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Amy Plum: After the End

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Amy Plum After the End
  • Название:
    After the End
  • Автор:
  • Издательство:
    HarperTeen
  • Жанр:
  • Год:
    2014
  • Город:
    New York
  • Язык:
    Английский
  • ISBN:
    9780062225603
  • Рейтинг книги:
    3 / 5
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After the End: краткое содержание, описание и аннотация

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UNCORRECTED E-PROOF—NOT FOR SALE HarperCollins Publishers .................................................................. Advance Reader’s e-proof courtesy of This is an advance reader’s e-proof made from digital files of the uncorrected proofs. Readers are reminded that changes may be made prior to publication, including to the type, design, layout, or content, that are not reflected in this e-proof, and that this e-pub may not reflect the final edition. Any material to be quoted or excerpted in a review should be checked against the final published edition. Dates, prices, and manufacturing details are subject to change or cancellation without notice. She’s searching for answers to her past. They’re hunting her to save their future. World War III has left the world ravaged by nuclear radiation. A lucky few escaped to the Alaskan wilderness. They’ve survived for the last thirty years by living off the land, being one with nature, and hiding from whoever else might still be out there. At least, this is what Juneau has been told her entire life. When Juneau returns from a hunting trip to discover that everyone in her clan has vanished, she sets off to find them. Leaving the boundaries of their land for the very first time, she learns something horrifying: There never was a war. Cities were never destroyed. The world is intact. Everything was a lie. Now Juneau is adrift in a modern-day world she never knew existed. But while she’s trying to find a way to rescue her friends and family, someone else is looking for her. Someone who knows the extraordinary truth about the secrets of her past.

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Juneau, run! My father’s words shake me back into action, and I sweep bags of dried herbs, vials of plant extracts, powders, and precious stones off Whit’s shelves into my pack. I don’t know what he will need, so I take a bit of everything. I grab a stack of his treasured books off his desk and shove them in with the rest.

I whistle and the dogs come running. “Good boys,” I say as they sit in front of the sled, waiting for me to clip them on. I secure the pack to the sled, and then, glancing back at my home, I tell the dogs to wait and push my way through the flaps.

I see the fire and am tempted to Read it. But I can’t ignore the words on the ground and choose to wait until I reach Whit. And although I know that the fire will burn itself out, I take the pail of melted snow water and throw it onto the embers.

I pick up the framed photograph of my parents that sits on my nightstand. It was taken the month before our clan’s emigration. A month before the war. My mother and father stand in front of their house in Seattle. Mother’s head rests on my father’s shoulder, and he has both arms around her.

In the picture she looks just like me. Long, straight black hair, courtesy of her Chinese mother, wide-set full-moon eyes and high cheekbones from her American dad. Dad said that if she hadn’t drowned when I was still a young child, we would look like twins now.

In this old photo, my father looks exactly the same as today, except for one difference: He is happier. More carefree. “The calm before the storm,” Father says when he refers to those days.

I slip the picture out of its frame and carefully slide it into my coat pocket. And before I leave the yurt, I bend down and brush out my father’s message, erasing everything but the letter “J.” If he comes back, he will know I have seen it.

I steer the dogs toward the woods. The moment we hit the trees, I hear the flying machine again. The chopping winglike noise coming from far away, barely audible but getting louder by the second. The brigands are returning, I realize with terror.

It takes great effort to push my fear aside. Stay calm , I think, and bring the huskies to a stop. I glance back at our camp and hesitate a second before leaping off the sled and running back toward the clearing. Breaking a low branch off a tree, I use it as a broom to sweep away the sled’s tracks, following my own footsteps well back into the trees. I look back at my handiwork—no one could see that we had been there or how we had left.

“Hike!” I yell, and we are off, streaking across the wooded path as fast as a hawk at hunt. And just in time. The noise is almost on top of us. Although I’m grateful for the thick tree cover, it prevents me from seeing what is flying overhead. All I get is a glimpse of metal shining through the branches.

