Gary A. Braunbeck - Cages and Those Who Hold the Keys

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In the Midnight Museum - Bram Stoker Award-nominated for Superior Achievement in Long Fiction, 2005 Martin Tyler is a 44-year-old janitor whose life has come to a sputtering halt; he has no friends, no family, and no promise of better days ahead. In the grip of blackest depression, he attempts to take his own life, only to find himself waking up in a local mental health facility where he has been placed for observation. But something more has happened to Martin than just a failed suicide attempt; certain doors of perception have been unlocked in his mind, allowing him to see fantastic creatures that lurk outside on the streets of Cedar Hill - creatures only he can perceive. Over the next 48 hours, Martin will discover what these creatures are, who controls them, and why he must enter The Midnight Museum, a place with no doors or windows, but many entrances and exits; a place just outside the perception of everyday life; a place where Martin will discover how and why he inadvertently holds the fate of the world in his hands. The Ballad of Road Mama and Daddy BlissIn the novella The Ballad of Road Mama and Daddy Bliss, a man assigned community service duty with the city morgue after a DUI arrest is offered a simple deal: transport an old woman's body back to her hometown, and his record will be wiped clean. But this is no typical old woman, and -- as he soon discovers -- he is taking her to a town that is on no map. The old woman's identity, as well as the reasons behind the town's secret existence, will be revealed to him over the course of a few nightmarish hours between midnight and dawn -- the time when The Road demands its sacrifices.Kiss of the MudmanInternational Horror Guild Award for Long Fiction, 2007 A haunting story behind the lyrics of a rock song from the 70s. It is a story of music, stardom, death, and the combination of notes that brings dirty destruction to the Cedar Hill halfway house. Along the way, a visit from the "ulcerations" of Jim Morrison, Jimi Hendrix, John Entwistle and Keith Moon, Kurt Cobain, and Billie Holiday enlighten the legend of just why the greatest guitar player that ever lived was a woman. Music fans will love it, and Braunbeck's fans should not miss it. It has all the things that make his work special: the pain, the despair, and the fear, all combined but with each one allowed its own moment in the sun, each one getting its own time with your nerves before they all come crashing down, leaving you with just enough energy to turn the page.TessellationsA haunted, young actress returns home after the death of her father to discover that her brother has seemingly gone insane. Over the course of one unnerving night she first witnesses — and then becomes a part of — a Halloween nightmare that, piece by piece, physically brings back the past, rips a hole in her consensual reality, and allows demons, monsters, and even a miracle or two to shamble into this world and transform it into the darkest of fairy tales...The Sisterhood of Plain-Faced Women'The Sisterhood of Plain-Faced Women' is the story of Amanda, who gains beauty but at a terrible price as her new physical attributes are torn from other people, the tale never less than compelling and with a heartfelt moral at its core.

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“I remember looking back at the car and… seeing our bodies still trapped inside. What was left of our bodies, anyway. It took me a long time to understand the process, how it was that our bodies are left behind—at least, for a while, and….” His words trailed off as he smiled to himself, then blinked, and—remembering his duty—pointed toward the bathroom door once again. “Get yourself cleaned up.” “I’m sorry,” I said. Hummer paused at the door once again. “What the hell for?” “I’m sorry that you died. It must have destroyed your parents, losing both of you at the same time.” He shrugged. “We never knew. That’s part of the price for being Repaired.” He closed and locked the door behind him.

I went into the bathroom (which had a shower), cleaned up, found some clothes that fit (the underwear was new, still in the sealed bag), and was putting my shoes back on when I noticed that some of the clothes remaining on the rack were damaged; rips and tears that had been stitched up, dark stains on some that didn’t quite come out in the wash, and some with hand-sewn, hand-lettered labels; property of s. wilson, DAVE’S PANTS, This Jacket Belongs To: JASON.

I wondered if the clothes I’d just put on had similar labels sewn into them, then just as quickly decided that I didn’t want to know.

I heard a slight, soft whirr behind me, and turned around. A security camera mounted in the corner nearest the bathroom door blinked its red light and adjusted its position.

They were watching me, big surprise.

I walked toward it, and with every step I took the camera shifted its position to keep me in view.

“So these clothes,” I said. “I’m guessing they were, what? Taken from the bodies and repaired, as well? Is that what all these are? Dead men’s clothing?”

“Yes,” said a voice behind me.

I spun around, nearly tripping over my own feet.

“Easy there, Driver,” said the nightmare in the doorway. “Mustn’t hurt yourself. Think of what it would do to our insurance deductibles.” It laughed and rolled forward. “I’d shake your hand, but as you can see, that’s somewhat problematic.”

