Elizabeth Hand - Black Light

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Black Light: краткое содержание, описание и аннотация

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One of Elizabeth Hand’s most critically acclaimed novels,
reveals a vision of ancient cults, gods, and fetishes—and a world where everyone loves an apocalyptic party
Lit Moylan lives what she thinks is an ordinary life. Sure, her town has a few eccentric theater types, but that’s all. That is until her Warholian godfather, Axel Kern, moves into the big house on the hill. He throws infamously depraved parties, full of drinks, drugs, and sex. But they also have a much more sinister purpose. At one of these parties, Lit touches a statue, and learns she has much more of a role to play in this world than she ever thought possible.
Ornate and decadent,
visits an irresistible world of ancient gods and secret societies as enthralling as it is dangerous.
This ebook features an illustrated biography of Elizabeth Hand including rare images and never-before-seen documents from the author’s personal collection.
The privileged daughter of famous television actors, Charlotte, “Lit,” Moylan is ready to enjoy one last wild fling before college and adulthood. In fact, the whole idyllic hamlet of Kamensic, New York, is ready to party, for legendary avant-garde film director—and Lit’s godfather—Alex Kern is coming back to reopen his fabulous mansion, Bolerium. But it won’t be just any party. It’ll be the event of all time.
The whole town is invited, young and old, famous and obscure. But other, more disturbing guests are arriving, too—seen at the edges of the forest, at the margins of the night. Kern’s connections extend far beyond Hollywood, beyond even the modern age… and in Bolerium’s echoing halls a fearsome confrontation is gathering, between ancient powers of the darkness and those sworn to stop them at any cost, no matter what—or who—the sacrifice… even an innocent girl.
Hand does for upstate New York what Stephen King has done for rural Maine in this well-written but decidedly creepy dark fantasy about a Bohemian bedroom community and artists’ colony located about an hour from Manhattan by train. Seventeen-year-old Charlotte “Lit” Moylan, the daughter of two successful but second-rate TV actors, has never thought much about the oddities of her home town of KamensicAthe strangely decorated Congregational Church, for example, or the community’s unusual Halloween tradition, or the high number of suicides among the area’s younger citizens. Although she looks forward to going away to college next year, she’s basically content with her life. Then Kamensic’s most notorious citizen returns to his roots. Alex Kern, the successful avant-garde film director, brings with him a reputation for scandalous, extravagant and decadent parties, replete with perverse sexuality and heavy drug use. His mazelike mansion, Bolerium, sits on the hill overlooking Kamensic like some dangerous predatory beast. Eventually Lit and, indeed, everyone in town receives an invitation to a party, a gala event that, Hand hints, may be nothing less than a prelude to the Apocalypse. Something of a latter-day Aubrey Beardsley in prose, Hand has a talent for portraying forbidding millennial settings brimming with perverse antiheroes, suffering innocents and sadistic demigods. This book, although not quite the equal of her last two novels, Waking the Moon and Glimmering, should strongly appeal to aficionados of sophisticated horror.
Copyright 1999 Reed Business Information, Inc.
Amazon.com Review
From
Although Charlotte Moylan thinks she lives a rather ordinary and oftentimes dull life, the reality is far different. Her father is best known as the famous TV personality Uncle Cosmo, and her mother is a 20-year veteran of the daytime drama
. They live in the New York community of Kamensic, an artistic enclave where the church is rarely used for religious ceremonies and where death is an “occupational hazard” for the young. The town is also home to Bolerium, a dark manor of indeterminate origin where the enigmatic and somewhat sinister film director Axel Kern lives when he’s not making movies.
Axel is Charlotte’s godfather, but he’s one guardian who may not be looking out for her best interests. Aside from making questionable films, Axel is also in cahoots with the old gods, and is interested in bringing a couple of them along with him to Kamensic. This puts the town—and Charlotte—at the center of an age-old struggle between two Illuminati-style groups, the more-or-less benign Benandanti (seen in Hand’s Tiptree Award-winning
) and their rivals, the Malandanti witches. As has become Hand’s modus operandi, she tells this story with a luxurious prose that’s at once beautiful and also somehow intellectually decadent. Although the book may be a bit slow-paced for some, those who enjoy a smart novel that’s rich in style and substance won’t want to miss it. —Craig E. Engler

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“Oh god, Mom,” Hillary moaned. “Look, you don’t have to—”

“Hush,” commanded Natty. She began squinting at titles. “Where is it…?”

I wandered to one corner and picked up an ancient publicity photo of Hillary’s father, playing the lead in a Manchester production of Charlie’s Aunt. I was always torn between embarrassment and sentiment by this old stuff, as though it had been our parents’ baby shoes. I stared at the photo, trying to find some resemblance to Hillary in the white-faced, pie-eyed performer wearing full matronly drag.

“You know,” I began thoughtfully, “you really do sort of look like—”

“Lit! Cut it out—”

“Here it is!” Natty crowed, and held up a book. “ The Mask of Apollo. Your father gave me this for our anniversary, oh, almost ten years ago…”

She thumbed through it, raised an admonitory finger and began to read.

“‘ It is hard to make actors’ children take masks seriously, even the most dreadful; they see them too soon, too near. My mother used to say that at two weeks old, to keep me from the draught, she tucked me inside an old gorgon, and found me sucking the snakes.’”

She finished triumphantly. Hillary and I looked at each other, then burst out laughing.

“Oh, right, Mom! So where’re the snakes?”

Natty frowned, with a sniff replaced the book on its shelf. “Obviously you two are not old enough yet to appreciate the subtleties of our profession,” she said, and headed for the door. “Tell your father I’m going up to the market for some more milk.”

