Gary A. Braunbeck - Cages and Those Who Hold the Keys

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In the Midnight Museum - Bram Stoker Award-nominated for Superior Achievement in Long Fiction, 2005 Martin Tyler is a 44-year-old janitor whose life has come to a sputtering halt; he has no friends, no family, and no promise of better days ahead. In the grip of blackest depression, he attempts to take his own life, only to find himself waking up in a local mental health facility where he has been placed for observation. But something more has happened to Martin than just a failed suicide attempt; certain doors of perception have been unlocked in his mind, allowing him to see fantastic creatures that lurk outside on the streets of Cedar Hill - creatures only he can perceive. Over the next 48 hours, Martin will discover what these creatures are, who controls them, and why he must enter The Midnight Museum, a place with no doors or windows, but many entrances and exits; a place just outside the perception of everyday life; a place where Martin will discover how and why he inadvertently holds the fate of the world in his hands. The Ballad of Road Mama and Daddy BlissIn the novella The Ballad of Road Mama and Daddy Bliss, a man assigned community service duty with the city morgue after a DUI arrest is offered a simple deal: transport an old woman's body back to her hometown, and his record will be wiped clean. But this is no typical old woman, and -- as he soon discovers -- he is taking her to a town that is on no map. The old woman's identity, as well as the reasons behind the town's secret existence, will be revealed to him over the course of a few nightmarish hours between midnight and dawn -- the time when The Road demands its sacrifices.Kiss of the MudmanInternational Horror Guild Award for Long Fiction, 2007 A haunting story behind the lyrics of a rock song from the 70s. It is a story of music, stardom, death, and the combination of notes that brings dirty destruction to the Cedar Hill halfway house. Along the way, a visit from the "ulcerations" of Jim Morrison, Jimi Hendrix, John Entwistle and Keith Moon, Kurt Cobain, and Billie Holiday enlighten the legend of just why the greatest guitar player that ever lived was a woman. Music fans will love it, and Braunbeck's fans should not miss it. It has all the things that make his work special: the pain, the despair, and the fear, all combined but with each one allowed its own moment in the sun, each one getting its own time with your nerves before they all come crashing down, leaving you with just enough energy to turn the page.TessellationsA haunted, young actress returns home after the death of her father to discover that her brother has seemingly gone insane. Over the course of one unnerving night she first witnesses — and then becomes a part of — a Halloween nightmare that, piece by piece, physically brings back the past, rips a hole in her consensual reality, and allows demons, monsters, and even a miracle or two to shamble into this world and transform it into the darkest of fairy tales...The Sisterhood of Plain-Faced Women'The Sisterhood of Plain-Faced Women' is the story of Amanda, who gains beauty but at a terrible price as her new physical attributes are torn from other people, the tale never less than compelling and with a heartfelt moral at its core.

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“Sorry,” he said. “I shouldn’t have laughed.”

All I could do was nod my head, and even that hurt like hell. “We can get you some clean pants and underwear,” said Dash. “…would be nice…” I heard myself whisper. Then the radio crackled and the dispatcher’s voice chimed in. “You still there, Hummer?” He grabbed the microphone. “Where else would I be?” “That’s my line, Sheriff.” “Sue me.”

Touchy tonight, aren’t we?”

“Did you talk with Daddy Bliss?”

“No, I just missed the sound of your voice— of course I talked with him.”

And…? ” “And Daddy says, no worries. He wanted Driver to have the grand tour, anyway.” Hummer stared out at the road, saying nothing for a few seconds, looking confused. I leaned toward Dash. “Is that a nickname, ‘Hummer’?” “Nope.” Sheriff Hummer was still speaking to the dispatcher. “When’s the tour supposed to start?” “As soon as possible.” “Can we at least get him a change of clothes first?” “A change of clothes?” said Nova. “What did you—never mind. Sure thing. He can look through the wardrobe when he gets here.” “Call our ETA five minutes. Ciera’s right behind us with Road Mama.” “You want me to call Stick and tell him to hit the lights?” Hummer glanced in the rearview mirror toward me, then said, “Might as well.” “Oh, you’re gonna like this,” said Dash. “Ain’t everyone who gets to see Levegh Lane.” “Why’s that?” Deputy Dash shrugged. “We don’t get many visitors.” “So this is big deal, huh?” “Yep.” “Why…why do you call it that? Is there some significance to the name? Is that Daddy Bliss’s real name or something?””

Hummer answered this one: “It’s named after Pierre Levegh, a race car driver. Drove a Mercedes at Le Mans in 1955. In the third hour of the race, this Jaguar driver named Mike Hawthorn got a signal from his pit crew to stop for gas. He slowed down, but there was this Austin-Healey right on his ass, and it had to swerve to avoid him. A little ways behind, Levegh raised his hand to signal another car to slow the hell down. Levegh was going 150 miles per hour.” Hummer shook his head. “He never had a chance.

