Christopher Buehlman - The Necromancer's House

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Those Across the River
Boston Herald
New York Times
New York Times
Andrew Ranulf Blankenship is a handsome, stylish nonconformist with wry wit, a classic Mustang, and a massive library. He is also a recovering alcoholic and a practicing warlock, able to speak with the dead through film. His house is a maze of sorcerous booby traps and escape tunnels, as yours might be if you were sitting on a treasury of Russian magic stolen from the Soviet Union thirty years ago. Andrew has long known that magic was a brutal game requiring blood sacrifice and a willingness to confront death, but his many years of peace and comfort have left him soft, more concerned with maintaining false youth than with seeing to his own defense. Now a monster straight from the pages of Russian folklore is coming for him, and frost and death are coming with her. “You think you got away with something, don’t you? But your time has run out. We know where you are. And we are coming.”
The man on the screen says this in Russian.
“Who are you?”
The man smiles, but it’s not a pleasant smile.
The image freezes.
The celluloid burns exactly where his mouth is, burns in the nearly flat U of his smile. His eyes burn, too.
The man fades, leaving the burning smiley face smoldering on the screen.
“Oh Christ,” Andrew says.
The television catches fire.

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“Not entirely.”

“Not entirely? More bullshit. Do you even know who did this?”

“I think so.”

“How did they get into the house? Your house?”

He notices the cord connecting a MacBook Pro to the television from his last streamed movie.

“Through that,” he says, pointing.

He disconnects it, handling it like a snake that might still bite.

“I need to e-mail somebody.”

42

Chicagohoney85:You’re going to owe me big for this. I don’t know if you understand how hard something like this is.

Ranulf:It can’t have been that hard if you’re already getting back to me.

—Difficulty is not measured in duration.

—It took you 24 hours.

—Labor can take 24 hours. Or it can take two. I’ve never popped one out, but word on the corner is that it sucks either way.

—Point taken. But it’s going to take me some time to trick out a car for you. That’s what you want, right? A car that cops, thieves and meter maids don’t notice?

—Yep. Tell me what else it’ll do again… City car stuff, right? I’ve got no use for big or fast.

—Runs on water. I know another user who can do that, but fitting in extra-tight spaces by making them bigger is mine alone. So far, anyway.

—Sounds awesome! Parking sucks here. That’s exactly what I want!

—So be it! But I’ll need a week or two to find the right car, and another week to do the work. Twenty four hours, my ass!

—What, should I have acted like it took longer? Mechanics always make less per hour than IT people. And you like working on cars картинка 4

—No more than you like solving puzzles картинка 5

—You got me. I do! And this one was a bitch. Here’s what you gave me—a hut somewhere in rural Russia, probably the Volga region, but maybe anywhere in Russia. Maybe Belorussia, maybe the Ukraine, maybe Poland, somewhere Slavic. Real specific, right?

—I gave you more than that!

—You did & I’ll get to that; I’m just pointing out that I had to search a pretty big chunk of the earth’s total land mass.

—But you have some way to detect magic, right? Some tweak to Google Earth or something?

—Yes, something like that. But I told you before she’s got somebody veiling her. Another techno-savvy user. And a good one, spooky good.

—I think I got a taste of how good he is.

Andrew remembers the burning smile, the burning eyes, how they stuck to the glass, then burned out the other side.

—You’re sure it’s a he? I’m not a he.

—I think he’s a he. I think you’re a she. I don’t know either one for sure.

—If you were ten years younger, I’d tell you to come to Chicago so I could show you. I’ve seen old pictures of you, you know. I Facebook stalked you. Hot! But you’re too old now, so you’ll have to take my word for it. I’m just saying don’t make assumptions-that can kill you in this game.

—True enough. But my point was that however good he or she is, I feel good having you in my corner. You’re spooky good, too.

—I am! Which is why I think I found her anyway.

—May I ask how?

—You just did. And, yes. I found her with shadows.

—I’m not sure I get it.

—First I used the magic-detection, then flagged areas that looked indistinct; veiling draws a screen, and a lesser witch wouldn’t even see the screen. But I can. I pick up a slight blur. Flagged all the blurs in Slavic countries. There’s a fuckload of magic over there, BTW. You were brave to go over there, what, during the cold war?

—You say brave. Some would say stupid.

—Now I took something else you told me. She eats kids, right? Actually eats them.

Andrew leans back from the screen, rubs his eyes with his hands, as if to massage away the pictures in his head.

—You there?

—Yes. She eats them.

—I hacked police records. I don’t speak those languages, so I had to outsource the translations. These people aren’t luminous, they just want money, I sent you an invoice. It’s a bit steep. Good, fast and cheap, you can’t have all three, right?

—I got the invoice.

—So I looked for reports of missing children. Infants. The Volga lit up, just like you said it would. But so did a few other areas where I saw blurs. Now we’ve checked for magic, hidden magic and missing kids. Still a bit of crossover. But the Volga stuff was old, like a few years old. You know what lit up since 2008?

—Tell me.

—You’re going to like it. Not that kids are missing, I mean, but where I think she is. It fits. But let me tell you the third thing I looked for, cause I’m proud of it.

—Shadows, you said.

—Shadows, sure, but what kind?

—I give up.

—So now I bring in the military eyes-in-the-sky. Hacked the shit out of them, and they’re mighty. Hi-res satellite images. I can find a fly sitting on poop in Mongolia.

—Ha!

—Now I think about the physical structure. You said the hut stands on chicken’s feet, right? Big ones, like taller than a man.

—Not everybody can see them.

—Film still records things like that. It’s why we sometimes see ghosts in photos. The camera doesn’t lie-the lie happens in our heads.

—But the angle? A satellite wouldn’t see feet under a hut.

—Think.

Andrew furrows his brow, taps his index finger on the table like a woodpecker seeking grubs. It’s easier for her to puzzle things out—she’s a plodder, not a natural. She worked her way into magic with brains. But Andrew is far from stupid. The last tap is hard, a percussive Eureka!

—The shadow! The hut is higher, as if on stilts.

—And stilts aren’t a big thing in these countries. Louisiana, Indonesia, Southeast Asia, sure. But, aside from ice-fishing huts, it’s not a Slavic thing.

—But I remember it was in forest… it was dark. She likes dark. What about the trees?

—You also said she had a garden. Gardens need sun. She’s not going to park herself in total darkness. There’ll be a break in the canopy.

—There was! There was a patch of sunlight.

—Now we’ve got three criteria… magic, child disappearances, and a hut with a shadow that suggests 6-10’ clearance. One match. Check it out.

A photograph appears.

A straw-roofed hut, not big.

Not on the outside, anyway.

Fu fu fu, I smell Russian bones!

And then a second cursor appears.

Points at a hunched figure carrying a pan of what look like pork bones, mostly in shadow. Indistinct.

Andrew shudders.

• • •

Do not look at me with your eyes or I’ll take them.

Do not smile at me with your teeth or I’ll take them.

Piss squatting or I’ll carve a cunt on you.

—You there?

—Give me a minute.

—K

Andrew feels himself begin to shudder, an involuntary response he can observe, as if it were someone else’s shudder, but which he cannot stop.

—Is that her, Ranulf?

The cursor wiggles over the crone.

Andrew feels his testicles ice over.

His palms go clammy, he wipes them on his jeans.

—Is that Baba Yaga?

He can’t seem to will his fingers to type.

Her name has been invoked.

He glances behind him at a handsome brass mirror, terrified he’ll see her image, but his own scared face looks back at him.

Brass mirrors are safe, can’t serve as gates for her.

He notices the tension in his mouth, how carefully he keeps his lips pressed together.

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