Нэнси Кресс - The End Has Come

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Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.
But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild.
THE APOCALYPSE TRIPTYCH tells their stories. Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction.
THE END IS NIGH focuses on life before the apocalypse.
THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse.
THE END HAS COME features all-new, never-before-published works by Hugh Howey, Seanan McGuire, Ken Liu, Carrie Vaughn, Mira Grant, Jamie Ford, Tananarive Due, Jonathan Maberry, Robin Wasserman, Nancy Kress, Charlie Jane Anders, Elizabeth Bear, Ben H. Winters, Scott Sigler, and many others.
THE END IS NIGH is about the match.
THE END IS NOW is about the conflagration.
THE END HAS COME is about what will rise from the ashes.

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* * *

A branch snapped in the woods — a sharp crack like a log popping in a fire. Elise stopped and dropped to a crouch, scanned the underbrush. She looked for the white spots. Always easiest to see the white spots along the flank, not the bark-tan of the rest of the hide. Slipping an arrow from her quiver, she notched it into the gut-string of her bow. There . A buck.

Coal-black eyes studied her between the low branches.

Elise drew back the arrow but kept it pointed at the ground. Deer somehow know when they’re being threatened. She has watched them scatter while she took careful aim, until she was letting fly an errant shot at the bouncing white tail that mocked hunters of rabbit and venison alike.

The bow in her hand was Juliette’s, once. Elise remembered back when it was made that she couldn’t even draw the bow, that her arms had been too weak, too short, too young. But that was a forever ago. Elise was nearly as strong as Juliette now. Strong and lean and forest swift. No one in the village had ever caught a rabbit with their bare hands before Elise, and none had done it since.

She and the deer studied one another. Wary. The deer were learning to be scared of people again. It used to be easy, bringing home a feast. Too easy. But both sides were learning. Remembering how to find that balance. To live like the people in Elise’s great books had once lived, with prey growing wary and hunters growing wise.

With one motion, Elise steered the bow up and loosed the arrow with more instinct than aim, with more thought than measure, with six years of practice and habit. The buck reared its head, shook its horns, took a staggering leap to one side, and then collapsed. The heart. They only went down like that with an arrow to the heart. To the spine was faster, and anywhere else might mean half a day of tracking. Elise was too competent with a bow to gloat, wouldn’t need to tell anyone how the deer went down. When you ate an animal not from a can but from the flesh, everyone who partook could read the hunt right there on the spit, could tell what had happened.

“Careful,” she could hear her brother saying whenever she brought home a deer and provided for her people. “Keep this up, and you’ll be mayor one day.”

Elise drew out her knife — the one Solo had given to her — and marched through the woods toward her kill. Her quietude was no longer a concern. The hunt was over. But this was a mistake that she too often forgot, that a soft pace was always prudent. Juliette had taught her this. “The hunt is never over,” Juliette had said once, while tracking a doe with Elise. “Drop your guard, and what changes in an instant is who is doing the hunting.”

Elise was reminded of the truth of this by another loud noise to her side. Again, she dropped to a crouch. And again, something was watching her. But this time, it was the most dangerous animal of them all.

* * *

April was ready for anything to come through that door. It could be her sister, a mountain bear, a stranger intent on doing them harm. Open to all possibilities, she still wasn’t prepared for what appeared.

The battle with the latch was finally won — the door flew open — and some creature entered on all fours. Some half-man, half-beast wildling. The creature sniffed the air, then spotted April and Remy perched inside the steel pod, huddled there beside the large plastic tub.

“Shoot it,” April begged.

“What is that?” Remy asked.

“Shoot it,” she told him again, holding onto her husband’s arm.

The beast roared. “FEEF-DEEN!” it growled, with a voice almost like a man’s. “Feef-deen!”

And then it was in the air, jumping at them, yellow teeth and white eyes flashing, hands outstretched, hair billowing out wildly, coming to take them.

Remy aimed the gun, but the beast crashed into them before he could pull the trigger. Hair and claws and teeth and snarling. Remy punched the animal, and April tried to shove it away when yellow teeth clamped down on Remy’s hand. There was a loud crunch — and her husband screamed and pulled his hand away, blood spurting where two of his fingers had been.

From his other hand came a flash and a roar. Remy flew back into April, who knocked her head against the open lid, nearly blacking out. The animal slumped against the edge of the pod, a clawed hand splayed open, before collapsing to the floor.

“What the fuck!” Remy shouted. He scrambled after the pistol, which had flown from his grip. His other hand was tucked under his armpit, rivulets of blood tracking down his bare ribs.

“Your hand,” April said. She pulled one of the clean, folded shirts from the bin and made her husband hold out his hand. She wrapped the shirt as tight as she could and knotted the ends. Blood pooled and turned the fabric red. “Is it dead?” she asked. She braved a glance over the lip of the pod. The beast wasn’t moving. And now that she could study it, she saw that it wasn’t half-beast at all. It was mostly man. But naked, covered in hair, a scraggly beard, sinewy and lean.

Remy straightened his arms and pointed the gun at the door, his bandaged hand steadying his good one. April saw that there was another beast there. Another person on all-fours. Less hairy. A woman.

The woman sniffed the air, studied them, and then peered at the dead man-creature. “Feef-deen,” she said. She snarled, showing her teeth, and her shoulders dipped as she tensed her muscles and readied for a leap. Remy, bless him, didn’t allow her to make the jump. The gun went off again, deafening loud. The woman collapsed. April and Remy watched the door, frozen, and after an agonizing dozen throbs of her pulse, she saw the next one.

“How many bullets do you have?” she asked Remy, wondering where he learned to shoot like that, if it were as easy as he made it seem.

He didn’t answer. He was too busy lining up his shot. But this next creature, another woman, studied the room, the two dead creatures and the two living ones, and made the same noise but without the rage. Without the snarling.

“Feef-deen,” she said, before turning and wandering off. Almost as if satisfied. Almost as if all were right with the world.

* * *

“Who goes there?” Elise asked. She watched the shapes beyond the foliage — it appeared to be two men. Pressing an arrow into the dirt, she left the shaft where she could grab it in a hurry, and then withdrew another from her quiver and notched it onto the bowstring. She drew the string taut but kept the arrow aimed to the side. “Rickson? Is that you?”

“Hello,” a voice called. A woman’s voice. “We’re coming out. Don’t shoot.”

A couple stepped around a tree. Elise saw that they were holding hands. They kept their free palms up to show that they were empty. Both wore backpacks. Both looked like they’d been living in the bush for ages, like the people who’d made it out of Silo 37 a few years ago. A thrill ran through Elise with the chance that these were new topsiders.

“Where are you from?” she asked. The couple had stopped twenty paces away. They looked rough. And there were only two of them. Elise recalled how back when she lived in Silo 17, every stranger was to be feared. But the people who dared to free themselves from their silos ended up being good people. It was a truth of the world. The bad people stayed right where they were.

“We’ve been . . . underground for a long time,” the man said.

He didn’t give a number. Sometimes they didn’t know their number. Sometimes they had to be told by finding their silo on a map; there were fifty of them, the silos, buried underground. Elise fought the temptation to flood this couple with too much all at once. When she was younger, that had been her way. But she was learning to be more than quiet just in the hunt, to be as soft of tongue as she was of foot.

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