“Levegh slammed into the Healey and his car took off like a rocket, crashed into the embankment beside the track, hurtled end over end, and then just…disintegrated over the crowd. The hood decapitated a bunch of spectators. The engine and front axle cut through a bunch of people, splitting them in half. The car had a magnesium body, right, and that son-of-a-bitch burst into flames like a torch, burning dozens of others to death. The whole thing took maybe 12 seconds, but in that time 82 people were killed and 76 others were maimed.”

I blinked. “And you named a street after him?”

“That’s right. Levegh was a great man.”

“A great man,” said Dash.

Hummer nodded. “Only a truly heroic man could bring so many new members into Road Mama and Daddy Bliss’s family in a few brief seconds.”

Do I need to tell you exactly how anxious this little exchange made me? It finally sank in that I was trapped in a car with a couple of out-patients. If my luck held up, we’d soon be passing the Bates Motel.

I was so scared…but I was also damned if I was going to show it; at least, no more than I already had.

“You might want to sit up,” said Hummer. “Make sure you can get a good look out the window. You might not know it, but this a great honor, Daddy Bliss wanting you to see everything.”

I heard a distance buzzing noise, like a massive electrical grid warming up. Even through the vibration of the tires against the streets I could feel the deep, powerful thrum that rose in power with the pitch of the grid.

“You might want to prepare yourself some,” said Hummer. “This could be a bit of a shock.”

That didn’t even begin to cover it.

8

The street exploded with light, bright and blinding, bearing down like a curse from Heaven and forcing me to close my eyes and throw my arms up against my face.

After the stars stopped going supernova behind my lids, I slowly opened my eyes and saw that both sides of this cliff-lined street were being illuminated by rows upon rows of huge stadium lights that rose easily a hundred feet above the surface of the road. I wondered how they’d managed to install them at the tops of the cliffs, and then realized that these weren’t cliffs or hollowed mountainsides at all.

They were cars.

Crushed, smashed, mangled, and twisted, stacked dozens atop dozens, held together by steel beams and girders that had been welded into place to form main spannings and supports, creating something like a life-sized shadowbox. The stacks

( dead piles? )

rose so high I almost couldn’t see the tops of the damn things. Each car-cube was roughly the size of a large building, nine or ten stories high, separated from its neighbor by a space of maybe 30 feet. It was in those spaces where the stadium light towers were installed, and as we passed the first group and I looked through those spaces I saw that the car-cubes not only lined both sides of the street but extended backward for what seemed miles, a giant child’s building block set, each one placed at a point equidistant from those beside, in front of, and behind it. It was like something out of an Escher painting.

“Where did all of these come from?” I asked.

“Everywhere,” replied Dash. “They come from all over the place in the U.S.”

“And sometimes Canada or Mexico,” said Sheriff Hummer. “If someone drives here from Canada or Mexico, they’re on our roads, so their ass is ours if something happens.”

“‘Ours’?” I said.

“Ours,” replied Dash.

“Well, technically,” said Hummer, “they belong to Road Mama and Daddy Bliss, but since the rest of us are family, we like to think of them as ‘ours’. That answer your question?” “Not really.” “Don’t worry, things’ll be explained to you.” Ciera came up alongside us in the meat wagon, waving and smiling before hitting the turn signal and taking a side road. “She’s using the shortcut,” said Dash. Hummer nodded his head. “I got eyes, little brother.” “Daddy Bliss told us we weren’t supposed to take no shortcuts tonight.” “And Ciera will have to explain herself to him, so it’s not our problem.”

“But he won’t do anything to her, he never does. It ain’t fair! How come she gets to do whatever she wants and the rest of us gotta do as we’re told?”

“Because Daddy Bliss favors Ciera, you know that. She was the last person he brought into the family himself.”

Dash folded his arms across his chest and pressed his chin down, pouting. “Yeah, well, still …it ain’t fair.”

“Not much is, little brother. Don’t need to keep reminding ourselves.”

We made a left, turning onto a stretch of road where the car-cubes were replaced by typical middle-class houses on a typical middle-class street. All the lights were on inside each house, and several people were standing on their front porches, watching us pass by.

“Gonna be a big night for everyone here, Driver,” said Hummer. “A big night.”

I swallowed, leaning forward. “Why are you called ‘Hummer’?”

The sheriff looked into the rear-view mirror. “Because that’s what I was driving when I got myself and my little brother killed. It was my fault, I was screwing around, pretending that the goddamn thing was a tank, I accidentally side-swiped a semi, lost control of the wheel, and went over the side of a bridge.”

“I was pretty scared,” said Dash. “I was all bent over and crying. That’s how I busted open my head on the bottom of the dashboard.” “And I was the driver,” replied the sheriff. “That’s how it works.” I returned his stare in the rear-view mirror for a few moments more, then said, “Fuck you.” “What was that?” One of his hands snapped down to the butt of his gun. “I said fuck you. I’m supposed to believe that you two are dead, is that it?” “We ain’t dead,” said Dash. “Just Repaired,” said Hummer. He pronounced the second word with such awe and reverence I could almost see the capital ‘R’.

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