Elizabeth Hand - Black Light

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Black Light: краткое содержание, описание и аннотация

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One of Elizabeth Hand’s most critically acclaimed novels,
reveals a vision of ancient cults, gods, and fetishes—and a world where everyone loves an apocalyptic party
Lit Moylan lives what she thinks is an ordinary life. Sure, her town has a few eccentric theater types, but that’s all. That is until her Warholian godfather, Axel Kern, moves into the big house on the hill. He throws infamously depraved parties, full of drinks, drugs, and sex. But they also have a much more sinister purpose. At one of these parties, Lit touches a statue, and learns she has much more of a role to play in this world than she ever thought possible.
Ornate and decadent,
visits an irresistible world of ancient gods and secret societies as enthralling as it is dangerous.
This ebook features an illustrated biography of Elizabeth Hand including rare images and never-before-seen documents from the author’s personal collection.
The privileged daughter of famous television actors, Charlotte, “Lit,” Moylan is ready to enjoy one last wild fling before college and adulthood. In fact, the whole idyllic hamlet of Kamensic, New York, is ready to party, for legendary avant-garde film director—and Lit’s godfather—Alex Kern is coming back to reopen his fabulous mansion, Bolerium. But it won’t be just any party. It’ll be the event of all time.
The whole town is invited, young and old, famous and obscure. But other, more disturbing guests are arriving, too—seen at the edges of the forest, at the margins of the night. Kern’s connections extend far beyond Hollywood, beyond even the modern age… and in Bolerium’s echoing halls a fearsome confrontation is gathering, between ancient powers of the darkness and those sworn to stop them at any cost, no matter what—or who—the sacrifice… even an innocent girl.
Hand does for upstate New York what Stephen King has done for rural Maine in this well-written but decidedly creepy dark fantasy about a Bohemian bedroom community and artists’ colony located about an hour from Manhattan by train. Seventeen-year-old Charlotte “Lit” Moylan, the daughter of two successful but second-rate TV actors, has never thought much about the oddities of her home town of KamensicAthe strangely decorated Congregational Church, for example, or the community’s unusual Halloween tradition, or the high number of suicides among the area’s younger citizens. Although she looks forward to going away to college next year, she’s basically content with her life. Then Kamensic’s most notorious citizen returns to his roots. Alex Kern, the successful avant-garde film director, brings with him a reputation for scandalous, extravagant and decadent parties, replete with perverse sexuality and heavy drug use. His mazelike mansion, Bolerium, sits on the hill overlooking Kamensic like some dangerous predatory beast. Eventually Lit and, indeed, everyone in town receives an invitation to a party, a gala event that, Hand hints, may be nothing less than a prelude to the Apocalypse. Something of a latter-day Aubrey Beardsley in prose, Hand has a talent for portraying forbidding millennial settings brimming with perverse antiheroes, suffering innocents and sadistic demigods. This book, although not quite the equal of her last two novels, Waking the Moon and Glimmering, should strongly appeal to aficionados of sophisticated horror.
Copyright 1999 Reed Business Information, Inc.
Amazon.com Review
From
Although Charlotte Moylan thinks she lives a rather ordinary and oftentimes dull life, the reality is far different. Her father is best known as the famous TV personality Uncle Cosmo, and her mother is a 20-year veteran of the daytime drama
. They live in the New York community of Kamensic, an artistic enclave where the church is rarely used for religious ceremonies and where death is an “occupational hazard” for the young. The town is also home to Bolerium, a dark manor of indeterminate origin where the enigmatic and somewhat sinister film director Axel Kern lives when he’s not making movies.
Axel is Charlotte’s godfather, but he’s one guardian who may not be looking out for her best interests. Aside from making questionable films, Axel is also in cahoots with the old gods, and is interested in bringing a couple of them along with him to Kamensic. This puts the town—and Charlotte—at the center of an age-old struggle between two Illuminati-style groups, the more-or-less benign Benandanti (seen in Hand’s Tiptree Award-winning
) and their rivals, the Malandanti witches. As has become Hand’s modus operandi, she tells this story with a luxurious prose that’s at once beautiful and also somehow intellectually decadent. Although the book may be a bit slow-paced for some, those who enjoy a smart novel that’s rich in style and substance won’t want to miss it. —Craig E. Engler

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“Tonight?”

“Yeah. There was some show at the Mercer Arts Center, the Dolls and someone else, I dunno. They blew that off, but I guess something’s going on afterward down on the Bowery, Jamie says he knows the band and he wants to get some people together and head down for it.”

“What about Ali?”

Duncan wrinkled his nose. “Man, she’s out of it. I tell you, I think Jamie Casson is bad news. He’s got her shooting smack or some such shit—” He shook his head. “I just don’t get it. All this pot and booze and great acid floating around, what’s she doing messing with her head like that?”

“Chacun à son goût.” As I started to walk away Duncan called after me plaintively.

“What the hell does that mean?”

“It’s French for ‘Mind your own beeswax.’”

I sauntered off. The Tanqueray made me feel indestructible once more, but when I caught a glimpse of myself in an ormulu mirror in the hall I decided I’d better clean up. I found a bathroom, a cedar-paneled cubicle occupying what had once been a linen closet. That night it had obviously seen a lot of traffic despite its size. There was a pair of women’s red silk underwear wrapped around the light and a pile of shoes alongside the toilet. A joint was still smoldering on the sink, the porcelain beneath it amber with resin. Across the mirror, someone had scrawled TERRY TAKES IT UP THE ASS in hot-pink lipstick. I found a sock and cleaned off the mirror, smoked the rest of the joint, and did my best to make myself more presentable.

