Koji Suzuki - Loop

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Loop: краткое содержание, описание и аннотация

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Learn the final truth about the Ring!
In this much-awaited conclusion of the
, everything you thought you knew about the story will have to be put side. In
, the killer mimics both AIDS and cancer in a deadly new guise. Kaoru Futami, a youth mature beyond his years, must hope to find answers in the deserts of New Mexico and the Loop project, a virtual matrix created by scientists. The fate of more than just his loved ones depends on Kaoru's success.
Loop
Ring
Spiral
Koji Suzuki was born in 1957 in Hamamatsu, southwest of Tokyo. He attended Keio University where he majored in French. After graduating he held numerous odd jobs, including a stint as a cram school teacher. Also a self-described jock, he holds a first-class yachting license and crossed the U.S., from Key West to Los Angeles, on his motorcycle.
The father of two daughters, Suzuki is a respected authority on childrearing and has written numerous works on the subject. He acquired his expertise when he was a struggling writer and househusband. Suzuki also has translated a children's book into Japanese,
by the crime novelist Simon Brett.
In 1990, Suzuki's first full-length work, Paradise won the Japanese Fantasy Novel Award and launched his career as a fiction writer.
, written with a baby on his lap, catapulted him to fame, and the multi-million selling sequels
and
cemented his reputation as a world-class talent. Often called the "Stephen King of Japan," Suzuki has played a crucial role in establishing mainstream credentials for horror novels in his country. He is based in Tokyo but loves to travel, often in the United States.
is his sixth novel to appear in English.
Review
About the Author “
is a Suzuki masterpiece and will shake you to your core whether you like it or not.”
— 
(Japan) “[Suzuki] does not disappoint…
satisfies better than the original or its sequel when you want real answers.”
— bookslut.com “High-flying science-fictional redefinition of reality… [Suzuki] is more interested in separating your head from your body philosophically than physically.”
— 

Loop — читать онлайн ознакомительный отрывок

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Kaoru's eyes were drawn naturally toward the beautiful woman being shown to an empty table.

Her tanned body was sheathed in a summery beige dress, and her face was so nicely formed that it was eye-catching even without the aid of cosmetics. If it weren't for the child at her side, she could have passed for ten years younger than what Kaoru guessed she had to be.

The woman and boy sat at the table the waiter indicated, which happened to be diagonally adjacent to Kaoru's. Kaoru watched them seat themselves, and, after that too, he found his attention drawn to the woman, his eyes riveted to the legs stretching out from beneath her mini dress.

He realized this was the same mother and child he'd seen at the hotel pool two weeks ago. One of his students' grades had gone up so much that the kid's parents had given Kaoru an all-summer free pass to that pool. On the first day he'd gone to swim there he'd encountered this pair, sitting poolside in deck chairs.

From the first moment he'd laid eyes on the woman in the green bathing suit, he was sure he'd seen her somewhere before, but when and where he couldn't say. Kaoru was normally confident in his powers of recall, but poke about as he might in the recesses of his memory he couldn't place the woman. The experience left him with an unpleasant aftertaste that wouldn't go away. A woman as beautiful as this he wouldn't expect to forget, and yet evidently he had. At the time, he'd tried to put her out of his mind, telling himself he was mistaken, but then something about her finally triggered memories of the star of a soap opera he'd watched as a child. He wondered if it was the same woman.

The boy made an odd impression, particularly his physique. The blue swim cap that he wore pushed back on his head, the goggles, the check-pattern shorts that Kaoru could tell at a glance weren't for swimming in, his skinny bowed legs, and most of all his abnormally white skin. He resembled an "alien corpse" Kaoru had seen on some fake TV show a long time ago. Everything about the boy looked strangely off-kilter. The pair stuck in Kaoru's memory: this woman he'd seen somewhere before and this weird-looking boy.

And now they were sitting at the next table over. Kaoru, sitting by the window so he could gaze down at the fountain, found he could catch their reflection faintly in the glass. He observed this instead of staring at them directly.

After a few moments, Kaoru figured out why his first impression of the boy had been of unbalance. It was his hair, or rather his lack of it. When Kaoru had first seen the boy poolside, his swim cap had been missing the bulge that would normally have told of a full head of hair.

