Elizabeth Hand - Black Light

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Black Light: краткое содержание, описание и аннотация

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One of Elizabeth Hand’s most critically acclaimed novels,
reveals a vision of ancient cults, gods, and fetishes—and a world where everyone loves an apocalyptic party
Lit Moylan lives what she thinks is an ordinary life. Sure, her town has a few eccentric theater types, but that’s all. That is until her Warholian godfather, Axel Kern, moves into the big house on the hill. He throws infamously depraved parties, full of drinks, drugs, and sex. But they also have a much more sinister purpose. At one of these parties, Lit touches a statue, and learns she has much more of a role to play in this world than she ever thought possible.
Ornate and decadent,
visits an irresistible world of ancient gods and secret societies as enthralling as it is dangerous.
This ebook features an illustrated biography of Elizabeth Hand including rare images and never-before-seen documents from the author’s personal collection.
The privileged daughter of famous television actors, Charlotte, “Lit,” Moylan is ready to enjoy one last wild fling before college and adulthood. In fact, the whole idyllic hamlet of Kamensic, New York, is ready to party, for legendary avant-garde film director—and Lit’s godfather—Alex Kern is coming back to reopen his fabulous mansion, Bolerium. But it won’t be just any party. It’ll be the event of all time.
The whole town is invited, young and old, famous and obscure. But other, more disturbing guests are arriving, too—seen at the edges of the forest, at the margins of the night. Kern’s connections extend far beyond Hollywood, beyond even the modern age… and in Bolerium’s echoing halls a fearsome confrontation is gathering, between ancient powers of the darkness and those sworn to stop them at any cost, no matter what—or who—the sacrifice… even an innocent girl.
Hand does for upstate New York what Stephen King has done for rural Maine in this well-written but decidedly creepy dark fantasy about a Bohemian bedroom community and artists’ colony located about an hour from Manhattan by train. Seventeen-year-old Charlotte “Lit” Moylan, the daughter of two successful but second-rate TV actors, has never thought much about the oddities of her home town of KamensicAthe strangely decorated Congregational Church, for example, or the community’s unusual Halloween tradition, or the high number of suicides among the area’s younger citizens. Although she looks forward to going away to college next year, she’s basically content with her life. Then Kamensic’s most notorious citizen returns to his roots. Alex Kern, the successful avant-garde film director, brings with him a reputation for scandalous, extravagant and decadent parties, replete with perverse sexuality and heavy drug use. His mazelike mansion, Bolerium, sits on the hill overlooking Kamensic like some dangerous predatory beast. Eventually Lit and, indeed, everyone in town receives an invitation to a party, a gala event that, Hand hints, may be nothing less than a prelude to the Apocalypse. Something of a latter-day Aubrey Beardsley in prose, Hand has a talent for portraying forbidding millennial settings brimming with perverse antiheroes, suffering innocents and sadistic demigods. This book, although not quite the equal of her last two novels, Waking the Moon and Glimmering, should strongly appeal to aficionados of sophisticated horror.
Copyright 1999 Reed Business Information, Inc.
Amazon.com Review
From
Although Charlotte Moylan thinks she lives a rather ordinary and oftentimes dull life, the reality is far different. Her father is best known as the famous TV personality Uncle Cosmo, and her mother is a 20-year veteran of the daytime drama
. They live in the New York community of Kamensic, an artistic enclave where the church is rarely used for religious ceremonies and where death is an “occupational hazard” for the young. The town is also home to Bolerium, a dark manor of indeterminate origin where the enigmatic and somewhat sinister film director Axel Kern lives when he’s not making movies.
Axel is Charlotte’s godfather, but he’s one guardian who may not be looking out for her best interests. Aside from making questionable films, Axel is also in cahoots with the old gods, and is interested in bringing a couple of them along with him to Kamensic. This puts the town—and Charlotte—at the center of an age-old struggle between two Illuminati-style groups, the more-or-less benign Benandanti (seen in Hand’s Tiptree Award-winning
) and their rivals, the Malandanti witches. As has become Hand’s modus operandi, she tells this story with a luxurious prose that’s at once beautiful and also somehow intellectually decadent. Although the book may be a bit slow-paced for some, those who enjoy a smart novel that’s rich in style and substance won’t want to miss it. —Craig E. Engler

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The leaf-cloaked mannequin lifted its arms. Ivy fell from them in a rain of green, and other vines sprouted as well, leaves larger and less variegated than the ivy, with pale yellow tendrils coiling like fingers about its shoulders and throat. Tiny globules erupted from these vines, burgeoned into darker globes that began to ripen, until a crawling mat of purple covered the green man. He thrust his head back, chest exposed to the rising sun. Bunches of grapes exploded from him, raining onto the ground and bursting, their juices soaking into the earth. I could smell them, a sweetness so intense my mouth watered.

“Not now,” a voice said softly. “Turn quickly, Lit, don’t look—”

Strong hands closed around mine. I ignored the warning, and strained to see what was happening as he pulled me after him.

The taiga was gone. In its stead was a softer landscape, hills climbing into mountains, slopes covered with trees, sunrise touching their limbs with gold. Of Ralph there was no sign. But the girl remained, unclothed, her breasts and pale skin and hair turned to copper by the dawn. At her feet poppies rippled in the wind—I could see their papery petals, white and red and pink, the green-furred stems and, on some of them, the swollen seed-calyx where the blossoms had already fallen. Once more she was embracing someone, not the man-woman but someone else, a tall man with hawkish features and dark hair that fell to his shoulders. He was naked, and in one hand held a staff topped with a carven pinecone. As he crushed the girl to his breast, wine streamed down her back, staining her hair reddish-violet.

