than twenty of Matheson’s most memorable tales of fear and paranoia, including:
“Duel,” the nail-biting tale of man versus machines that inspired Steven Spielberg’s first film;
“Prey,” in which a terrified woman is stalked by a malevolent Tiki doll, as chillingly captured in yet another legendary TV moment;
“Blood Son,” a disturbing portrait of a strange little boy who dreams of being a vampire;
“Dress of White Silk,” a seductively sinister tale of evil and innocence.
Personally selected by Richard Matheson, the bestselling author of
and
, these and many other stories, more than demonstrate why he is rightfully regarded as one of the finest and most influential horror writers of our generation.

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Time to move.

17 – CRICKETS

After supper, they walked down to the lake and looked at its moon-reflecting surface.

“Pretty, isn’t it?” she said.

“Mmm-hmm.”

“It’s been a nice vacation.”

“Yes, it has,” he said.

Behind them, the screen door on the hotel porch opened and shut. Someone started down the gravel, path towards the lake. Jean glanced over her shoulder.

“Who is it?” asked Hal without turning.

“That man we saw in the dining room,” she said.

In a few moments, the man stood nearby on the shoreline. He didn’t speak or look at them. He stared across the lake at the distant woods.

“Should we talk to him?” whispered Jean.

“I don’t know,” he whispered back.

They looked at the lake again and Hal’s arm slipped around her waist.

Suddenly the man asked:

“Do you hear them?”

“Sir?” said Hal.

The small man turned and looked at them. His eyes appeared to glitter in the moonlight.

“I asked if you heard them,” he said.

There was a brief pause before Hal asked, “Who?”

“The crickets.”

The two of them stood quietly. Then Jean cleared her throat. “Yes, they’re nice,” she said.

“Nice?” The man turned away. After a moment, he turned back and came walking over to them.

“My name is John Morgan,” he said.

“Hal and Jean Galloway,” Hal told him and then there was an awkward silence.

“It’s a lovely night,” Jean offered.

“It would be if it weren’t for them,” said Mr. Morgan. “The crickets.”

“Why don’t you like them?” asked Jean.

Mr. Morgan seemed to listen for a moment, his face rigid. His gaunt throat moved. Then he forced a smile.

“Allow me the pleasure of buying you a glass of wine,” he said.

“Well—” Hal began.

“Please.” There was a sudden urgency in Mr. Morgan’s voice.

The dining hall was like a vast shadowy cavern. The only light came from the small lamp on their table which cast up formless shadows of them on the walls.

“Your health,” said Mr. Morgan, raising his glass. The wine was dry and tart. It trickled in chilly drops down Jean’s throat, making her shiver.

“So what about the crickets?” asked Hal.

Mr. Morgan put his glass down.

“I don’t know whether I should tell you,” he said. He looked at them carefully. Jean felt restive under his surveillance and reached out to take a sip from her glass.

Suddenly, with a movement so brusque that it made her hand twitch and spill some wine, Mr. Morgan drew a small, black notebook from his coat pocket. He put it on the table carefully.

“There,” he said.

“What is it?” asked Hal.

“A code book,” said Mr. Morgan.

They watched him pour more wine into his glass, then set down the bottle and the bottle’s shadow on the table cloth. He picked up the glass and rolled its stem between his fingers.

“It’s the code of the crickets,” he said.

Jean shuddered. She didn’t know why. There was nothing terrible about the words. It was the way Mr. Morgan had spoken them.

Mr. Morgan leaned forward, his eyes glowing in the lamplight.

“Listen,” he said. “They aren’t just making indiscriminate noises when they rub their wings together.” He paused. “ They’re sending messages,” he said.

Jean felt as if she were a block of wood. The room seemed to shift balance around her, everything leaning towards her.

“Why are you telling us?” asked Hal.

“Because now I’m sure,” said Mr. Morgan. He leaned in close. “Have you ever really listened to the crickets?” he asked. “I mean really? If you had you’d have heard a rhythm to their noises. A pace-a definite beat.

“I’ve listened,” he said. “For seven years I’ve listened. And the more I listened the more I became convinced that their noise was a code; that they were sending messages in the night.

“Then-about a week ago-I suddenly heard the pattern. It’s like a Morse code only, of course, the sounds are different.”

Mr. Morgan stopped talking and looked at his black notebook.

“And there it is,” he said. “After seven years of work, here it is. I’ve deciphered it.”

His throat worked convulsively as he picked up his glass and emptied it with a swallow.

“Well-what are they saying?” Hal asked, awkwardly.

Mr. Morgan looked at him.

“Names,” he said. “Look, I’ll show you.”

He reached into one of his pockets and drew out a stubby pencil. Tearing a blank page from his notebook, he started to write on it, muttering to himself.

“Pulse, pulse-silence-pulse, pulse, pulse-silence-pulse- silence—”

Hal and Jean looked at each other. Hal tried to smile but couldn’t. Then they were looking back at the small man bent over the table, listening to the crickets and writing.

Mr. Morgan put down the pencil. “It will give you some idea,” he said, holding out the sheet to them. They looked at it.

MARIE CADMAN, it read. JOHN JOSEPH ALSTER. SAMUEL—

“You see,” said Mr. Morgan. “Names.”

“Whose?” Jean had to ask it even though she didn’t want to.

Mr. Morgan held the book in a clenching hand.

“The names of the dead,” he answered.

Later that night, Jean climbed into bed with Hal and pressed close to him. “I’m cold,” she murmured.

“You’re scared.”

“Aren’t you?”

“Well,” he said, “if I am, it isn’t in the way you think.”

“How’s that?”

“I don’t believe what he said. But he might be a dangerous man. That’s what I’m afraid of.”

“Where’d he get those names?”

“Maybe they’re friends of his,” he said. “Maybe he got them from tombstones. He might have just made them up.” He grunted softly. “But I don’t think the crickets told him,” he said.

Jean snuggled against him.

“I’m glad you told him we were tired,” she said. “I don’t think I could have taken much more.”

“Honey,” he said, “here that nice little man was giving us the lowdown on crickets and you disparage him.”

“Hal,” she said, “I’ll never be able to enjoy crickets for the rest of my life.”

They lay close to each other and slept. And, outside in the still darkness, crickets rubbed their wings together until morning came.

Mr. Morgan came rapidly across the dining room and sat down at their table.

“I’ve been looking for you all day,” he said. “You’ve got to help me.”

Hal’s mouth tightened. “Help you how?” he asked, putting down his fork.

“They know I’m on to them,” said Mr. Morgan. “They’re after me.”

“Who, the crickets?” Hal asked, jadedly.

“I don’t know,” said Mr. Morgan. “Either them or—”

Jean held her knife and fork with rigid fingers. For some reason, she felt a chill creeping up her legs.

“Mr. Morgan.” Hal was trying to sound patient.

“Understand me,” Mr. Morgan pleaded. “The crickets are under the command of the dead. The dead send out these messages.”

“Why?”

“They’re compiling a list of all their names,” said Mr. Morgan. “They keep sending the names through the crickets to let the others know.”

“Why?” repeated Hal.

Mr. Morgan’s hands trembled. “I don’t know, I don’t know,” he said. “Maybe when there are enough names, when enough of them are ready, they’ll—” His throat moved convulsively. “ They’ll come back,” he said.

After a moment, Hal asked, “What makes you think you’re in any danger?”

“Because while I was writing down more names last night,” said Mr. Morgan, “ they spelled out my name.”

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