We cover a distance that should have taken an hour in almost half the time. I don’t even have to tell the dogs how fast to go. They feel my fear and fly.

Whit’s cave is empty when we arrive. Not only is it empty, but from the cobwebs and the dank smell, it’s clear that there hasn’t been a fire here for months. I try to ignore the sharp sting of disappointment, the lump in my throat. Pulling the sled into the mouth of the cave to hide it from outside view, I stand trembling as the huskies clean themselves and scamper around.

I recall the mechanical chop chop chop of the flying machine’s wings, and it triggers a memory of reading an article in our school’s encyclopedia: Encyclopaedia Britannica, 15th Edition, printed in 1983, the year before World War III. “The EB,” we call it while quoting it dozens of times a day. Like all the clan children, I am so wildly curious about the world outside ours—a world now extinct—that I’ve practically memorized the whole thirty-volume series.

But the specific memory about the flying machines stays out of reach. I gather a bunch of kindling from Whit’s stack and pile it in the middle of the cave floor, on a spot already black from a hundred former fires. I place only two logs on it. I won’t be staying here long enough to need a roaring fire for warmth.

Once the flames catch and the dogs drape themselves close to the fire, I empty my pack. Placing the books to one side, I fish through the bags and rocks and bundles of leaves until I find what I’m looking for—Whit’s firepowder—and pour some into my hand.

One of the first things Whit taught me was how to connect to the Yara. In order to Read—to make your will known to the Yara and receive an answer, if the Yara decides to grant you with one—you must go through nature. We use animal bones to locate prey. Firepowder helps provide a good visual connection with fires, since you can’t actually touch them. But I use my opal for most other things. Whit says these objects are conduits, helping the information move back and forth.

I settle myself on the floor in front of the blaze. Bowing my head, I exhale and try to relax. To let the panic and terror of the day fall away from me. I open my eyes and stare into the flames and feel my heart slow and my breath become shallow. I toss the powder onto the fire.

“Father.” My lips move. The word comes out. But I know it isn’t the sound that matters. It’s focusing on who he is that directs the elements. That communicates to the Yara my desire to see him.

As images of my father appear in my mind, I do as Whit has taught me—looking just above and to the right of the flames—and see something forming in the fire’s glowing aura. I’m inside a flying machine, members of my clan sitting all around with their hands attached behind their backs. My heart lurches as I see Nome sitting next to her mother, sobbing, but unable to wipe her tears. The view must be through my father’s eyes. Out the windows there are four other flying machines: two in front and one on either side.

As I study them, it comes back to me: “choppers” was the colloquial word listed in the EB; the chopping sound comes from their spinning blades cutting through the air. Helicopters, I remember. But the machines in the fire are much bigger than those in the picture I remember from the EB. And from the size of the vehicles in the flames, there would be plenty of room for the entire clan onboard. The image is right there in front of me, but my brain can’t accept what it is saying: that there is a brigand troop large and organized enough, with working vehicles and fuel, to sweep in and take my clan.

I wish the Yara would show me more. Give me an idea of where my father is headed or even show me his face. But as Whit often reminds me, the Yara doesn’t always give you what you want. You take what it offers you.

I try to think of what the brigands could be after. It doesn’t make sense. They took my people. Not our resources. Besides the slaughter of our dogs, who were probably defending their masters, the camp was left untouched. Whatever they wanted, it seemed like they hadn’t gotten it. Because they came back. And if all they wanted was my clan, then the only reason they would come back would be to find its missing members: Whit and me.

I close my eyes and change my focus to Whit. I speak his name and picture him in my mind. Boyish face with high cheekbones. Eyes staring off into space, as if he sees a whole world that others can’t.

And in the flames I see what he sees. Pressed against either side of him stand two massive men in camouflage, who hold him by the arms. They must be in league with the brigands who kidnapped my clan, I think, and then focus harder. Whit is being led somewhere by the men, and there is water beside them. A lake? No. My heart races. The ocean. Far from our territory. Three days’ journey by dogsled, my father has said. Three days away from everything I have ever known. But that’s where I am going. What other choice do I have?

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