Gary A. Braunbeck - Cages and Those Who Hold the Keys

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In the Midnight Museum - Bram Stoker Award-nominated for Superior Achievement in Long Fiction, 2005 Martin Tyler is a 44-year-old janitor whose life has come to a sputtering halt; he has no friends, no family, and no promise of better days ahead. In the grip of blackest depression, he attempts to take his own life, only to find himself waking up in a local mental health facility where he has been placed for observation. But something more has happened to Martin than just a failed suicide attempt; certain doors of perception have been unlocked in his mind, allowing him to see fantastic creatures that lurk outside on the streets of Cedar Hill - creatures only he can perceive. Over the next 48 hours, Martin will discover what these creatures are, who controls them, and why he must enter The Midnight Museum, a place with no doors or windows, but many entrances and exits; a place just outside the perception of everyday life; a place where Martin will discover how and why he inadvertently holds the fate of the world in his hands. The Ballad of Road Mama and Daddy BlissIn the novella The Ballad of Road Mama and Daddy Bliss, a man assigned community service duty with the city morgue after a DUI arrest is offered a simple deal: transport an old woman's body back to her hometown, and his record will be wiped clean. But this is no typical old woman, and -- as he soon discovers -- he is taking her to a town that is on no map. The old woman's identity, as well as the reasons behind the town's secret existence, will be revealed to him over the course of a few nightmarish hours between midnight and dawn -- the time when The Road demands its sacrifices.Kiss of the MudmanInternational Horror Guild Award for Long Fiction, 2007 A haunting story behind the lyrics of a rock song from the 70s. It is a story of music, stardom, death, and the combination of notes that brings dirty destruction to the Cedar Hill halfway house. Along the way, a visit from the "ulcerations" of Jim Morrison, Jimi Hendrix, John Entwistle and Keith Moon, Kurt Cobain, and Billie Holiday enlighten the legend of just why the greatest guitar player that ever lived was a woman. Music fans will love it, and Braunbeck's fans should not miss it. It has all the things that make his work special: the pain, the despair, and the fear, all combined but with each one allowed its own moment in the sun, each one getting its own time with your nerves before they all come crashing down, leaving you with just enough energy to turn the page.TessellationsA haunted, young actress returns home after the death of her father to discover that her brother has seemingly gone insane. Over the course of one unnerving night she first witnesses — and then becomes a part of — a Halloween nightmare that, piece by piece, physically brings back the past, rips a hole in her consensual reality, and allows demons, monsters, and even a miracle or two to shamble into this world and transform it into the darkest of fairy tales...The Sisterhood of Plain-Faced Women'The Sisterhood of Plain-Faced Women' is the story of Amanda, who gains beauty but at a terrible price as her new physical attributes are torn from other people, the tale never less than compelling and with a heartfelt moral at its core.

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I looked at the houses we were passing. The people on the porches all had something wrong with them; some used canes or crutches, some were in wheelchairs, others had arms missing or in slings, and a couple of them wore those square metal-cage get-ups that people who suffer severe neck injuries are saddled with using.

“What about them?” I asked, nodding toward the onlookers.

“Repaired,” said Hummer. “Everyone who lives here has been Repaired or is in the process of being Repaired. Sometimes the Repairs aren’t that big of a deal, like with Dash and Ciera and me. But some Repairs, they take a bit of work.” Dash looked at me and nodded his head. “So this is, what? Zombie Town U.S.A.?” Hummer glared at me. “I’d watch the sarcasm if I was you. And, no, there aren’t any zombies here. Only the Repaired.”

We turned off the street and hit a long patch of road that wound through a heavily industrialized section of town. Factories small and large lined both sides of the road for nearly three miles, and judging from the amount of noise and smoke pouring from each building, things were busy.

It was only as we were turning off onto another street that I caught a glimpse of any of the factory workers (which I think was Hummer’s intention, seeing as how he was driving not only slowly but quite close to the curb). A large set of heavy iron doors were open, giving me a clear look into the foundry where one of the workers was emptying a vat of white-hot molten metal into an arc furnace. Despite the shimmering heat waves and sparks scattering as the liquid metal gushed down, I got a very clear look at the man.

His right arm had been replaced by a steel prosthesis whose components had been molded, bent, twisted, and press-punched into something that was meant to look organic and serve the same function as his missing arm. It had an elbow joint that bent easily enough and a semi-robotic hand with five finger-like appendages. The wires and conduits that snaked through the openings in the metal were in a configuration comparable to that of veins. The prosthesis moved stiffly, and every time the worker turned his back to us, the highly-polished sheet of silver chrome used to replace his shoulder blade caught the light and threw it back into my eyes. I was still blinking when the worker stopped what he was doing, rose straight up, and—like he’d known all along that he was being observed—turned to face me.

The left half of his face had been Repaired, as well. I saw the bright protruding taillight that had taken the place of his eye, the section of sheared metal that served as his jawbone, and what I swear looked like seat leather that now replaced the flesh of his cheek. He lifted his robotic hand and waved. “Believe me now,” said Hummer, “or do you want us to get out so I can make a personal introduction?” “…incredible…” was all I could get out. “No,” said Dash, “just Repaired, that’s all. Ain’t no big thing, really.” Hummer laughed and sped up the cruiser.

