Elizabeth Hand - Black Light

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Black Light: краткое содержание, описание и аннотация

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One of Elizabeth Hand’s most critically acclaimed novels,
reveals a vision of ancient cults, gods, and fetishes—and a world where everyone loves an apocalyptic party
Lit Moylan lives what she thinks is an ordinary life. Sure, her town has a few eccentric theater types, but that’s all. That is until her Warholian godfather, Axel Kern, moves into the big house on the hill. He throws infamously depraved parties, full of drinks, drugs, and sex. But they also have a much more sinister purpose. At one of these parties, Lit touches a statue, and learns she has much more of a role to play in this world than she ever thought possible.
Ornate and decadent,
visits an irresistible world of ancient gods and secret societies as enthralling as it is dangerous.
This ebook features an illustrated biography of Elizabeth Hand including rare images and never-before-seen documents from the author’s personal collection.
The privileged daughter of famous television actors, Charlotte, “Lit,” Moylan is ready to enjoy one last wild fling before college and adulthood. In fact, the whole idyllic hamlet of Kamensic, New York, is ready to party, for legendary avant-garde film director—and Lit’s godfather—Alex Kern is coming back to reopen his fabulous mansion, Bolerium. But it won’t be just any party. It’ll be the event of all time.
The whole town is invited, young and old, famous and obscure. But other, more disturbing guests are arriving, too—seen at the edges of the forest, at the margins of the night. Kern’s connections extend far beyond Hollywood, beyond even the modern age… and in Bolerium’s echoing halls a fearsome confrontation is gathering, between ancient powers of the darkness and those sworn to stop them at any cost, no matter what—or who—the sacrifice… even an innocent girl.
Hand does for upstate New York what Stephen King has done for rural Maine in this well-written but decidedly creepy dark fantasy about a Bohemian bedroom community and artists’ colony located about an hour from Manhattan by train. Seventeen-year-old Charlotte “Lit” Moylan, the daughter of two successful but second-rate TV actors, has never thought much about the oddities of her home town of KamensicAthe strangely decorated Congregational Church, for example, or the community’s unusual Halloween tradition, or the high number of suicides among the area’s younger citizens. Although she looks forward to going away to college next year, she’s basically content with her life. Then Kamensic’s most notorious citizen returns to his roots. Alex Kern, the successful avant-garde film director, brings with him a reputation for scandalous, extravagant and decadent parties, replete with perverse sexuality and heavy drug use. His mazelike mansion, Bolerium, sits on the hill overlooking Kamensic like some dangerous predatory beast. Eventually Lit and, indeed, everyone in town receives an invitation to a party, a gala event that, Hand hints, may be nothing less than a prelude to the Apocalypse. Something of a latter-day Aubrey Beardsley in prose, Hand has a talent for portraying forbidding millennial settings brimming with perverse antiheroes, suffering innocents and sadistic demigods. This book, although not quite the equal of her last two novels, Waking the Moon and Glimmering, should strongly appeal to aficionados of sophisticated horror.
Copyright 1999 Reed Business Information, Inc.
Amazon.com Review
From
Although Charlotte Moylan thinks she lives a rather ordinary and oftentimes dull life, the reality is far different. Her father is best known as the famous TV personality Uncle Cosmo, and her mother is a 20-year veteran of the daytime drama
. They live in the New York community of Kamensic, an artistic enclave where the church is rarely used for religious ceremonies and where death is an “occupational hazard” for the young. The town is also home to Bolerium, a dark manor of indeterminate origin where the enigmatic and somewhat sinister film director Axel Kern lives when he’s not making movies.
Axel is Charlotte’s godfather, but he’s one guardian who may not be looking out for her best interests. Aside from making questionable films, Axel is also in cahoots with the old gods, and is interested in bringing a couple of them along with him to Kamensic. This puts the town—and Charlotte—at the center of an age-old struggle between two Illuminati-style groups, the more-or-less benign Benandanti (seen in Hand’s Tiptree Award-winning
) and their rivals, the Malandanti witches. As has become Hand’s modus operandi, she tells this story with a luxurious prose that’s at once beautiful and also somehow intellectually decadent. Although the book may be a bit slow-paced for some, those who enjoy a smart novel that’s rich in style and substance won’t want to miss it. —Craig E. Engler

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“They’d never come with me—too chickenshit. Can you play guitar?”

“Hell no.” I bit my thumb, finally offered, “I guess I can dance. Sort of…”

“Well, you wanna write, right? We’ll just do covers at first but we’ll need songs, new stuff—”

“Songs? I can’t write songs—”

“Sure you can.” For the first time Jamie grinned. “Fuckin’ A, look at you”— he took in my filthy boots, the cast-off shirt rolled up around my elbows, my snarled hair and dirty fingernails. —“you’re a fucking mess! You’re perfect .”

“But—”

“Look, you’re pissed off, right? You’re mad as shit at the whole goddam world! You got a chip on your shoulder, I’ve got a monkey on my back—it’ll be fucking great! Come on, come on, come on,” he urged, rubbing my arm. “New York City really has it all…”

“But—”

I shut my eyes, dredged up the image of a horned man clawing his way through the trees; of a boy bound with ivy and Axel Kern in a rainswept chapel. I opened my eyes. Jamie was still there, his gaze no longer imploring but insistent. I sighed.

“But Jamie—if something really is happening here…if something is going on, and I’m part of it—how can I leave? How can I just go?”

“I’ll tell you how.” Jamie took his hands from me and slid from the chair. “Like this—you just put your legs together, and go .”

