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Adam Nevill: Apartment 16

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Adam Nevill Apartment 16

Apartment 16: краткое содержание, описание и аннотация

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Some doors are better left closed… In Barrington House, an upmarket block in London, there is an empty apartment. No one goes in, no one comes out. And it’s been that way for fifty years. Until the night watchman hears a disturbance after midnight and investigates. What he experiences is enough to change his life forever. A young American woman, Apryl, arrives at Barrington House. She's been left an apartment by her mysterious Great Aunt Lillian who died in strange circumstances. Rumours claim Lillian was mad. But her diary suggests she was implicated in a horrific and inexplicable event decades ago. Determined to learn something of this eccentric woman, Apryl begins to unravel the hidden story of Barrington House. She discovers that a transforming, evil force still inhabits the building. And the doorway to Apartment 16 is a gateway to something altogether more terrifying…

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Adam Nevill

APARTMENT 16

For Ramsey Campbell,

Peter Crowther and John Jarrold

I would like my pictures to look as if a human being had passed between them, like a snail, leaving a trail of the human presence and memory of the past events as the snail leaves its slime.

Francis Bacon, 1909–1992

Prologue

When he heard the noise Seth stopped and stared, as if trying to see through the front door of apartment sixteen, the teak veneer aglow with a golden sheen. Right after descending the stairs from the ninth floor and crossing the landing the sounds began. Same as the last three nights, on his 2 a.m. patrol of the building.

Snapping out of his torpor, he flinched and took a quick step away from the door. Looming up the opposite wall, the shadow of his lanky body stretched out its arms as if grasping at a support. The sight of it made him start. ‘Fuck.’

He’d never liked this part of Barrington House, but couldn’t say why with any certainty. Maybe it was just too dark. Perhaps the lights were not set right. The head porter said there was nothing wrong with them, but they often cast shapes down the stairs Seth was walking up. It was as if a person descending was being preceded by their shadow; the impression of spiky limbs flickering ahead of them before they appeared around a bend in the staircase, sometimes even convinced Seth he’d also heard the swish of cloth and the pumpf, pumpf, pumpf of determined feet approaching. Only no one ever appeared, and there was never anyone up there when he turned a corner.

But the noise in apartment sixteen was far more alarming than any shadow.

Because during the early hours of the morning in this exclusive niche of London there is little to compete with the silence of night. Outside Barrington House the warren of streets behind the Knightsbridge Road are inclined to remain peaceful. Occasionally, out front, a car will drive around Lowndes Square. Or inside, the nightwatchman becomes aware of the electric lights in the communal areas, humming like insects with their black faces pressed against the recalcitrance of glass. But from the hours of one until five the residents sleep. Indoors, there is nothing but ambient sound.

And number sixteen was unoccupied. The head porter once told him it had been empty for over fifty years. But for the fourth consecutive night Seth’s attention had been drawn to it. Because of the bumping behind the door, against the door. Something he’d previously dismissed as a random noise in an old building. One that had stood for a hundred years. Something loose in a draught maybe. Something like that. But tonight it was insistant. It was louder than ever before. It was. determined. Had been stepped up a notch. Seemed directed at him and timed to coincide with his usually oblivious passage to the next set of stairs, during the hour when your body temperature drops and when most people die. An hour when he, the nightwatchman, was paid to patrol nine storeys of stairwell and the ancient landings on each floor. And it had never before escalated into a sudden eruption of noise like this.

A clattering of furniture across a marble floor, as if a chair or small table in the reception hall of the flat had been knocked aside. Perhaps toppling over, and even breaking. Not something that should be heard at any hour in a place as respectable as Barrington House.

Nervous, he continued to watch the door, as if anticipating its opening. His stare fixed on the brass number 16, polished so brightly it looked like white gold. He dared not even blink, in case it swung away from his eyes and revealed the source of the commotion. A sight he might not be able to bear. He wondered if his legs possessed the strength to carry him down eight flights of stairs in a hurry. Perhaps with something in pursuit.

He killed the thought. A little shame warmed the aftermath of his sudden fright. He was a thirty-one-year-old man, not a child. Six feet tall, and a paid deterrent. Not that he anticipated doing anything beyond being a reassuring presence when he took the job. But this had to be investigated.

Struggling to hear over the thump of his heart in his ears, Seth leaned towards the front door and placed his left ear an inch from the letter flap to listen. Silence.

His fingers made a move for the letter box. If he knelt down and pushed the brass flap inward, enough light should fall from the landing to illumine some of the hallway on the other side of the front door.

But what if somebody looked back at him?

His hand paused, then withdrew.

No one was permitted to go inside sixteen, a rule pressed upon him by the head porter when he first began the night job six months earlier. Such a strict observance was not unusual for portered apartment buildings in Knightsbridge. Even after a reasonable lottery win an ordinary member of the public would struggle to afford a flat in Barrington House. The three-bedroom apartments never sold for less than one million pounds, and the service charge cost an additional eleven thousand per annum. Many residents filled their apartments with antiques; others guarded their privacy like war criminals and shredded their paperwork for the porters to collect in bin bags. The same instruction forbidding access existed for another five empty flats in the building. But during his patrols Seth had not once heard noises inside any of them.

Maybe someone had been given permission to stay in the apartment and one of the day porters had forgotten to record the information in the desk ledger. Unlikely, as both day porters, Piotr and Jorge, had frowned with incredulity when he first mentioned the disturbances during the morning changeover. Which left one other plausible explanation at such an hour: an intruder had broken in from the outside.

But then an intruder would need to scale the exterior of the building with a ladder. Seth had patrolled the front of the building in the last ten minutes and there had been no ladder. He could always go and wake Stephen, the head porter, and ask him to open the door. But he baulked at the thought of disturbing him at this hour; the head porter’s wife was an invalid. She occupied most of his time between duties, leaving him exhausted at the end of each day.

Lowering himself to one knee, Seth pushed open the letter flap and peered into the darkness. A shock of cold air rushed past his face and with it came a smell that was familiar: a woody-camphor scent reminiscent of his grandmother’s gigantic wardrobe that had been like a secret cabin to him as a boy, and an aroma not dissimilar to reading rooms in university libraries or museums built by the Victorians. A trace of former residents and antiquity, suggesting vacancy rather than use.

The vague light that fell past his head and shoulders brightened a small section of the reception hall inside the flat. He could make out the murky outline of a telephone table against one wall, an indistinct doorway on the right-hand side, and a few square metres of floor tiled in black and white marble. The rest of the space was in shadow or complete darkness.

He screwed his eyes up against the uncomfortable draught that swelled against the front of his face and tried to see more. And failed. But his scalp prickled on account of what he heard.

Squinting into the umbra, he could hear the suggestion of something heavy being dragged at the far end of the hallway; as if a significant weight wrapped up in sheets, or supported on a large rug, was being moved in short bursts of exertion away from the tiny slot of light he had made in the front door. As the sounds receded further into the far confines of the apartment, they lessened, then ceased.

Seth wondered if he should call out and offer the darkness a challenge, but could not summon the strength to open his mouth. Acutely, he now felt he was being watched from down there. And this sudden sense of scrutiny and vulnerability made him want to close the mail flap, stand up and step away.

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