It was tough. I kicked among the shoes on the floor, searching for a comb or hairbrush, but found only a baggie that held a fine sifting of cannabis seeds and stems along with a pair of manicure scissors. I decided to save this, then tried to do something about my hair. All I could manage was dragging my fingers through the tangled copper mass.

“Ouch—”

I gave up. My dress was a lost cause as well. I plucked off as many twigs as I could, and scraped clumps of mud from the hem. One sleeve was hanging loosely. I tore it off, but then I had to tear off the other one, too. My bare arms were covered with scratches and insect bites. I examined them carefully, thinking of Ali and wondering if Dunc was right, if she actually had mainlined heroin. If so, is this what trackmarks looked like? My finger touched a small gash in the crook of my elbow. I winced, and glanced into the mirror above the sink. A mad girl stared back at me, ragged hair flaming around her mud-stained face, orange peasant dress in tatters, lips bitten and bloody-looking, pupils huge and very, very obviously stoned.

“Well, it’s a look,” I said.

I began to wash up. A few minutes later my face and arms were relatively clean and the sink was clogged with dirt and floating leaves. I was trying to get the drain to work when the door behind me flew open.

“Oh, hey man, sorry, I didn’t know anyone was—”

I turned too fast, and bumped into Jamie Casson.

“Jamie!”

“Huh? Hey— ow! what the—”

He drew up, staring at me. “Lit? Is that you?”

“Afraid so.”

He took in my ruined dress and hair, the mess on the bathroom floor. “Huh. I guess I must’ve missed something.”

“I guess you did.”

I made room as he edged inside, closing the door behind him. He looked tired and unhappy, shirt untucked and trousers hanging loosely from his hips. “I gotta get out of this fucking monkey suit,” he said. He held up a jumble of clothes. “You mind if I get changed?”

“Uh-uh.”

Immediately he started to undress. I wasn’t going to be so uncool as to leave, or deliberately look away. I busied myself again at the mirror, dabbing my face with water and doing my best not to spy on Jamie.

But it was impossible not to see him. In the mirror his thin pale form moved like a wraith, shrugging off the white shirt, trousers sliding from his legs so that I had a glimpse of his underwear and the silver-blonde hair on his thighs. Then he was pulling on black jeans and a T-shirt that said RAW POWER, and fumbling with the laces of his black high-tops.

“Hey, thanks.” He straightened, shoving a wisp of hair from his eyes, and balled up the clothes he’d just removed. “Guess I can just dump these here, huh? Boy, you really look bad, Lit.”

I flushed, glancing at the wadded clothes in his hand. “Hey”— I looked back at Jamie. —“are those your clothes? I mean, would you mind if I wore them?”

He shrugged. “Hell no. They’re not mine anyway— Kern gave ’em to me to wear tonight. He has, like, a whole closet full of these things, extras that he keeps around for the help. He wanted me in a fucking uniform, man, can you believe it? Like a fucking waiter. Here—” He tossed them at me. I grinned, and he shot a tired grin back. “—you’ll look better in ’em than I did, anyway.”

I took off my Frye boots and pulled the trousers on under my dress, then tucked the pants into the boots; made a half-assed attempt at modesty by turning sideways and tugging the dress over my head, and finally put on the white dress shirt. Jamie was insultingly indifferent, yawning and lighting a cigarette and leaning against the wall with his eyes closed. The trousers fit perfectly, soft wool and smelling of mothballs. I grabbed the baggie with the pot seeds and manicure scissors and stuck it in a pocket, along with a pack of matches. The shirt was much too big. I tucked it in, catching a breath of Jamie’s sweat and a smell like burnt sugar, the harsh odor of car exhaust.

“Ta da,” I said. I started rolling up the sleeves.

“Looks good,” said Jamie. “A lot better than it did on me.”

I tossed the dress into a corner and inspected my reflection in the mirror. It was a definite improvement on the madwoman who’d stared out at me before, even with the patina of grime that clung to the shirt, not to mention several cigarette holes. I still couldn’t do anything about my hair, though. I ran a hand through it, sighing, and turned back to Jamie.

“Well, thanks. Are Ali and Hillary still upstairs?”

“She passed out. And Hillary took off—”

“He left the party?”

“I don’t know. No, I don’t think so—I think he was going to find you first. I’m taking off—going down to the Pit. You want to come?”

“The Pit?”

“Yeah, man. These guys I know are playing, a fucking great guitarist, it’ll blow your mind.” He began swaying, eyes half-closed, cigarette weaving figure eights in the air. “This amazing scene…”

Abruptly he leaned forward. His turquoise eyes were huge, their expression so intense it was like rage. “You hate it here, too, don’t you. I know you do, Lit. And I know why. I know what goes on…”

“Wh-what—”

“This place—” He waved his cigarette, let it fall to the floor. “This fucking madhouse—”

The little room was filling with smoke, but as Jamie moved his hand the smoke directly in front of him disappeared. Not as though dispersed by the motion, but forming in a pattern. The reddish wood of the bathroom walls suddenly seeming to glow through the haze. He spread his fingers, turning them in a deliberate way that was both odd and oddly familiar. As I watched him, my own hands clenched. In the air between us the pattern grew darker, more apparent. The smoke took on a harsh metallic color, like the singed blade of a steel knife. There was a soft crackling sound of leaves burning, the acrid smell of incense. Another moment and a face hung in the air before me.

I gasped. It was not a face, but the image of a mask, one of those gaping terra-cotta masks that adorned the houses of Kamensic in the autumn. Its eyes were oblique, the mouth wide, upturned in a malicious smile; the high cheekbones two slanted bars of steely light. It was a cruel visage; and unmistakably that of Axel Kern.

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