John Adams - Wastelands 2

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Wastelands 2: краткое содержание, описание и аннотация

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IT’S THE END OF THE WORLD AS WE KNOW IT…
For decades, the apocalypse and its aftermath have yielded some of the most exciting short stories of all time. From David Brin’s seminal “The Postman” to Hugh Howey’s “Deep Blood Kettle” and Tananarive Due’s prescient “Patient Zero,” the end of the world continues to thrill.
This companion volume to the critically acclaimed WASTELANDS offers thirty of the finest examples of post-apocalyptic short fiction, with works by:
Ann Aguirre
Megan Arkenberg
Paolo Bacigalupi
Christopher Barzak
Lauren Beukes
David Brin
Orson Scott Card
Junot Díaz
Cory Doctorow
Tananarive Due
Toiya Kristen Finley
Milo James Fowler
Maria Dahvana Headley
Hugh Howey
Keffy R. M. Kehrli
Jake Kerr
Nancy Kress
Joe R. Lansdale
George R. R. Martin
Jack McDevitt
Seanan McGuire
Maureen F. McHugh
D. Thomas Minton
Rudy Rucker & Bruce Sterling
Ramsey Shehadeh
Robert Silverberg
Rachel Swirsky
Genevieve Valentine
James Van Pelt
Christie Yant
Award-winning editor John Joseph Adams has once again assembled a who’s who of short fiction, and the result is nothing short of mind-blowing.

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The four of us took a flat near Bondi Beach. Timson found a job in a bookstore, and Jenna spends most of her time working with Hambone. Some days, I think she’s getting through to him.

I’m on the dole and feeling weird about it. I can’t get used to the idea of just showing up at someone else’s place and taking handouts. But the Aussies don’t seem to mind. Very progressive people. They ran our story on the news and a music store in Canberra donated a bugle and an electric piano.

I’m teaching Jenna to blow. It’s not that I don’t like playing anymore, but it’s hard to sing and play at the same time. All four of us practice every night, out in our garden. We still flinch every eight bars, waiting for the roar of a jet to interrupt us, then smile sheepishly when it doesn’t come. The important thing is, we’re playing.

Even an interloper like me knows how you get to Sydney Opera House: practice.

A BEGINNER’S GUIDE TO SURVIVAL BEFORE, DURING, AND AFTER THE APOCALYPSE

CHRISTOPHER BARZAK

First, remember what it means to be human. Even when your country has turned against you, even when some other part of the world has been decimated (by bomb, by terrorist cells, by forcible entry and removal of dissidents to dark and forgotten chambers, by hurricane or tornado or tsunami), even then remember that you can retain your humanity if you continue to be humane.

Despite that, you will have certain struggles, like finding work when you’re not the right sort (too young, too old, too female, too ethnic, too queer), or like that time you went to the grocery store and the cashier refused to touch your money because you were one of them: one of those Other People. Stay calm. If you are not a part of a normalized group, your chances of being strung up for giving the wrong look or replying with the wrong tone might be more than enough reason for a society gone wrong to cast you out even further, or perhaps kill you. Instead, say, “Thank you.” Say, “I’m sorry, that’s not what I meant.” Say, “You’re absolutely right, I’m sorry. I wasn’t thinking. I’m sorry.” Say it again: “I’m sorry. I’m sorry. I’m sorry.”

Wear the requisite uniform. Brush the dust off your shoulders and polish your shoes. Look like you mean this pose you’re taking. You love this country more than you love life itself. Practice these phrases: “I am a patriot of the first order,” and, “God has shown me the light,” and, maybe the most important one, “If you don’t like it here, go somewhere else.” This last one is most effective in proving your loyalty. Do not hesitate to degrade your fellow man if it means your life or his is at stake.

Go to underground meetings in the back rooms of bars and coffee shops. It will not be like the 1960s. There is no free love, just fear, fear, fear. Despair reigns over these conversations, and occasionally you find yourself trying to annihilate your desperation by taking other meeting-goers to bed after too many drinks. Say, “Do you think this is it?” And when they ask, “This is what?” say, “The end of the world. Do you think this is it?”

