Elizabeth Hand - Black Light

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Black Light: краткое содержание, описание и аннотация

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One of Elizabeth Hand’s most critically acclaimed novels,
reveals a vision of ancient cults, gods, and fetishes—and a world where everyone loves an apocalyptic party
Lit Moylan lives what she thinks is an ordinary life. Sure, her town has a few eccentric theater types, but that’s all. That is until her Warholian godfather, Axel Kern, moves into the big house on the hill. He throws infamously depraved parties, full of drinks, drugs, and sex. But they also have a much more sinister purpose. At one of these parties, Lit touches a statue, and learns she has much more of a role to play in this world than she ever thought possible.
Ornate and decadent,
visits an irresistible world of ancient gods and secret societies as enthralling as it is dangerous.
This ebook features an illustrated biography of Elizabeth Hand including rare images and never-before-seen documents from the author’s personal collection.
The privileged daughter of famous television actors, Charlotte, “Lit,” Moylan is ready to enjoy one last wild fling before college and adulthood. In fact, the whole idyllic hamlet of Kamensic, New York, is ready to party, for legendary avant-garde film director—and Lit’s godfather—Alex Kern is coming back to reopen his fabulous mansion, Bolerium. But it won’t be just any party. It’ll be the event of all time.
The whole town is invited, young and old, famous and obscure. But other, more disturbing guests are arriving, too—seen at the edges of the forest, at the margins of the night. Kern’s connections extend far beyond Hollywood, beyond even the modern age… and in Bolerium’s echoing halls a fearsome confrontation is gathering, between ancient powers of the darkness and those sworn to stop them at any cost, no matter what—or who—the sacrifice… even an innocent girl.
Hand does for upstate New York what Stephen King has done for rural Maine in this well-written but decidedly creepy dark fantasy about a Bohemian bedroom community and artists’ colony located about an hour from Manhattan by train. Seventeen-year-old Charlotte “Lit” Moylan, the daughter of two successful but second-rate TV actors, has never thought much about the oddities of her home town of KamensicAthe strangely decorated Congregational Church, for example, or the community’s unusual Halloween tradition, or the high number of suicides among the area’s younger citizens. Although she looks forward to going away to college next year, she’s basically content with her life. Then Kamensic’s most notorious citizen returns to his roots. Alex Kern, the successful avant-garde film director, brings with him a reputation for scandalous, extravagant and decadent parties, replete with perverse sexuality and heavy drug use. His mazelike mansion, Bolerium, sits on the hill overlooking Kamensic like some dangerous predatory beast. Eventually Lit and, indeed, everyone in town receives an invitation to a party, a gala event that, Hand hints, may be nothing less than a prelude to the Apocalypse. Something of a latter-day Aubrey Beardsley in prose, Hand has a talent for portraying forbidding millennial settings brimming with perverse antiheroes, suffering innocents and sadistic demigods. This book, although not quite the equal of her last two novels, Waking the Moon and Glimmering, should strongly appeal to aficionados of sophisticated horror.
Copyright 1999 Reed Business Information, Inc.
Amazon.com Review
From
Although Charlotte Moylan thinks she lives a rather ordinary and oftentimes dull life, the reality is far different. Her father is best known as the famous TV personality Uncle Cosmo, and her mother is a 20-year veteran of the daytime drama
. They live in the New York community of Kamensic, an artistic enclave where the church is rarely used for religious ceremonies and where death is an “occupational hazard” for the young. The town is also home to Bolerium, a dark manor of indeterminate origin where the enigmatic and somewhat sinister film director Axel Kern lives when he’s not making movies.
Axel is Charlotte’s godfather, but he’s one guardian who may not be looking out for her best interests. Aside from making questionable films, Axel is also in cahoots with the old gods, and is interested in bringing a couple of them along with him to Kamensic. This puts the town—and Charlotte—at the center of an age-old struggle between two Illuminati-style groups, the more-or-less benign Benandanti (seen in Hand’s Tiptree Award-winning
) and their rivals, the Malandanti witches. As has become Hand’s modus operandi, she tells this story with a luxurious prose that’s at once beautiful and also somehow intellectually decadent. Although the book may be a bit slow-paced for some, those who enjoy a smart novel that’s rich in style and substance won’t want to miss it. —Craig E. Engler

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“I don’t want no diamond ring
Don’t want no Cadillac car
Just want to think my Ripple wine
Down at the Deer Park bar…”

She tossed her head back. “Isn’t it fucking great to be alive?”

“I dunno.” I shivered. I had on one of Hillary’s old corduroy jackets, too big for me but worn and comforting. “I do feel sort of weird. Maybe something is going to happen…”

Ali laughed. “I always feel like something’s gonna happen. And nothing ever does.”

She dropped her spent cigarette, veering from the tracks onto the overgrown path that would bring us to Mount Muscanth.

It wasn’t a real mountain, of course, just one of those outriders of the Catskills that straggle down from the northwestern part of New York State. But on its north face there was a bare stone outcropping where you could sit and look down upon the village, and it was as though you were in another world. The air smelled of dying leaves and earth, and as we walked there were birds everywhere, and tiny things moving underfoot.

“I’m beat,” Ali exclaimed. “Hang on a minute—”

We stopped before a stand of forsythia that had run wild. I was stooping to settle beneath it when the earth at its roots seemed suddenly to shiver.

“Fuckin’ A—” Ali gasped. “Look out!”

