Elizabeth Hand - Black Light

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Black Light: краткое содержание, описание и аннотация

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One of Elizabeth Hand’s most critically acclaimed novels,
reveals a vision of ancient cults, gods, and fetishes—and a world where everyone loves an apocalyptic party
Lit Moylan lives what she thinks is an ordinary life. Sure, her town has a few eccentric theater types, but that’s all. That is until her Warholian godfather, Axel Kern, moves into the big house on the hill. He throws infamously depraved parties, full of drinks, drugs, and sex. But they also have a much more sinister purpose. At one of these parties, Lit touches a statue, and learns she has much more of a role to play in this world than she ever thought possible.
Ornate and decadent,
visits an irresistible world of ancient gods and secret societies as enthralling as it is dangerous.
This ebook features an illustrated biography of Elizabeth Hand including rare images and never-before-seen documents from the author’s personal collection.
The privileged daughter of famous television actors, Charlotte, “Lit,” Moylan is ready to enjoy one last wild fling before college and adulthood. In fact, the whole idyllic hamlet of Kamensic, New York, is ready to party, for legendary avant-garde film director—and Lit’s godfather—Alex Kern is coming back to reopen his fabulous mansion, Bolerium. But it won’t be just any party. It’ll be the event of all time.
The whole town is invited, young and old, famous and obscure. But other, more disturbing guests are arriving, too—seen at the edges of the forest, at the margins of the night. Kern’s connections extend far beyond Hollywood, beyond even the modern age… and in Bolerium’s echoing halls a fearsome confrontation is gathering, between ancient powers of the darkness and those sworn to stop them at any cost, no matter what—or who—the sacrifice… even an innocent girl.
Hand does for upstate New York what Stephen King has done for rural Maine in this well-written but decidedly creepy dark fantasy about a Bohemian bedroom community and artists’ colony located about an hour from Manhattan by train. Seventeen-year-old Charlotte “Lit” Moylan, the daughter of two successful but second-rate TV actors, has never thought much about the oddities of her home town of KamensicAthe strangely decorated Congregational Church, for example, or the community’s unusual Halloween tradition, or the high number of suicides among the area’s younger citizens. Although she looks forward to going away to college next year, she’s basically content with her life. Then Kamensic’s most notorious citizen returns to his roots. Alex Kern, the successful avant-garde film director, brings with him a reputation for scandalous, extravagant and decadent parties, replete with perverse sexuality and heavy drug use. His mazelike mansion, Bolerium, sits on the hill overlooking Kamensic like some dangerous predatory beast. Eventually Lit and, indeed, everyone in town receives an invitation to a party, a gala event that, Hand hints, may be nothing less than a prelude to the Apocalypse. Something of a latter-day Aubrey Beardsley in prose, Hand has a talent for portraying forbidding millennial settings brimming with perverse antiheroes, suffering innocents and sadistic demigods. This book, although not quite the equal of her last two novels, Waking the Moon and Glimmering, should strongly appeal to aficionados of sophisticated horror.
Copyright 1999 Reed Business Information, Inc.
Amazon.com Review
From
Although Charlotte Moylan thinks she lives a rather ordinary and oftentimes dull life, the reality is far different. Her father is best known as the famous TV personality Uncle Cosmo, and her mother is a 20-year veteran of the daytime drama
. They live in the New York community of Kamensic, an artistic enclave where the church is rarely used for religious ceremonies and where death is an “occupational hazard” for the young. The town is also home to Bolerium, a dark manor of indeterminate origin where the enigmatic and somewhat sinister film director Axel Kern lives when he’s not making movies.
Axel is Charlotte’s godfather, but he’s one guardian who may not be looking out for her best interests. Aside from making questionable films, Axel is also in cahoots with the old gods, and is interested in bringing a couple of them along with him to Kamensic. This puts the town—and Charlotte—at the center of an age-old struggle between two Illuminati-style groups, the more-or-less benign Benandanti (seen in Hand’s Tiptree Award-winning
) and their rivals, the Malandanti witches. As has become Hand’s modus operandi, she tells this story with a luxurious prose that’s at once beautiful and also somehow intellectually decadent. Although the book may be a bit slow-paced for some, those who enjoy a smart novel that’s rich in style and substance won’t want to miss it. —Craig E. Engler

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Balthazar heard her feet shuffling against the bare wooden planks as she swore beneath her breath and finally said,

Because these are not things to inquire about, because they are against the will of God.

And how would you know what is the will of God? the inquisitor cried.

Silence. Then, in a clear sure voice the girl answered, It is said that when they assemble, the Benandanti must fight for the faith of God, and their enemies fight for the Demi’s.

But for the faith of what God do they fight?

Silence. Balthazar’s heart pounded and he moaned aloud. All around him was the darkened stall swept clean of hay and dung. A single small clay lamp had been thrust into an alcove to send shadows skittering up the splintered cedar walls and greasy smoke spiraling toward the mud-daubed ceiling. Beneath the stench of burning oil he could smell her, a faint musk of salt and fennel stalks, her auburn hair scrubbed with sand that still reeked of the river-bottom. Even from across the room, even from across the centuries, he could feel that she did not flinch, as the inquisitor thundered once more.

For the faith of whose God do they fight?