He crossed to the fireplace, squatted there and stared into the ashes. After a minute he turned back to me. “Look, I don’t care if you come or not. Or, no, I do care, I guess, but I’m going whether or not you come with me. Or anyone else. But if you stay here, it’s just like Hillary going to Yale, and Ali going to Radcliffe or whatever fancy place you all get shoved away in. It’s a cop-out; it’s a way of making sure you just keep coming back home again and doing what your parents did—

“Just like they always do, Lit. It’s their fight and they drag us into it. Always, always the same fucking thing. But you know what?”

He stood. He didn’t look wasted anymore, or tired. “This time I’m not buying into it. Whatever my father is involved in, whatever it is he thinks he’s breaking into, I’m breaking out. I’m breaking the cycle. And I think you should too.”

I groaned. “Oh, God, Jamie, I dunno…”

Jamie said nothing. He just stood there, then began to sing in a sweet boyish tenor. “I remember how the darkness doubled…”

I leaned forward and cradled my head in my hands. When I looked up a moment later, he was gone.

“Shit—Jamie, no, wait—”

I raced into the corridor. It was empty. Thin cyanic light filtered out from a few half-open doors, along with laughter, the tireless whir of a Super 8 camera. I turned and began walking toward the main hall. I felt wired, almost frantic, and my eyes burned. When I rubbed them I looked at my hands, to make sure they weren’t black with ash. Instead my knuckles were red, not with blood but something powdery, the color of brick-dust.

Ochre.

I touched my cheek and drew away fingers stained vermilion, then rubbed my face with my sleeve. The white cotton was streaked with rust. When I saw the arched entrance to the main hall in front of me, I began to run.

Music thudded from the monolithic speakers. Heavy bass, slivers of guitar noise; buried vocals that sounded like weeping. Beneath my boots the floor was awash in the party’s spoilage—spilled wine, auroras of glitter and sequins, roaches and cigarette butts.

But there was a more ominous residuum, too. Crushed acorns, their meat like grubs nosing amidst scattered piles of oak leaves; pinecones and opium pods, papery petals frail as moth’s wings. When I kicked through the detritus daddy longlegs raced underfoot, and spiders as long as my finger crept over broken syringes.

“Damn…”

I stepped inside. I expected to be blinded by the same carnival glare that had greeted me hours earlier, and shaded my eyes.

There was no need. The columns of ultraviolet light still marked the perimeter of the room, but all their otherworldly fire had been extinguished. There was only a faint flicker inside the tubes, like trapped lightning. The bulbs made a threatening sound, buzzing as though locusts hid within them. I walked past warily, making a circuit of the room and looking for someone I knew.

I saw no one. The dancers had all gone home. The hall seemed to be full of white-shrouded figures, frozen in the dying light. Something warm grazed my wrist; I looked up to see the candelabrums still hanging from the ceiling. Long streams of wax had spilled from them to the floor, hardening into veils and cataracts and tusks. It was these that I had taken to be cloaked figures; it had been a droplet of hot wax that spattered my wrist.

“It’s okay,” I whispered. “It’s okay…”

My breath was enough to send a shiver through the waxen shrouds. I walked on, tiny stalagmites crunching beneath my feet, and as I crossed the room the music changed. The droning bass was chopped off by the crackle and fizz of dust on the needle. As though it were water leaking in, the great hall filled with the sound of a chiming guitar and a tambourine’s funereal jangle. But I could still see no one, and I could no longer tell where the music was coming from.

I shivered. My eyes ached from trying to focus on anything within the colonnade of ruined candles and black light. The music thrummed and droned, the tambourine became a tocsin. As I walked things clung to me, cobwebs or dripping wax, I thought. But when I glanced at my arm I saw long tendrils of pale green sprouting from the cleft of my elbow.

“Ugh!”

I slashed at them and the tendrils fell away. Immediately three long red furrows rose along the inside of my arm, oozing dark liquid that spun in long droplets to the floor. I gazed down, stunned, but before I could move there was a rush of wind that swept away everything, music, light, dead leaves and cigarette ash. Something touched my cheek and I recoiled.

The room was alive with whirling petals, a vortex of red and pink and scarlet, as though the mansion itself were bleeding. They erupted from the casements like broken glass and drifted from the candelabrums, and where they touched my skin it grew numb. My feet were mired in blossoms; when I tried to shout my jaw didn’t move. The sound of wind in the trees grew deafening. It no longer came from outside but somewhere within the room. There was a smoky reek like hashish, the fruity odor of new wine. And still the papery blossoms swirled around me, sticking to the gashes on my arm and covering my face like snow.

As though unseen hands had slammed the windows shut, the gale stopped. The petals froze in midair; then, like iron filings circling a magnet, they made a shape—the ragged outline of a tree, limbs bare save where petals settled in the crux of trunk and branches. Something moved within those branches, just visible behind the scrim of blossoms; a shadow like a crouching figure readying itself to spring.

No…

I tried to summon the strength to move; but abruptly as it had appeared the phantom tree was gone. So were the falling blossoms. The music rang out again, thin and shrill. I blinked and drew an unsteady hand across my face. There were no flowers there; but on the floor faded petals mingled with broken wineglasses and oak leaves. I turned and started to walk across the room.

The sickly glow from the dying UV lights had faded. I could just make out a series of closed doors along the far wall, each a lozenge of deepest black with no hint of a lock or knob or window set within. I remembered seeing them earlier, almost hidden by a throng of partygoers. Now they seemed ominous as the doors to Bluebeard’s castle in a Hammer horror film or one of Ali’s ghost stories.

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