It— he —wore no shirt and had no arms or legs, and sat in an electric wheelchair that was guided by one of those attachments that enables the user to steer by using his or her mouth. As he rolled closer I saw that he wasn’t sitting in the chair at all—he was attached to it by a series of clamps that were soldered into the frame of the chair and disappeared into his flesh at waist level. The skin at the entry point was swollen, red, and crusted at the edges with dried blood.

“My given name is Henry,” he said. “But everyone here calls me Daddy Bliss.”

A series of three curved iron pipes curled out of his back and down into the wheelchair’s battery. Every time the chair moved, these pipes shuddered.

“I do apologize for not dressing appropriately—one should always look one’s best when greeting a new visitor—but you caught me during one of my quarterly tune-ups.”

“I didn’t mean to be rude. You know—staring at you.”

Daddy Bliss nodded, giving me a close-up view of the matchbox-sized rectangles with electrical wires implanted in his skull. The skin of his exposed scalp was also crusty and red where it joined the metal. It was impossible to see where or to what the scalp-wires connected because they hung down his back, mixing in with a bundle of other wires that were held together by plastic clamps. What I could see—too clearly—were the two clear plastic bags that dangled from the metal IV pole attached to the right arm of the wheelchair. The tube from the first bag—a catheter—snaked downward and then up into his penis, which was hidden behind one of the metal waist-clamps. The bag was filled not with urine but a thick black liquid, and as I stared, I realized that the liquid wasn’t going into the bag, it was flowing downward, into him.

“Motor oil,” he said. “It seemed to me you weren’t about to ask, so I thought I would get right to it.”

Motor oil?

“A highly… specialized brand, mixed with my own blood but, yes, motor oil nonetheless. The second bag contains a liquid protein supplement that helps keep me both alive and regular.” To illustrate this last point, his bowels groaned, and something moist and heavy dropped into an unseen container housed within the wheelchair’s lower casement.

I was glad I couldn’t see it.

“My apologies,” said Daddy Bliss. “But I had Thai food for dinner, and it always goes right through me. But don’t worry, the casing is quite solid, you can’t smell it.”

“Do you ever get out of that chair?”

“Oh, goodness gracious me, no . I would lose my mobility, silly boy. Do you have any more questions along these lines?”

I thought of Dash, Hummer, and the foundry worker and said, “Why haven’t you been repaired like the others I’ve seen?”

“It’s a question of compatibility, my boy. Just as the human body will reject unacceptable organic tissue, the same goes for iron, steel, aluminum, plastic, any man-made alloy or other such material…it’s a question of trial-and-error. Some of us have been able to be Repaired almost immediately, while others—like myself and Fairlane, who you’ll be meeting later on—have to make due with more… primitive results.

“For myself, I made the decision long ago to not attempt any further Repairs. It’s an excruciatingly painful process, despite the advances we’ve made, and each member of our ever-growing family is given the right to say ‘No more’ at any point in that process. The younger ones—like Dash, Ciera, and our resplendent Sheriff Hummer—are strong, and willful, and can deal with the pain of a full Repair…which is why they can interact more openly with the outside world. Any more questions at this point?”

“Nassir.”

Sir , is it? So respectful. I like that right down to the ground. Yes, I do.” He bit down on the guidance device and turned the chair around. “Come along, Driver. There’s much to show you, and time is not exactly on our side.”

He rolled out the door and I followed.

10

We passed through the office and made a left, going through the same doors to the vending area that Dash had taken earlier, only now the cafeteria was empty. Daddy Bliss moved toward a set of weight-activated doors at the far end. They hissed open as soon as his wheels touched the mat in front of them.

We entered a long, brightly-lit concrete corridor.

“Our family album,” said Daddy Bliss. “Feel free to stop and look at whomever catches your fancy. We were forced to eschew the traditional bound albums some time ago, for reasons I’m sure you’ll come to understand.”

Every inch of wall space was covered by hundreds (if not thousands) of framed photographs, each one more gruesome than the one before; a car split nearly in half by the tree it had slammed into, the body of the driver splattered across the windshield; a head-on collision between two SUVs, the vehicles so demolished it was impossible to tell where one began and the other ended, their drivers’ bodies little more than pulpy smears; broken bodies of passengers who’d been thrown free, their shattered remains glistening with blood, sometimes covered in one another’s internal organs…it was a photo essay of a slaughterhouse.

“As they were when the Highway People came to them,” said Daddy Bliss.

“Why keep such… gruesome reminders?”

“Because each of us must never forget our beginnings. Neither the Highway People nor—more importantly—the Road would approve.” He said it with such awe and reverence I could see yet another capital ‘R’.

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