In his corner the scrivener’s quill snagged upon the parchment in front of him. Still the girl said nothing. After a moment the inquisitor took a deep breath, and asked, — Then tell me the names of their enemies, of the witches. The Malandanti.

The girl lifted her face. Tangled auburn curls fell back from a high forehead, and her eyes burned white in the darkness as she calmly replied, Sir, I cannot do it.

Yet you say that they fight for God. I want you to tell me the names of these witches.

Balthazar shuddered. As though she sensed him there the girl trembled, too. She rubbed her hands along her bare arms and glanced around the room, not nervously but with great care, as though tracking a mouse by the sound of its footsteps. And then she found him; recognized him, even though his face was hidden by the sooty folds of the domino. Her linen shift made a sound like the wind in the cornstalks, counterpoint to the scratching of the procurator ab actis where he sat in a corner transcribing her words, his face lost within the domino’s hood. He would not look up to meet her eyes. The girl’s gaze remained upon his hunched figure, and Balthazar could see hopelessness settle on her thin shoulders like a rook.

I cannot name nor accuse anyone, she said at last, tearing her gaze from the scrivener. She shook herself, then gave him a thin smile. Whether he be friend or foe.

Tell me the names of these Malandanti.

Boldly the red-haired girl met the inquisitor’s eyes. I cannot say them.

The inquisitor pounded his hand against the wall, the folds of his domino flapping like black sails.

For what reason can’t you tell me this? he cried. In a neighboring recess a horse whinnied. — For what reason?

The girl’s voice rose angrily. Because we have a lifelong edict not to reveal secrets about one side or the other!

You assert that you are not one of themwhy are you obliged to obey them? The inquisitor stepped away from the wall. Dust curled around his booted feet like smoke, and reddened the hem of his robes. He lifted his cloaked head and inclined it very slightly to where the scrivener was bent over his lap-desk, his breath clouding the autumn air; and across all those intervening years Balthazar could feel the malice of that hidden gaze, a cudgel crashing onto his back.

Because, of course, the inquisitor cared nothing about the girl. His only concern was that villagers claimed that she was a strega , and so might have corrupted her lovers; and one of those lovers was under his care. She was seventeen, too young to have been taken by the Benandanti as one of their own. Besides which she was a girl, and women rarely gained entry to the Benandanti’s libraries and refectories, and then only as servants. The inquisitor himself knew this, because he was a Benandante, as was the girl’s lover. He sought only to learn if her young cicis-beo had betrayed the Benandanti’s secrets to her; but now the girl had betrayed herself. He raised one white hand to his cloaked face, the fingers long and slender and seemingly bloodless as bone, and slowly shook his head.

Giulietta Masparutto, he said. The words came out quickly now, his tone grew distracted, even bored. Your words condemn you as Malandante. Our land is full of witches and evil people performing a thousand evils and a thousand injuries against their neighbors. There is an abundance of such misbegotten people, and I have been chosen to act as inquisitor general and judge over cases such as yours. With the counsel of those who are expert in the laws of God and Good Men, you, Giulietta Masparutto, are arraigned in my presence and will now hear the penance to be imposed, as follows:

First, I condemn you to a term of twelve months in a prison which we shall assign to you… .

What have I done? the girl shouted. Her cheeks flushed as she tossed her head furiously. I have done nothing, you know that I have done nothing

We reserve to ourselves the authority to reduce these penalties or absolve you, in whole or in part, as we may deem best…

With a cry she whirled, to turn accusatory eyes upon the hooded figure whose quill moved unrelentingly across his parchment. But the scrivener did not look up, and the girl quickly turned back to her questioner.

Please, she cried, I am needed here, my cousin Ilario is ill—

But already there was the scraping sound of the barn door being pulled open behind them. Sunlight slashed through the narrow stall, blinding her; a few yards away the horse whinnied again in excitement. Two barefoot young men in the soiled brown robes of cenobites stepped uncertainly through the doorway, frowning when they saw the girl.

This one, Father?

The inquisitor nodded. He gestured dismissively as he strode past them, his robes sending up more dust as he tugged his domino from a gaunt face slick and reddened from the heat.

Yes, he said brusquely, and fanned his cheeks. In the doorway he paused, waiting until the two men had dragged the struggling girl past him and out into the courtyard. Sunlight made a ragged halo about his black-clad figure, dust-motes a rain of golden coins about his shoulders as the inquisitor gazed at the scrivener in the room behind him, slowly gathering his things. After a minute the inquisitor spoke.

She did not betray you.

The scrivener bent to retrieve a leather satchel. He shrugged without lifting his head. The inquisitor continued to stare at him. Finally he asked,

Is she Malandante?

The scrivener stooped, silent, beside his bag and little wooden traveling-desk. He shook back the domino from his face, blinking at the sun.

I do not know, he lied. But the villagers say she has the sight.

The inquisitor gazed down at him, his expression cool. — If that is true, you might have brought her to us. His mouth twitched into a bitter smile. We could have found a place for her, Balthazar. Better that she serve us than another master. A word from you could have saved her.

He turned and walked out into the courtyard, light swirling around him like flame. Balthazar watched him go, his eyes burning; then suddenly drew his hand to his face.

Giulietta.

He closed his eyes, opened them to see about him the familiar lines of his study.

“Giulietta,” he repeated, and buried his face in his hands.

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