Elizabeth Massie - Naked, on the Edge

“Well, then,” he said quickly. “I’m sorry, ma’ams. I meant no disrespect. Come in and I’ll show you how the grain elevators work here in ole Buffalo.” He unlatched the gate and the ladies came through, invited. But his brief introduction to the history of the canal was cut off as the three of them fell on to him and took his blood, then his life. They then found a comfortable hide-away in a small storeroom next to the elevator.

The following days tumbled one into the other. The Sisters slept undetected in the storeroom during the day, pressed like shadows behind old bits of furniture covered in cobwebs and many months’ worth of dust. At night they walked Ohio and Erie Streets, dressed like ladies, unthreatening and demure, finding human creatures on which to feed and, when done, throwing the twisted bodies into the canal with the other sewage.

Things were as they had been for a long time. Until early March, when Danielle was pretending to sip coffee at a shop soon after nightfall and she spied through the grease-iced window a fruit peddler on the street pushing his cart and wiping his brow with a large and muscular hand. The man’s face was not familiar — a hollow and sunken face it was — and the body thin and unspectacular. But the hands, she knew.

The hands were Alexandre’s. She gasped.

Marie and Clarice, seated at the tiny round table with their friend, reached for her. “What is it?” whispered Clarice.

“Alexandre,” said Danielle.

“You’re mad!” said Marie. “What blood have you drunk last, that you would think you have seen your dead lover?” “It’s him.”

“It’s a fruit vendor,” said Clarice. “Get your wits about you.”

Danielle tore free and raced out to the street. The vendor was gone, and she spent the nest of the night tracing his path by his scent and the scent of his rotting pears and apples. But the smells of the Electric City were strong, mingled, woven together into a brash and stinging tapestry, and she lost track. They retired when the darkness began to dissolve into day, and for the first time since her rebirth in Paris, Danielle felt a new hope. A new reason to embrace her immortality. She would be with Alexandre again.

Each subsequent evening she placed herself in the same shop, at the same table, buying a cup of tea she never drank, and gazed out for the fruit peddler. Even when the shop closed at eight, she stood on the corner with her irritable friends, and studied each of the dirt-coated vendors and scraggly, mobile merchants.

Surely he lived in Buffalo. Fruit peddling was not a job that took one from town to town. She only stopped in her vigil to tend to her need to feed, then returned beneath the moon or the stars or the rain or the fog to catch her love and his cart.

Several weeks later, at quarter past three in the morning, while Marie and Clarice were seated on a trolley bench comparing loose stitching in their gloves, there was the shouting of drunken men and laughter from up the street, and then a small crowd stumbled past in a makeshift parade. One man was seated in a fruit cart, another pushed, while the rest danced beside them as if they were celebrating the King of Fools. The man in the cart, nearly out with drink, was Alexandre. Danielle motioned to her friends, and they followed the mob to a rickety tenement house near the railroad station. The men dumped the cart, fruit and all, and then stumbled off to the street corner and out of sight.

Danielle hurried to the drunk man’s side, pushed away the squashed fruit that covered him, and took his hand in hers. “My love,” she said. Her heart hammered as if it were still alive. “My love, I’ve found you! Alexandre, it’s me, Danielle!”

Marie said sternly, “Let it be, Danielle. It is not Alexandre.”

But Danielle knew they couldn’t, or wouldn’t, believe. It didn’t matter, though. She did. She helped the man to his feet, and touched his split lip with her cold finger.

And then a screech from a window above: “William Kemmler, is that you? Get your sorry ass up these steps before I come after you with this hatchet, and I’ll do it, you know I will!”

“Fishwife!” screamed Danielle. “You do not know who you are talking to!”

A lantern came to the window, and then many lanterns at many windows, and there were faces peering out and down.

Someone shouted, “Fishwife? Tillie ain’t Kemmier’s wife, just pretendin’ to be so they’s can fuck and still go to church on occasion!”

There was a burst of raucous laughter, and then someone spat, a long, hefty hawk the colour of rust that landed with a phatt in a puddle near Danielle’s shoe. An old man came out of his flat and catch Alexandre by the forearm.

“Who is you, anyway, woman?” he asked.

Danielle let go and turned away. She would let it go for now. For tonight. She would come again where there was not so much attention. For to try to reclaim him now would be careless. And carelessness could bring destruction. She had found him. She would return tomorrow, quietly, as her kind was greatly talented, and speak to him.

And bring him to his senses.

And back to her bed, back to her heart. And unlike the other misfortunates who had fallen under her bite, she would raise him from the dead for herself.

The following evening was clear and cold, with a silver moon riding above the lights of Buffalo like a jealous and forgotten toy. Marie and Clarice warned Danielle to let it go, it was insane to believe her love was reincarnated into a fruit vendor, and when she refused to hear them, they refused to go with her.

“We wash our hands of this,” said Marie. “We cannot endanger ourselves for your folly, as much as we love you.”

Danielle said, “Then do not.”

She went to the tenement house and watched from the shadows of a dwarfed maple tree as the occupants wandered in and out. Within minutes, two ragged women came out to the stoop in hats and shawls, their teeth broken and brown, and one said, “You get me some of them cigars if you can, Tillie. If you swipe ’em, we can sell ’em and make us a bit of coin, don’t you think?”

Tillie, a skinny thing who could have been twenty or forty, said, “I’ll swipe ’em and you can pay like the rest of ’em.”

“Bitch!”

Tillie strode from the stoop and the other woman spun angrily and went in the other direction.

Danielle counted to twenty. And then she went to the door of the tenement and waited. A man opened the front door, and flinched when he saw her standing there. She kept her lids lowered to obscure the red of her eyes. “Hey, honey,” he said. “What’s a fine-looking filly like you doin’ standing here?”

“Waiting for you to invite me inside,” said Danielle simply. The man did. She broke his neck in the hall, and stuffed him under the steps. No one was outside the flats to see, and she guessed they might not have cared much, anyway.

Tillie had shouted from a third-floor window, on the left. Danielle trod softly and quickly up the flights of stairs to the flat that surely belonged to William — to Alexandre. The door was locked, but with a simple jerk to the handle it swung open freely. She stepped inside the cluttered apartment.

There were three rooms, set like boxcars one behind the other. Danielle stood in the kitchen. A door to the left led to a parlor. A door to the right led to a bedroom. There was a pot on the cast-iron stove half filled with slop. There was a bedpan on the floor by the table, filled with urine.

“Alexandre,” whispered Danielle. “What has brought you to another difficult life? You suffered in Paris, and you suffer here. What, precious love, has so cursed you?”

She moved silently into the parlor. Several framed portraits sat, covered in dust, on a tiny table. The cushion of the blue-upholstered settee had popped its seams, and down oozed from the splits. There was a small shelf on the wall behind the settee. On it was an ink well, a pen, several volumes and a black leather book bound with string.