Нэнси Кресс - The End Has Come

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Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.
But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild.
THE APOCALYPSE TRIPTYCH tells their stories. Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction.
THE END IS NIGH focuses on life before the apocalypse.
THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse.
THE END HAS COME features all-new, never-before-published works by Hugh Howey, Seanan McGuire, Ken Liu, Carrie Vaughn, Mira Grant, Jamie Ford, Tananarive Due, Jonathan Maberry, Robin Wasserman, Nancy Kress, Charlie Jane Anders, Elizabeth Bear, Ben H. Winters, Scott Sigler, and many others.
THE END IS NIGH is about the match.
THE END IS NOW is about the conflagration.
THE END HAS COME is about what will rise from the ashes.

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“Are you in charge of all this?” April asked.

Juliette glanced down the beach toward Solo and Charlotte for a moment. “If you came from a place with a lot of rules and great concern over who is in charge, you’ll find we’re not so strict here.” Juliette rested her hands on her hips. “You both look hungry and tired. Elise, why don’t you get them fed and freshened up. They can look around camp when they’re ready. And you don’t have to tell us your story until you want —”

“I think we’ll say our piece now,” April said. Elise saw that she was the talkative one now. Remy was holding his tongue. And there was anger in their guises, not relief. Elise had seen this before, the need to vent. She shuffled back a step but wasn’t sure why. Maybe it was because Juliette had done the same.

“Very well —” Juliette started to say.

“We aren’t here to be saved,” April said. She continued to clutch her bag to her chest, like it was a raft keeping her afloat. “We aren’t here to live with you. We died a long time ago, when everything was taken from us. We’ve been dead and walking for years to get here and to tell you this. You didn’t get away with it.”

“I’m not sure I —” Juliette began.

April dropped her bag to the sand. In her hand was a silver gun. Elise knew straight away what it was. There were three of them in camp that the men used to hunt; Elise hated the way they spooked the wildlife.

This one was different . . . and trained on Juliette. Elise moved to stand in front of the mayor, but Juliette pushed her away.

“Wait a second,” Juliette said.

“No,” April said. “We’ve waited long enough.”

“You don’t understa —”

But a roar cut off whatever Juliette was about to say. A flash and an explosion of sound. She fell to the beach, a wild wave rushing up nearly to touch her, all so sudden and yet in slow motion. Elise felt her own body stir, like a deer that knows it’s in mortal danger. She sensed the whole world around her. Saw Solo and Charlotte stir down the beach and start running. Felt the heat of the sun on her neck, the tickle of sweat on her scalp. Could feel the sand beneath her feet and hear the crying birds. There was an arrow in her hand, her bow coming off her shoulder, a gun swinging around, a man yelling for someone to stop, Elise wasn’t sure who.

She only got half a draw before the arrow slipped from her fingers. She loosed it before the trigger could be pulled again. And the shaft lodged in the woman’s throat.

More screaming. Gurgling. Blood in the sand. Remy moved to catch his wife. Elise notched another arrow, swift as a hare. By her feet, Juliette did not stir. The man reached for the gun, and Elise put an arrow in his side, hoping not to kill him. He roared and clutched the wound while Elise notched another and knelt by her wounded friend. The man regrouped and went for the gun again, murder in his eyes. For the second time that day, Elise put an arrow through an animal’s heart.

The only people moving on the beach were Solo and Charlotte, running their way. Elise dropped her bow and reached for Juliette, who lay on her side, facing away from Elise. Elise held her friend’s shoulders and rolled her onto her back. Blood was pooled on Juliette’s chest, crimson and spreading. Her lips moved. Elise told her to be strong. She told the strongest person she’d ever known to be extra strong.

Juliette’s eyes opened and focused on Elise. They were wet with tears. One tear pooled and broke free, sliding down the wrinkled corner of Juliette’s eye. Elise held her friend’s hand, could feel Juliette squeezing back.

“It’ll be okay,” Elise said. “Help is coming. It’ll be okay.”

And Juliette did something Elise hadn’t seen her do in the longest time: She smiled. “It already is,” Juliette whispered, blood flecking her lips. “It already is.”

Her eyes drifted shut. And then Elise watched as the furrow in her mayor’s brow smoothed away, and the tension in Jules’s clenched jaw relaxed. Something like serenity took hold of the woman, and the demons everywhere — they scattered.

ABOUT THE AUTHOR

Hugh Howeyis the author of the acclaimed post-apocalyptic novel Wool, which became a sudden success in 2011. Originally self-published as a series of novelettes, the Wool omnibus is frequently the #1 bestselling book on Amazon.com and is a New York Times and USA TODAY bestseller. The book was also optioned for film by Ridley Scott, and is now available in print from major publishers all over the world. Hugh’s other books include Shift, Dust, Sand, the Molly Fyde series, The Hurricane, Half Way Home, The Plagiarist, and I, Zombie. Hugh lives in Jupiter, Florida with his wife Amber and his dog Bella. Find him on Twitter @hughhowey.

BLESSINGS

Nancy Kress

We move by night, silently, widely separated. It’s impossible to know how much the enemy can detect. Their technology is, of course, better than ours. But we have had many successes. We will have more. And we will not give up.

* * *

“Jenna? You awake yet?”

Nothing. I raise my voice.

“Jenna!”

She emerges from her bedroom, my sweet daughter, sleep-tousled hair and dream-wide eyes. “I’m sorry, Dad — I overslept! I’ll be ready in five minutes!”

I pour two more coffees, one for her and a half-cup for me. Four minutes later I hand her the ceramic mug; she drinks it as we walk to the lab. People smile and greet us as we pass, and Jeanette Foch — whose son brought her down from Quebec twenty years ago and who still speaks no English — murmurs, “Tres belle, tres belle.” At twenty Jenna is prettier than her mother was, prettier than my mother, much prettier than my grandmother, whose faded picture hangs on the wall of our bungalow. My grandparents, Sophie and Luke Ames, once saved this settlement from horrors I can’t bear to think about, during the first years of the Blessing. Their photograph used to hang in the Common Hall, but of course nobody else could bear to think about what Sophie and Luke did, either, so the picture stays in a drawer.

I don’t know how my people survived the constant violence during the early years of the Blessing.

Jenna stops to greet more people. Old Mr. Caruthers has his breathing mask on today. CO 2is 1.9% and falling. A generation ago, it looked like all of us might have to wear breathing masks.

Jenna kneels by his wheelchair. “Are you taking your pills, Mr. Caruthers?”

He nods, although I’m not sure he understands. I make a note to remind his granddaughter yet again about his zinc and iron. Kay Caruthers is among the sweetest people in New Eden, but not all that bright.

Unlike Jenna, I think, and then chastise myself for ridiculous pride. Jenna’s intelligence and beauty are no more my conscious work than is Kay’s dimness, and comparisons only undermine Mutuality.

In the lab, Dant23 greets me by waving a tentacle. I’d forgotten that he is observing today. The Dant — who look like a cross between a flower and an octopus — show up on a semi-regular schedule. Five tentacles where we have arms and legs, an elongated head that on top flares into segments that resemble petals, skin the color of prominent human veins. But they are DNA-based — panspermia is the usual conjecture — and they can breathe our atmosphere. Which is, of course, why they’re here.

Humanity owes them a debt we can never repay. Sharing our planet does not even come close. Without the Blessing, we wouldn’t have gotten the runaway CO 2caused by sociopathic industrialization under control. We wouldn’t have stopped interpersonal violence and that most unthinkable of acts, war. We wouldn’t be free people, living in peace and Mutuality. The Dant remade us.

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