Нэнси Кресс - The End Has Come

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Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.
But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild.
THE APOCALYPSE TRIPTYCH tells their stories. Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction.
THE END IS NIGH focuses on life before the apocalypse.
THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse.
THE END HAS COME features all-new, never-before-published works by Hugh Howey, Seanan McGuire, Ken Liu, Carrie Vaughn, Mira Grant, Jamie Ford, Tananarive Due, Jonathan Maberry, Robin Wasserman, Nancy Kress, Charlie Jane Anders, Elizabeth Bear, Ben H. Winters, Scott Sigler, and many others.
THE END IS NIGH is about the match.
THE END IS NOW is about the conflagration.
THE END HAS COME is about what will rise from the ashes.

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“It’s a message,” April said, understanding in a haze how the key and the bin and her name were supposed to go together. “Help me out.”

Her first hope was that there was food in that bin. Her stomach was in knots, cramped from so deep a hunger. Remy helped her pull her IV out and extract her catheter, and then she helped with his. A spot of purple blood welled up on her arm, and a dribble of fluid leaked from the catheter. Using the lid of the metal pod for balance, April hoisted herself to her feet, stood there for a swaying, unsteady moment, then reached up and touched the large plastic trunk.

It’d been suspended directly over their heads, where they would see it upon waking. A chill ran down April’s spine. Whoever had placed them there had known they would wake up on their own, that there wouldn’t be anyone around to help them, to explain things, to hand them a key or tell them to look inside the chest. That explained the paint, the thread, the pod cracking open on its own. Had she and Remy been abandoned? Had they been punished? Somehow, she knew her sister had been involved. Her sister who had brought them into the mountain had locked them away yet again, tighter and tighter confines.

Remy struggled to his feet, grunting from the exertion of simply standing. He surveyed the room. “Looks like junk storage,” he whispered, his voice like sandpaper.

“Or a workshop,” April said. Or a laboratory , she thought to herself. “I think this knot frees the bin. We can lower it down.”

“So thirsty,” Remy said. “Feels like I’ve been out for days.”

Months , April stopped herself from suggesting. “Help me steady this. I think . . . I have a feeling this is from Tracy.”

“Your sister?” Remy held on to April, reached a hand up to steady the swaying bin. “Why do you think that? What have they done to us?”

“I don’t know,” April said, as she got the knot free. She held the end of the line, which looped up over a paint-flecked pipe above. The line had been wrapped twice, so there was enough friction that even her weak grip could bear the weight of the bin. Lowering the large trunk, she wondered what her sister had done this time. Running away from home to join the army, getting involved with the CIA or FBI or NSA — April could never keep them straight — and now this, whatever this was. Locking thousands of people away inside a mountain, putting her and Remy in a box.

The bin hit the metal pod with a heavy thunk , pirouetted on one corner for a moment, then settled until the hoisting rope went slack. April touched the lock. She reached for the key around her neck. The loop was too small to get over her head.

“No clasp,” Remy said, his fingertips brushing the back of her neck.

April wrapped a weak fist around the key and tugged with the futile strength of overslept mornings.

The thread popped. April used the key to work the lock loose. Unlatching the trunk, there was a hiss of air and a deep sigh from the plastic container, followed by the perfume scent of life — or maybe just a spot of vacuum to stir away the stale odor of death.

There were folded clothes inside. Nestled on top of the clothes were tins labeled “water” with vials of blue powder taped to each. Remy picked up the small note between the tins, and April recognized the writing. It was her sister’s. The note said: “Drink me.”

A dreamlike association flitted through April’s mind, an image of a white rabbit. She was Alice, tumbling through a hole and into a world both surreal and puzzling. Remy had less hesitation. He popped the tins with the pull tab, took a sip of the water, then studied the vial of powder.

“You think your sister is out to help us?” Remy asked. “Or kill us?”

“Probably thinks she’s helping,” April said. “And’ll probably get us killed.” She uncorked one of the vials, dumped it into Remy’s tin of water, and stirred with her finger. Her sister wasn’t there to argue with, so April skipped to the part where she lost the argument and took a sip.

A foul taste of metal and chalk filled her mouth, but a welcome wetness as well. She drank it all, losing some around the corners of her mouth that trickled down her neck and met again between her bare breasts.

Remy followed suit, trusting her. Setting the empty tin aside, April looked under the clothes. There were familiar camping backpacks there, hers and Remy’s. She remembered packing them back at her house in Maryland. Her sister had just said they were going camping in Colorado, to bring enough for two weeks. Along with the packs were stacks of freeze-dried camping MREs; more tins of water; a first aid kit; plastic pill cylinders that rattled with small white, yellow, and pink pills; and her sister’s pocketknife. It was Remy who found the gun and the clips loaded with ammo. At the bottom of the case was an atlas, one of those old AAA road maps of the United States. It was open to a page, a red circle drawn on it with what might’ve been lipstick. And, finally, there was a sealed note with April’s name on it.

She opened the note while Remy studied the map. Skipping to the bottom, April saw her sister’s signature, the familiar hurried scrawl of a woman who refused to sit still, to take it easy. She went back to the top and read. It was an apology. A confession. A brief history of the end of the world and Tracy’s role in watching it all come to fruition.

“We’ve been asleep for five hundred years,” April told her husband, when she got to that part. She read the words without believing them.

Remy looked up from the atlas and studied her. His face said what she was thinking: That’s not possible .

Even with the suspicion that they’d been out for months or longer, five hundred years of sleep was beyond the realm of comprehension. The end of the world had been nearly impossible to absorb. Being alive out along the fringe of time, maybe the only two people left on the entire Earth, was simply insane.

April kept reading. Her sister’s rough scrawl explained the food situation, that they’d miscalculated the time it would take for the world to be safe again, for the air to be okay to breathe. She explained the need to ration, that there was only enough supplies to get fifteen people through to the other side. She could almost hear her sister’s voice as she read, could see her writing this note in growing anger, tears in her eyes, knuckles white around a pen. And then she came to this:

The people who destroyed the world are in Atlanta. I marked their location on the map . If you are reading this, you and whoever else are left in the facility are the only ones alive who know what they did. You’re the only ones who can make them pay . For all of us .

I’m sorry. I love you. I never meant for any of this, and no one can take it back — can make it right — but there can be something like justice. A message from the present to the assholes who thought they could get away with this. Who thought they were beyond our reach. Reach them for all of us.

— Tracy

April wiped the tears from her cheeks, tears of sadness and rage. Remy studied the gun in his hand. When April looked to the atlas, she saw a nondescript patch of country circled outside Atlanta. She had no idea what it was her sister expected her to do.

“Did you hear that?” Remy asked.

April turned and stared at the door that led into the room. The handle moved. It tilted down, snapped back up, then tilted again. As if a child were trying to work it, not like it was locked.

“Help me down,” Remy said. He started to lift a leg over the lip of the pod.

“Wait.” April grabbed her husband’s arm. The latch moved again. There was a scratching sound at the door, something like a growl. “The gun,” April hissed. “Do you know how to use it?”

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