At her feet the ground was fuming with a gray cloud of shrews no bigger than my thumb, dozens of them scurrying about, utterly heedless of us. At first I thought something must have disturbed them. But as we watched I saw that no, they were all hunting —feverishly, lunging at black beetles and ants pouring up from beneath the rotting leaves, teeth slicing through shiny carapaces and the dull gray coils of millipedes, their white claws delicate as fronds of club moss. They tore at the leaf-mold in a fury, scrabbling over puffballs that sent up clouds of spores like minute bomb-bursts. I held my breath and lowered myself to within a foot of this seething world, watching as two shrews had a tug-of-war with an earthworm. After a minute they separated and ferociously attacked each other. I was so close I could see tiny droplets of blood spatter onto the forsythia and smell their faint foul musk.

And still the shrews raced on, fighting and hunting and eating. To them, I had no more being than a tree or stone. I was entranced, and would have remained there for the entire afternoon, maybe, if Ali hadn’t pulled me away.

“Enough with the fucking Wild Kingdom, Lit; it’s gonna rain. Come on, let’s go to Deer Park.”

About halfway down we emerged onto a narrow ridge of stone, slick with moss. A scant yard in front of us the ridge sheared away, so that we gazed down upon the tops of red oaks and huge lichen-stained boulders. If you knew where to look, this was where you could catch your first glimpse of the ruinous beauty that was Bolerium. I edged back until I could wrap my arm around a tree—I was wearing knee-high lace-up Frye boots, well broken in but a bad choice for climbing. Ali walked fearlessly to the lip of rock and looked out.

“I can’t see it,” she said, frowning.

I squinted, trying to distinguish between the mansion’s granite walls and the gray trees that stood between us. “It’s too rainy,” I said at last, feeling a vague disappointment.

Ali shook her head. “Uh-uh. It’s hiding.

We turned and scrambled on down the path. When we finally burst out of the woods onto Kinnicutt Road, it was into a world gone gold and white, yellow leaves covering the tarmac and birches ghostly in the mist. Ali shivered in her leotard and pulled her flannel shirt over her head like a hood. I pulled Hillary’s jacket tight around me, wincing as a black BMW raced past and sent water splashing over us.

“Asshole,” I shouted.

If there was a wrong side to Kamensic, that’s where we were now: Kinnicutt Road, a chopped-up remnant of the Old Post Road that a hundred years earlier had linked Boston to the fractured villages strung across New England. Ten miles or so along, Kinnicutt fed into Route 684, the new interstate that connected the city with the north. But here it was a scumble of cracked asphalt, broken glass winking from a shoulder overgrown with nightshade and fox grapes and jewelweed. There were no houses along this stretch of Kinnicutt, no other roads; only a defiant tributary of the Muscanth River threading alongside the tarmac.

Now it felt almost inutterably desolate. The air smelled faintly of diesel fuel. Ahead of us the road narrowed, unyielding to the woods that crowded to either side, and finally faded from sight. My dread intensified until I considered making up some excuse to head home—stomachache, homework, fever.

But then the trees fell back, revealing a drab patch of sky. In another minute I could make out the parking lot and dull mass of cinder block that was the Deer Park Inn.

“Hillary’s here,” remarked Ali. And yes, there was his Dodge Dart by the front door. That made me feel better, and the sight of Deer Park’s venerable sign: a huge Sweetheart of the Rodeo, suspended between two worm-riddled telephone poles. Years ago during a storm the sign had been cloven right down the middle. Now only half of the cowgirl remained, one eye, one arm holding a lariat, one foot in one frilled cowboy boot; and beneath her what remained of the bar’s legend:

RK INN

NTRY

TERN

NCING

LBILLY

USIC

We crossed a parking lot awash with cigarette butts and beer bottles. Once behind the squat building you found more ominous detritus: spent sets of works like crushed centipedes, crumpled cellophane envelopes, scorched spoons, empty matchbooks. Two bikers sat on the steps drinking Budweisers. They watched us pass, eyes glazed, but said nothing. Entering I felt the customary frisson of excitement and blind terror; and was relieved to spot Hillary standing by the jukebox, resplendent in an old military jacket and embroidered turquoise shirt.

“Jeez, it’s packed,” shouted Ali.

Deer Park was so small it never took much to make a crowd. High school kids mostly; a few more bikers playing pool in the corner; some older kids who’d moved on to college a few years earlier, and either graduated or drifted back to town. Beer lights flickered through the cigarette smoke—Budweiser, Rhinegold, Pabst Blue Ribbon—and the jukebox was roaring “Jailhouse Rock.” There were Halloween decorations on the walls, leering witches and black cats. Over the bar hung a mounted stag’s head with a pumpkin nestled between its antlers. As we crossed the room people yelled out to us, and somebody began chanting—

“Alison Fox, she must be
The prettiest witch in the north coun-tree…”

“I got to piss,” Ali announced, and made a beeline for the bathroom. I turned to wave at Hillary. He was talking to a boy perched on top of the jukebox, a wiry figure with unfashionably short hair, dressed completely in black.

Hillary raised his beer. “Lit! C’mere—”

“Hang on!” I shouted, and headed for the bar. “Hey, Jim. What’s the deal? It’s so crowded—”

“Tell me about it.” Jim Charterbury worked at the Lifesaver factory down in Portchester and moonlighted at Deer Park at night. He pointed at one of the cardboard witches and shook his head. “Fuckin’ Halloween, man. Got the bikers howling at the moon. What’s going on with you?”

“Not much. Who’s that with Hillary?”

“Dunno, some kid just moved here. You want the usual?” I nodded and stuck a few crumpled bills on the bar. Jim poured two drafts, filled a shot glass with rail whiskey and dropped it into one of the mugs. I downed this, grimacing, and shivered.

“You look like my dog when you do that.” Jim slid me the other mug, put a stack of quarters alongside it. “Go crank up something beside Elvis Goddam Presley, will you? These bikers are driving me nuts.”

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