Praise for The Gun Fight
“He is legend Richard Matheson, and The Gun Fight is the kind of story that made it happen. Here is a deceptively simple premise—how a lie can kill—and an unforgettable character, ex-Ranger John Benton. Matheson makes everything work just as he did in Journal of the Gun Years , which won the Golden Spur Award from the Western Writers of America.”
—Dale L. Walker, Rocky Mountain News
“Matheson has crafted an engrossing account of the frequently deadly consequences of mistaking vanity for honor.”
— Publishers Weekly
“With the possible exception of the modern woman’s romance, Richard Matheson has conquered every category of fiction in our time. With The Gun Fight , he has marked the American Western in its newest and most important phase with his brand. Raw, rough, and real, the book resonates with the long, sure role of history.”
—Loren D. Estleman
“Written in the traditional Western style, this substantive story addresses several moral issues, and the rather illusive term ‘honor’ is made crystal clear. . . . An action-packed, suspenseful tale.”
— School Library Journal
“ The Gun Fight is another Western triumph for Richard Matheson to add to his Spur-winning Journal of the Gun Years .”
—Norman Zollinger
“In just three days, gossip leaves a trail of wrecked lives, death, and life long remorse. By the author of Journal of the Gun Years , this is a superbly written suspense story with a moral.”
— Library Journal
“Richard Matheson packs The Gun Fight with enough real people, plot twists, and authentic Western color to make this the equal of his Spur-winning Journal of the Gun Years . This is a very, very good book.”
—Ed Gorman
“Any novel bearing the name Richard Matheson is going to be breathtakingly good. No one writes better.”
—Richard S. Wheeler
ALSO BY RICHARD MATHESON
FROM TOM DOHERTY ASSOCIATES
The Beardless Warriors
Button, Button ( The Box )
Duel
Earthbound
Hell House
Hunted Past Reason
I Am Legend
The Incredible Shrinking Man
Journal of the Gun Years
The Memoirs of Wild Bill Hickok
Nightmare at 20,000 Feet
Noir
Now You See It . . .
The Path: A New Look at Reality
7 Steps to Midnight
Somewhere in Time
A Stir of Echoes
What Dreams May Come
The GUN
FIGHT
Richard
Matheson
A TOM DOHERTY ASSOCIATES BOOK
NEW YORK
With much gratitude
I dedicate this book to
Gary Goldstein
for giving me a new literary world to explore.
Prologue
He found them on the morning of the fifth day.
It had been difficult to track them down. The range was oven-hot from sunup to sundown, the earth so bone dry and hard, it made hoof prints hard to spot. The heat had worn him down. His canteen was almost empty by the time he reached them, his body feeling seared and weak.
The three men were asleep beside a narrow creek, sprawled exhaustedly on their blankets in the shade of a cottonwood tree. He could make out the form of Aaran Graham, the biggest of the three, a tall, bulky man lying on his right side. The other two were younger, slight of build, lying on their backs, Stetsons shading their eyes.
Benton’s gaze shifted to their grounded saddles. All six saddlebags bulged with their contents; what the three men had robbed from the Millersview Bank last Thursday afternoon, leaving behind one dead and one badly wounded teller.
Benton drew in a long, tired breath and dismounted slowly. He really was getting too old for this kind of thing. Julia had been on his back for months now. Maybe she was right. Maybe it was time to leave the Rangers and settle down. Still, what else did he know how to do?
He slipped the carbine from its scabbard and started down a dusty slope toward the three motionless figures. He tried to be as quiet as he could but his boots scuffed unavoidably on the hard soil.
He was glancing at the three staked horses when Aaran Graham jerked awake, twisting around, his half-asleep expression one of startled anger.
“Wake up!” he shouted, grabbing for the holstered pistol lying on the ground beside him.
“ Don’t do it! ” Benton ordered, snapping up the carbine barrel. He saw the two younger men sitting up groggily.
Graham paid no attention, clutching at the handle of his Colt and starting to raise it.
Benton’s shot hit him in the center of the chest, knocking him backward; he was dead before his body hit the ground.
“ Pa! ” The cry of anguish made Benton’s gaze jump to the stricken face of one of the younger men.
Before he could react further, the other young man had snatched up his pistol and fired. Benton grunted in surprise as the bullet struck the barrel of his carbine, knocking it from his grip and numbing his fingers.
Training made him dive to his left, avoiding the young man’s second shot by less than an inch. As he fell, his right hand dropped to his pistol. It was free of his holster and being fired before the young man could get off another shot.
The bullet slammed into the young man’s chest just above the heart and, with a cry of dazed pain, he stumbled back, eyes already glazed over by the death which took him seconds later.
Benton scrambled to his feet, eyes fixed on the remaining young man who, he saw now, was more a boy than a man. He’d had no idea until moments ago that one of Graham’s men was his son.
The boy was staring at his dead father, then at the other young man who Benton later learned was his older brother.
Benton was never to forget the expression on the boy’s face. Stunned and horrified, his eyes wide with total disbelief. The look in the boy’s eyes was what Benson would remember most; the look of someone whose entire world had just been shattered.
When the boy’s hand clawed down for his pistol, Benton stiffened with amazement. “ Don’t! ” he cried, unable to believe what he was seeing.
Only habitual reflex kept him alive; an ingrained mechanism that made him fire without thought, hitting the boy in the stomach. He felt a bolt of shock that his aim had been so poor. It had been, he later realized, the measure of his utter dismay that the boy had attempted such a hopeless move.
The boy had stumbled back and sat down heavily on the ground, a blank expression on his face now. He looked down curiously at his stomach, regarding the pump of blood from the bullet hole as though it were coming from someone else.
Then—Benton felt sick to his stomach when he heard it—the boy began to cry.
“Pa,” he murmured. “Henry.” He repeated the names over and over, sobbing like a frightened child, tears flowing down his cheeks.
Then, finally, before he fainted, he cried out, once, “ It hurts! ”
Benton sank down on the ground, legs suddenly devoid of strength. He looked at Aaran Graham’s body. At the body of Henry Graham. Finally, at the thinly breathing form of Graham’s younger son; his name was Albert, Benton later discovered. He knew that even if he tried to get the boy back to Millersview, he’d be dead before they were halfway there.
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