Today, too, the boy was wearing a hat when he sat down at the table, but after a few moments he took it off, revealing his head to be perfectly devoid of hair.

Kaoru realized what that meant. The boy was here to be treated for cancer. He'd assumed mother and child were both here to visit a patient, but now it turned out that the mother was accompanying her son to chemotherapy. Hideyuki was undergoing chemotherapy, and his hair too had fallen out, but somehow seeing a child suffer that side effect was even more heart-rending. Kaoru thought about that day at the pool, that swim cap hugging the boy's bare scalp directly-no wonder he'd left such a peculiar impression.

Kaoru rested his head on his hand and watched the beautiful thirty-something woman and her son, who was probably a fifth or sixth grader, eat their lunches without talking. Without being conscious of it, he was comparing them to his father, hospitalized here. His father was forty-nine, while this boy had to be eleven or twelve. Both were taking anti-cancer medication.

The mother in her airy beige dress looked too bright and cheerful for a hospital. Once in a while she raised her head and glanced out the window. She didn't look like she was tasting what she ate-she was just eating to eat, looking at no one in particular with an expression that could have been a smile or the equivalent of a sigh.

She paused with her spoon in the air, then returned it to the plate, then started to bring it to her mouth again, and then suddenly shot a glance in Kaoru's direction. At first her gaze was sharp, as if to ask, What are you looking at? But as her eyes met Kaoru's her gaze softened. Kaoru found himself unable to look away.

It seemed she recognized him from the pool. She looked like she wanted to say something. Kaoru bowed his head slightly, and she answered with the same gesture.

And then her attention was taken up by her son, who chose that moment to toss aside his chopsticks and spoon and throw a tantrum. The sight of Kaoru fled her mind.

Even then Kaoru continued to watch the two. He was powerless to resist-it was as if his consciousness had been uprooted and physically carried to where they were.

Several days later, in the courtyard this time, Kaoru had the opportunity to speak to this mother and her child. By some lucky chance they ended up sitting side by side on the same bench, making it possible for a conversation to start naturally without either one making the first move.

The mother introduced herself as Reiko Sugiura and her son as Ryoji. Ryoji's cancer, which had first appeared in his lungs, now looked like it had spread to his brain, and his days were filled with tests preparatory to radiation and chemotherapy.

Not only that, but it seemed that the agent that had turned his cells cancerous was none other than the recently isolated Metastatic Human Cancer Virus-the progress of the illness, from first appearance through subsequent metastasis, was nearly identical to Kaoru's father's case.

Kaoru felt a sense of kinship. A sense that they were comrades fighting the same enemy.

"Brothers in arms."

The expression was Reiko's, but it echoed Kaoru's thoughts. However, Kaoru doubted her words, having observed their expressions in the cafeteria the other day. It was resignation he'd seen then, wasn't it? At the very least, their faces hadn't been those of people dedicated to battling an illness. Kaoru still remembered the affectless way she'd eaten.

He took this opportunity to clear up the doubt that had been nagging at him since their first encounter.

"Haven't we met somewhere before?" It embarrassed him as he said it, it sounded so much like a pickup line, but he couldn't think of any other way to ask it.

Reiko responded with a laugh whose import escaped him. "I get that a lot. I'm told I look like an actress on an old TV show," she said shyly.

It sounded like a lie to him. She didn't just look like the actress-he couldn't help but think they were one and the same. But if she was the actress, and was lying so she could escape her past, then he didn't feel he should press the issue.

When they parted, there in the courtyard, Reiko gave him their room number and said, "Why don't you come visit us sometime? Please."

Three times they'd met, he and Reiko Sugiura. Now more than ever, he couldn't take his eyes off her.

3

It was the very next day that Kaoru took Reiko at her word and knocked on the door to Ryoji's room.

Reiko greeted him, with a smile that might have been a bit overdone, and showed him into the room. Ryoji was sitting up in bed reading a book, his legs dangling over the side. As a medical student, Kaoru knew how much the room cost the moment he entered. It was a private room with a private bathroom complete with bathtub. The daily rate was five times that for a normal shared room.

"Thank you for coming," Reiko managed to say. Evidently she'd only invited him as a social courtesy, not really expecting him to come. Now that he was actually here she couldn't disguise her happiness. She turned to Ryoji and tried to stir his interest. "Look who's come to see you!"

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