“No more!”

I was yanked away roughly by the man-woman. In the deepening sunlight his leather robe looked burnished. But as we ran the robe seemed to unfurl like a long ribbon, until I saw it was not a leather robe at all but a gown of dark-green cloth, embroidered with five-petaled flowers. His careful braid unraveled, long hair snaking in the wind. Ahead of us the sunrise grew blinding. I shaded my eyes, found that I could make out an eerie darkness within the brilliance, like spots on the sun’s corona. I staggered after my rescuer, and with each step the darkness grew more palpable and took shape, until I was staring at a rectangular pillar in the air.

But it was not a pillar. It was a door, only a few inches taller than the man who led me and half as wide. A door made of shadow and light, the shadow the utter blackness of a starless night; the light more blinding than the sun, brilliance like a red-gold sea boiling up from the portal’s center.

“Close your eyes!” the man shouted. “Stay beside me!”

His voice was familiar. But I had no time to question him, no time to do anything but race, gasping, until I was beside him.

Before us the portal opened like the world’s molten core. A moment when I felt the ground beneath me drop away; a moment when air and wind and even the flesh upon my face were sucked away, devoured by a ravening heat. A column of flame ripped through me, erupting into pure white light as a voice shrieked deafeningly.

“Jump! Now !”

I jumped. There was silence and annihilating darkness, no sense of falling, of being; of anything at all. Then with a roar the world crashed all around me. I was thrown facedown onto a cold floor. The core of light exploded into pain, and for an instant I blacked out.

Then I heard a sound, a soft repetitive thumping, the murmur of voices that were not forming words. When I managed to open my eyes, I found myself lying on the floor of a darkened room, window casements thrown open so that a spatter of icy rain came down, and scattered oak leaves. I was back in Bolerium. On the floor beside me, holding her head and moaning, was Precious Bane.

PART THREE

The Eternal

Well the Cadillac
it pulled out of the
graveyard
pulled up to me
all they said Get in.
Then the Cadillac,
it puttered back into
that graveyard.
Me, I got out again.

—“MARQUEE MOON,” TOM VERLAINE

13. White Light / White Heat

IT TOOK ME SEVERAL minutes to catch my breath. I didn’t just feel winded by falling, or whatever I’d done to return. My heart pounded dangerously fast and my skin burned; whenever I tried to focus on the room around me, streams of cobalt and violet light flared and faded at the borders of my vision. Even my teeth ached.

But gradually all these symptoms faded; gradually the phantom lightning disappeared, and I could see that the casement above me was tall and narrow, with two sets of windows opened outward into the rainy night. Watery blue light filled the room, a long raftered space tucked somewhere under the eaves. The outer walls were granite, the floor unpolished wood and very cold. There were no rugs or furniture; only an odd, propane-blue light whuttering in the distance. I blinked, trying to bring the light into focus; and that’s when I realized there were other people in the room beside myself and Precious Bane. In fact, there were a lot of people, all gathered at the far end of the chamber. Before I could figure out what to do about that, Precious Bane sat up with a groan.

“God, I told you I hate this place.” She brushed back a tuft of cotton-candy hair. “Every time I come here I tear something.”

She stared ruefully at the band of shiny black polyester that was her miniskirt. It was slashed as though by a razor. “See? You think Axel will pay for this? He won’t. Thank god they’re too busy to notice—”

She inclined her head toward the people at the far end of the room, then got to her feet, long arms and legs unfolding like an accordion doll’s. She reached down to grab my hand. “Upsy-daisy, Miss Charlotte. My, your new party clothes are a mess.”

I stood groggily and looked down at myself. My dress was ragged and filthy, stuck with twigs and leaves; my Frye boots caked with mud. I touched my hair. It felt like the reindeer moss, brittle and damp. Precious Bane gave me a sympathetic look.

“Aw, don’t worry, honey. A little Prell, you’ll look super. Come here and let’s see what we can do to shine you up—”

“Wait—hang on a second…”

I slipped from her and darted to the window. It was set halfway up the wall, so that the bottom sill was level with my chin. If I slitted my eyes, the out-of-focus image was the exact inverse of that I had seen with the portal, its perimeter etched with light and the center a seething darkness. Very carefully I extended my hands, until my fingertips brushed the edge of the sill.

“Charlotte!”

“No. Wait—”

It was like being too close to an incredibly powerful electrical appliance. The air felt warm, almost furry; the hair on my arms stood on end. When I moved my fingers, threads of blue-violet light streaked between them, like paramecia swimming through the darkness. Out of nowhere words echoed around me, faint but clear, as though broadcast from a radio in an adjoining room. There was the smell of upturned earth, and my mother’s clear voice reciting—

“Down with the bodie and its woe,
Down with the Mistletoe;
Instead of Earth, now up-raise
The green Ivy for show.
The Earth hitherto did sway;
Let Green now domineer
Until the dancing Sonbuck’s Day
When black light do appeare.”

“That’s what it is,” I whispered. “Black light…”

I took a deep breath, opened my eyes and firmly grasped the sill. As though I’d rammed my hands against a stone wall, a shock raced through me, from fingers to elbow and on to my shoulder. The pain made me shout, but I kept my hold tight on the window. The violet threads thickened, became ropes of light that encircled my wrists and arms, twisting about my shoulders until I could feel their pressure at my throat. Then suddenly the luminous bonds fell away. There was the summer-charged smell of ozone, a sound like the sea. With a gasp I let go of the sill and staggered backward.

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