They’ll say, “If it isn’t the end of the world, I don’t want to know what is.”

They will cry after you make love to them. They will tell you secrets. Secrets about the child they aborted ten years ago, when that was still legal, before they began to arrest women post-facto. That was what they called it in the Reformation Papers: post-facto. After the fact. Retrospective retribution. They will tell you secrets about the last lover they had, before their lover was outed during the Reclamation Period, when all of the homos and queers were given the choice: normalize or die. It was fairly simple. Most chose life. It is one of the most unfortunate aspects of being human, this drive to survive no matter what the cost. Their last lover will have been called Jason, and you’ll wonder what sort of person Jason was, what kind of lover. Do you remind this person with whom you’ve chosen to abandon reality of Jason? Do you have the same eyes? The same smile? The same voice? The same scent? Are you Jason-esque?

* * *

Take drugs. They will keep you not-feeling. Numbness is important when the world is coming apart. Refuse the hallucinogens. Accept the dampeners. You need to see the world as it is. You cannot afford to see it as it isn’t.

Remember. This is one of the verbs they will try to remove from your brain. Remember. If you cannot remember, they can tell you anything about the past—your own or the world’s—and you will not be able to know if they are telling the truth. Sit in the library, that most taboo of places, and read as many books as they still allow to be kept on the shelves. Download illegal information. Use false service provider addresses. Move around. If you stay still, you’re certain to be caught.

When the first of the bombs go off, go into hiding. When you are safe, grieve. Sit in your cave, the one in the hills that used to belong to your family, and grieve the loss of so many lives. Lives you never knew personally. Imagine their faces. Imagine the faces of those you knew and loved. Imagine the mushroom clouds and the clouds of viruses. Imagine the way skin crackles and crisps, the way the body can turn against itself in mere minutes or hours when exposed to the right amount of radiation or illness.

Stay where you are. Keep silent. When you hear others pass by your carefully obscured cave entrance, bite your bottom lip and pray. Pray, even if you don’t believe in a god. It may help you to keep silent if you are speaking the language of angels, which can never be heard by human ears. It is the language of thought, plucked like rays of light from the sky and carried off to some other place, where you hope some higher power may hear you.

At night, build a small fire out of moss and straw and twigs. Do not risk the luxury of true warmth and light. It will reach the eyes and ears and noses of those who would take what little luxury you have planned for: a six-month supply of canned meats and vegetables, a mattress and a pile of blankets, a lantern and gobs of oil to burn. Soap. A creek you can wash yourself in at night, even though it chills you to the bone.

Be vigilant during the daytime. Erase the tracks you make between your regular routes from the cave to the nearby river where you sometimes try to fish but rarely catch anything worth starting a fire over. Gather berries and nuts from different bushes and trees, so that no one can see them disappearing so obviously from one place. Notice the curl of blue smoke coming over the hillside. Walk toward it until you see the farm from which it comes. It is a four-mile walk to this place. Not far. Remember that they can see anything you might smoke just as you saw theirs.

Ignore the human howls of pain and starvation that pierce the early morning air. Ignore the disappearance of the animals that had occasionally blundered into your cave in those first few months after the bombs went off. Surely this is bad news. But what can you expect? This is the end of the world you’re trying to live through. Animals may disappear. It is your job not to let yourself disappear with them.

Learn how to swim, strong and hard. Don’t trust old women who live in shacks in the woods. If someone pulls out a dagger, even in an innocuous manner, run. Hide in disgusting places, because no one will want to look there, even if they know they should.

When the world grows quiet, remember what it used to be like before the apocalypse, remember what it felt like to live in a town with streets on a grid, a tree growing strong and proud in front of each house. Remember the scent of your mother’s rosebushes, and how she called them her babies. Remember how your father picked you up when you fell off your bicycle and the asphalt of the street ate a chunk of the palm of your hand. Remember how he said, “Shh, shh, it’s okay, baby,” and try not to make any noise when you feel the tears falling down your cheeks. There are bandits moving around outside. If they hear, everything you’ve managed to accomplish—constructing this semblance of existence after the world has ended—is finished.

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