I turned around in the seat, staring out the rear window, and saw the foundry worker walk out into the middle of the street and watch us drive away. Even after his body disappeared into shadow, I could still see the bright red light of his Repaired eye.

I was about to ask Hummer where they got the parts to Repair people, then thought of the car-cubes and knew the answer.

9

We pulled up in front of a large concrete building that contained few windows and began to park. “If he’s getting the tour,” said Dash, “then shouldn’t we take him in through the back?” “Shit,” said Hummer, backing out of the space, “you’re right. Thanks for reminding me.” “You’re welcome.”

We drove around to the back where a single streetlight provided little illumination. We got out, and then entered the building through a heavy steel door.

The first thing that hit me was the smell of the place; it was combination of that sweaty, metallic, smoky, machine-grease stench of the factory floor and the overly-antiseptic aroma of a hospital corridor. I’d never smelled anything like it in my life.

“You get used to the smell,” said Hummer, clamping a hand on my elbow and leading me through a set of doors on the left. Dash made a beeline for a set of doors on the right—the vending machine area.

We entered a somewhat cramped but well-lit office filled with scuffed wooden desks and chairs that were easily 30 years out of date, the furniture made all the more anachronistic by the expensive state-of-the-art equipment setting on it: 25-inch flat screen LCD monitors on broken roll-top desks, iMacs being used by people sitting in slat-backed wooden chairs held together in places with duct tape, and a trio of huge 50-inch plasma televisions mounted on the walls displaying a slide-show series of maps, as well as images from what I assumed were security cameras; empty streets, empty corridors, empty parking lots.

“It’s impolite to stare,” said Hummer, pulling me toward a door marked Holding Roomat the back of the office. Opening the door, he reached in and flipped on the light, then pushed me inside. “Bathroom’s on the right, and there’re snacks in the refrigerator.” He pointed to a rolling metal rack filled with hanging clothes. “Nova’s already had some stuff from the wardrobe put in here, so you can change out of those pissy clothes. Clean yourself up and get a bite to eat. You won’t be in here for too long.”

“Wait a second,” I said as he began closing the door.

He paused. “ Yes? ” I took a deep breath and summoned what little nerve I still had. “Aren’t I entitled to one phone call?” “You are.” “I’d like to make it, please.” Hummer grinned. “Who have you got to call, Driver?” “That’s my business.” “More like your daydream, from what I understand.” Glaring at him, I made a fist but did not raise it. “I demand my right to a phone call.”

“You’ll get your call, stop whining.” He stared at me for a moment, his features softening a bit. “You’re really scared , aren’t you?”

“…yes…”

Hummer looked over his shoulder, then stepped back into the holding room, pushing the door most of the way closed. “Listen to me, Driver. I don’t know what you did to piss off the Highway People, but it must have been pretty goddamn serious for you to wind up here. The folks who come to this place, they don’t drive in, and they sure as hell don’t leave . Nobody just passes through here, the Highway People won’t let them. But you , you’re getting special treatment. I can’t tell you whether or not you’re gonna leave here alive because I don’t get to make that call, but I can tell you that no one, the Highway People included, has any intention of harming you. Anything that might or might not happen to you will be your own doing, not ours.”

I was still trying to get past I can’t tell you whether or not you’re gonna leave here alive when I heard myself asking, “Who are the Highway People?”

Hummer shrugged. “That’s just what we call them. I don’t know what their actual names are—hell, I don’t even know if they have names. They’ve been around as long as there have been roads and cars. I guess they’re…I dunno…the gods of the road.”

“Have you ever seen them?”

“Once. Right after the accident. They came for me and Dash.” He was staring out at something only he could see. For the first time that night, he looked so much older than his years. “I remember,” he said, “that the windows were rolled halfway down—it was a warm night, Dash had his open and so did I, so when we went over the bridge and hit the water below, these…these swords of water slashed through the interior. I guess that happened because when we hit, we made a mother of a splash, it happened so fast, and we were both panicking because the interior was filling up and we were trying to get our seatbelts undone…Dash’s arms were flailing all over the place and he kept looking in the back seat for something, and I remember…I remember that those first swords of water felt like they’d actually gone in , y’know? Straight through flesh and into the bone. Even though everything was happening very fast and I knew it was happening very fast, in my eyes it was all in slow motion. Getting my seat belt off and then trying to help Dash with his, and that’s when I saw that he was already dead. His arms weren’t flailing, they were just floating, and the reason he was looking in the back seat was because his head had slammed against the dashboard and he’d broken his neck.” He looked back at me. “His head had just… turned around like that, and I could see where a good portion of his skull had been caved in. I undid his seat belt, anyway, and even though we were sinking there was still an air pocket inside, and I tried to get to it, and that’s when the semi that I’d hit came over the side of the bridge and landed on top of us. I felt my back shatter, and then it was dark and cool and quiet, and then a hand gripped my arm, and I opened my eyes and there was this…this shadow floating over me. It had silver eyes, and I knew it was going to help me. ‘Make sure you get my brother,’ I said to it. And it pointed over to another shadow with silver eyes that was pulling Dash out of the car. They swam away so smoothly, it was kind of graceful.

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