Now, as Hillary drove past our house I could see this year’s mask, a bland face with two small eyes poked above puffy cheeks and a surprised O of a mouth. My mother had draped ivy around it, carefully clipped from the back wall.

“Doesn’t it make you feel weird?” asked Jamie Casson.

“Huh?” I started. “What?”

“All this bizarre stuff…” In the front seat Hillary and Ali ignored us, continuing a longtime debate about David Bowie. “I mean; what the hell are those ?”

Jamie pointed as we passed the cemetery. Strange stone animals stood guard over the oldest graves, their features worn away so that one could only guess their species: insect? bird? wolf? Clay masks leaned upon some of the mounds; others were extravagantly draped with wreaths of ivy. “It’s like The Exorcist around here…”

“I know what you mean.” I glanced at Ali, willfully oblivious to us, then leaned toward Jamie. “About Kamensic—”

I wondered if I could tell him what I was thinking. That the town frightened me, too, even though I’d grown up there; that sometimes when I drank I could see things in the faces of my friends, and hear the echo of something like distant music, the dying notes of a bell.

“It—it feels dark,” I said. “Even in the morning, it feels dark—”

Jamie stared at me, his pale eyes luminous, and slowly nodded. “ Right. And the roads…”

He gestured at a dirt track snaking off behind the cemetery. It was marked as were all the streets in Kamensic, by a wooden fencepost topped with a long, arm-shaped signboard that ended in a pointing finger. “We came into town that way, right?”

“Yeah.”

“And from Kern’s place, you can see that road coming down the mountain.”

“Right…”

“But you don’t see this road—the one we’re on now. And this is a much bigger road.”

I shrugged. “Maybe the trees block it or something?”

Jamie shook his head. “No way. It’s weird. Like at Grand Central, you go to check out the stops up on the boards, and Kamensic isn’t even there. It’s not listed anywhere. Same thing with the train schedule— nada.

In the front seat, Hillary glanced over his shoulder at us. “So?”

“So how the hell do people get here? I mean the train stops in town, right? There’s a train station, the conductor calls out the name—but if it isn’t even on the schedule, how do people know to come here?”

Ali rolled her eyes. “Oh, please. Anyone who needs to get here, gets here. It’s not like it’s fucking Brigadoon.”

“No! I’m right, I know I’m right!” Jamie jabbed at the window with one nicotine-stained finger. “Every time we come down that mountain it’s like a different road. Like when Hillary drove up before, we passed this cliff looking down on the lake. How come we’re not going that way now?”

“Because we’re going to murder you and dump your body in the reservoir,” said Ali. “Christ, where’d you move from, the South Bronx? Relax, will you? Enjoy the ride—”

Jamie sighed and leaned against the door. For a moment he looked very young: I could see where his chin had broken out, and how his fingernails were bitten down to the quick. “This is just a weird fucking place. You hear all kinds of stuff at night—”

Hillary laughed. “Those are called animals, Jamie.” He turned the car up the narrow switchback that ran along Muscanth’s southern face. “Like deer and things like that. Foxes.”

“Nothing dangerous,” said Ali. “No grizzly bears. No wolves.”

“Someone was killed here by a mountain lion,” I said.

“That was two hundred years ago, Lit.” Hillary made a face, then yelled, “Oops, there’s one now!” He swerved to avoid a chipmunk in the road.

“It’s still creepy,” said Jamie obstinately. “Plus it’s like Hollywood Squares, all these old actors. That weirdo lives here, the guy who’s Uncle Cosmo on Bar Sinister —”

Ali whooped. “Oooh, scary Unk!”

“That’s my father,” I said.

“Damn straight,” Hillary agreed heartily. “Her damn Dad. Never say a word agin’ him, Jamie—”

Jamie slumped down, defeated. “Oh, forget it. Anybody got a joint?”

“Nope,” said Ali. “Sorry.”

“Plus we’re almost at your place. There’s Bolerium—” Hillary tipped his head, indicating where the mansion’s gray walls gleamed faintly through the trees. “But I don’t remember where your driveway is, so tell me when we’re coming up to it—”

Jamie pointed behind us, at a road nearly hidden by the ruins of a stone wall. “That was it.”

“Whoa!” Hillary yanked at the wheel, frantically steering the car away from a pile of rocks. Jamie laughed.

“Hey, man, sorry. Watch that ditch there—”

The driveway was so narrow only one car could pass at a time. In places the dirt and gravel had been completely washed away, so that we drove on sheer bedrock. Hillary swore as the Dodge Dart scraped against stone and fallen branches.

“God damn, the muffler’s going to go—”

I squinted out the window. Twilight was falling quickly now, the autumn haze fading into a fine clear evening. To either side of the road a hedge reared, easily eight or ten feet high, a brambly mass of quince and dog roses and the tangled creepers of fox grapes. Birds darted in and out through gaps in the hedge. Winter birds: chickadees, blue jays, a raven carrying a dead vole.

“Wow,” I said. “Look—” But already it was gone.

“How much farther?” asked Hillary. “’Cause this car ain’t gonna make it…”

“Just up here.” Jamie frowned. “I think. Soon, anyway.”

He stuck his hand out the window and tugged at a grapevine. “Hey, check this out—”

A small explosion of leaves as the vine snapped. Jamie held up something like a plant from a Dr. Seuss book, all spiraling corkscrews and bright purple clusters.

“Cool!” said Ali. “Grapes!”

“Sour grapes, I bet.” Jamie pinched a violet bead, popped it into his mouth and grimaced. “Yech —”

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