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Adam Nevill: Apartment 16

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Adam Nevill Apartment 16

Apartment 16: краткое содержание, описание и аннотация

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Some doors are better left closed… In Barrington House, an upmarket block in London, there is an empty apartment. No one goes in, no one comes out. And it’s been that way for fifty years. Until the night watchman hears a disturbance after midnight and investigates. What he experiences is enough to change his life forever. A young American woman, Apryl, arrives at Barrington House. She's been left an apartment by her mysterious Great Aunt Lillian who died in strange circumstances. Rumours claim Lillian was mad. But her diary suggests she was implicated in a horrific and inexplicable event decades ago. Determined to learn something of this eccentric woman, Apryl begins to unravel the hidden story of Barrington House. She discovers that a transforming, evil force still inhabits the building. And the doorway to Apartment 16 is a gateway to something altogether more terrifying…

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‘No way.’ She and her mom now owned an apartment here? At least until they sold it for a stack of cash. A thought that immediately rankled. She wanted to live here. It kept her great-aunt here for over sixty years and Apryl could see why. The place was classic, flawless, and effortlessly exuded the sense of a long history. She imagined the polite but indifferent faces of butlers behind every front door. Aristocrats must live here. And diplomats. And billionaires. People unlike her and her mother. ‘Shit, Mama, you’re just not gonna believe this,’ she said out loud.

She’d only ever seen one photo of Great-aunt Lillian, when Lillian was a little girl. Dressed in a curious white gown matching that of her elder sister, Apryl’s grandmother, Marilyn. In the picture Lillian held her big sister’s hand. They stood next to each other with sulky smiles in the yard of their home in New Jersey. But Lillian and Marilyn were closer at that time than they ever were after. Lillian moved to London during the war to work for the US military as a secretary. Where she met an English guy, a pilot, and married him. She never came home.

Lillian and her granny Marilyn must have exchanged letters or cards because Lillian knew when Apryl had been born. She used to get birthday cards from Lillian when she was little. With beautiful English money inside. Pounds. Really colourful paper with pictures of kings and dukes and battles and god knows what else on them. And watermarks when you held them up against a light that she thought were magical. She wanted to keep them, not cash them for dollars, which looked like toy money in comparison. It always made her want to visit England. And here she was for the first time.

But Lillian went quiet on them a long time ago. They even stopped getting Christmas cards before Apryl was ten. Her mother was too busy raising her alone to find out why. And when Granny Marilyn died, her mother wrote to Lillian at the address in Barrington House, but there was no response. So they just assumed she’d died too, over in England, where she’d lived a life they knew nothing of, the weak connection with that generation of the family finally severed, for ever.

Until two months back, when a probate lawyer sent a letter to inform the last surviving relatives of their inheritance following the ‘sad passing of Lillian Archer’. She and her mother were still in a daze. A death, occurring eight weeks previously, and leading to the bequest to them of an apartment in London. Knightsbridge, London, no less. Right here where she was standing, outside Barrington House: the great white building seated solemnly at the foot of the square. Rising up, so many floors dignified in strong white stone, the classicism tempered with slender art-deco flourishes around the window frames. A place so well-proportioned and proud, she could only feel daunted before the grand entrance, with its big, brass-framed glass doors, its flower baskets and ornamental columns either side of the marble stairs. ‘No way.’

Beyond her reflection in the pristine glass of the front doors she could see a long, carpeted corridor with a big reception desk at the far end. And behind it she received an impression of two men with neat haircuts, each wearing a silver waistcoat. ‘Oh shit.’

She laughed to herself. Feeling ridiculous, as if ordinary life had suddenly transformed into cinematic fantasy, she checked the address on the papers they had received from the lawyer: a letter, with a contract and deeds that would get her the keys. To this.

No doubt about it. This was the place. Their place.

Two

The figure was there again, watching Seth from across the street. This time it stood at the kerb between two parked cars and was not slouched inside a shop doorway, or peering from the mouth of a side street as it had done on three previous sightings.

Closer now, open to his attention, the small form was more sure of itself. Unperturbed by the slanting rain, it just stared. At him.

It.

Seth thought it was a boy but couldn’t be certain. Even though the head was no longer dipped, inside the hood of the dirty parka he could see no face. Just a child then, hanging around instead of being at school, where any youngster with parents who cared should be at this time. And directly across the road from the Green Man pub, where Seth lived in an upstairs room.

So perhaps the child was merely waiting for a father or mother inside the bar. But the figure’s attention was directed at him, as if it had been waiting for him. And it had been on the same stretch of the Essex Road for the past three afternoons he’d been off work.

It was such an unusual child: wrapped from the legs to the head in the faded khaki parka. Or was it grey? It was hard to make out the colour of the fabric against the dark background, or the wet silvery air beneath the smudgy red sign of the fried chicken takeaway. But it was one of those old snorkel coats. He’d not seen one in years. Didn’t even know they were still being made.

Dark trousers too. Not baggy jeans or tracksuit bottoms like most kids wore these days, but trousers. Schoolish trousers. Badly fitted and too long in the leg, as if handed down from an elder sibling in a poor family. And completed by black shoes with a chunky heel. He’d not seen anything like those either, not since he’d been at junior school, and that was during the early seventies.

Usually as he marched through London he did his best to ignore the people on the streets, and took extra care to avoid the eyes of any youths on this stretch of road. Many of them had been drinking, and Seth knew what a stare could lead to. There were plenty of them running wild in this area. They had acquired the privileges of adulthood too early, and played at their version of maturity for long enough to eradicate genuine youthfulness. But this one was different. Set apart by its vulnerability, its isolation. He was reminded of his own youth and he was drawn to the figure out of pity. Every memory of childhood was painful, marked by a terror of bullies he could still taste like ozone, and by a quick stab of heartbreak that lingered twenty years after his parents’ divorce.

But what surprised Seth most was the curious and sudden feeling preceding his sighting of the strange watching child. The mere presence of this figure projected such a force that he reacted with a slight shock and temporary bewilderment, as if a voice had suddenly been directed at him, or as if there had been an unexpected hand around his elbow within a crowd. Not exactly intimidating, but enough to give him a start. To wake him up. But before this sense of significance could fully form in his mind, the feeling would pass. And so would the child. It never stayed long. Just long enough to let him know he was being watched.

But not this afternoon. The hooded figure lingered at the kerb.

Screwing up his eyes and facing the figure, Seth expected his attention to force the cowled head to turn away, uncomfortable under his glare. It didn’t. Not a twitch. The figure in the coat remained at ease and just continued to stare from out of the dark oval of dirty fur-trimmed nylon. It appeared to have been in the same position for so long it could have been a permanent fixture on the street, a sculpture indifferent to the people walking by. And no one else seemed to take any notice of the child.

The situation soon began to feel intimate. Speech seemed inevitable. As Seth tried to think of something he could call across the road to the kid, the door of the pub opened behind him.

He heard a series of disquieting sounds from inside the bar. Someone yelled ‘Cunt’, a chair was scraped violently across a wooden floor, pool balls snapped against each other, there was a raucous eruption of laughter, and a muffled love song rose from the jukebox as if trying to calm the other sounds. Seth turned to face the bright orange doorway. But no one entered or left, and the noise only lasted for as long as it took the door to swing closed by itself; everything growing fainter until the hot and noisy innards of the pub were completely shut off from the street again.

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