John Adams - Wastelands 2

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Wastelands 2: краткое содержание, описание и аннотация

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IT’S THE END OF THE WORLD AS WE KNOW IT…
For decades, the apocalypse and its aftermath have yielded some of the most exciting short stories of all time. From David Brin’s seminal “The Postman” to Hugh Howey’s “Deep Blood Kettle” and Tananarive Due’s prescient “Patient Zero,” the end of the world continues to thrill.
This companion volume to the critically acclaimed WASTELANDS offers thirty of the finest examples of post-apocalyptic short fiction, with works by:
Ann Aguirre
Megan Arkenberg
Paolo Bacigalupi
Christopher Barzak
Lauren Beukes
David Brin
Orson Scott Card
Junot Díaz
Cory Doctorow
Tananarive Due
Toiya Kristen Finley
Milo James Fowler
Maria Dahvana Headley
Hugh Howey
Keffy R. M. Kehrli
Jake Kerr
Nancy Kress
Joe R. Lansdale
George R. R. Martin
Jack McDevitt
Seanan McGuire
Maureen F. McHugh
D. Thomas Minton
Rudy Rucker & Bruce Sterling
Ramsey Shehadeh
Robert Silverberg
Rachel Swirsky
Genevieve Valentine
James Van Pelt
Christie Yant
Award-winning editor John Joseph Adams has once again assembled a who’s who of short fiction, and the result is nothing short of mind-blowing.

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We voted them in, of course. We haven’t turned anyone away yet, except for a few rats. In the first year, we even took in a half-dozen citymen and nursed them while they died of radiation burns.

Winters changed us, though, in ways we never anticipated. Maybe for the better. Who knows? He brought books and supplies. And guns, too, and two men who knew how to use them. A lot of the guys on the commune had come there to get away from guns and uniforms, in the days before the Blast. So Pete and Crazy Harry took over the hunting, and defended us against the rats that drifted by from time to time. They became our police force and our Army.

And Winters became our leader.

I’m still not sure how that happened. But it did. He started out making suggestions, moved on to leading discussions, and wound up giving orders. Nobody objected much. We’d been drifting ever since the Blast, and Winters gave us a direction. He had big ideas, too. When I was spokesman, all I worried about was getting us through until tomorrow. But Winters wanted to rebuild. He wanted to build a generator, and hunt for more survivors, and gather them together into a sort of village. Planning was his bag. He had big dreams for the day after tomorrow, and his hope was catching.

I shouldn’t give the wrong impression, though. He wasn’t any sort of a tin tyrant. He led us, yeah, but he was one of us, too. He was a little different from us, but not that different, and he became a friend in time. And he did his part to fit in. He even let his hair get long and grew a beard.

Only Keith never liked him much.

Winters didn’t come out to concert rock until he’d been with us over a week. And when he did come, he stood outside the circle at first, his hands shoved into his pockets. The rest of us were lying around as usual, some singing, some just listening. It was a bit chilly that night, and we had a small fire going.

Winters stood in the shadows for about three songs. Then, during a pause, he walked closer to the fire. “Do you take requests?” he asked, smiling uncertainly.

I didn’t know Winters very well back then. But I knew Keith. And I tensed a little as I waited for his answer.

But he just strummed the guitar idly and stared at Winters’ uniform and his short hair. “That depends,” he said at last. “I’m not going to play ‘Ballad of the Green Berets,’ if that’s what you want.”

An unreadable expression flickered over Winters’ face. “I’ve killed people, yes,” he said. “But that doesn’t mean I’m proud of it. I wasn’t going to ask for that.”

Keith considered that, and looked down at his guitar. Then, seemingly satisfied, he nodded and raised his head and smiled. “Okay,” he said. “What do you want to hear?”

“You know ‘Leavin’ on a Jet Plane’?” Winters asked.

The smile grew. “Yeah. John Denver. I’ll play it for you. Sad song, though. There aren’t any jet planes anymore, Lieutenant. Know that? ’s true. You should stop and think why.”

He smiled again, and began to play. Keith always had the last word when he wanted it. Nobody could argue with his guitar.

* * *

A little over a mile from the common house, beyond the fields to the west, a little creek ran through the hills and the trees. It was usually dry in the summer and the fall, but it was still a nice spot. Dark and quiet at night, away from the noise and the people. When the weather was right, Keith would drag his sleeping bag out there and bunk down under a tree. Alone.

That’s also where he did his timetripping.

I found him there that night, after the singing was over and everyone else had gone to bed. He was leaning against his favorite tree, swatting mosquitoes and studying the creekbed.

I sat down next to him. “Hi, Gary,” he said, without looking at me.

“Bad times, Keith?” I asked.

“Bad times, Gary,” he said, staring at the ground and idly twirling a fallen leaf. I watched his face. His mouth was taut and expressionless, his eyes hooded.

I’d known Keith for a long time. I knew enough not to say anything. I just sat next to him in silence, making myself comfortable in a pile of fresh-fallen leaves. And after a while he began to talk, as he always did.

“There ought to be water,” he said suddenly, nodding at the creek. “When I was a kid, I lived by a river. Right across the street. Oh, it was a dirty little river in a dirty little town, and the water was as polluted as all hell. But it was still water. Sometimes, at night, I’d go over to the park across the street, and sit on a bench, and watch it. For hours, sometimes. My mother used to get mad at me.”

He laughed softly. “It was pretty, you know. Even the oil slicks were pretty. And it helped me think. I miss that, you know. The water. I always think better when I’m watching water. Strange, right?”

“Not so strange,” I said.

He still hadn’t looked at me. He was still staring at the dry creek, where only darkness flowed now. And his hands were tearing the leaf into pieces. Slow and methodical, they were.

“Gone now,” he said after a silence. “The place was too close to New York. The water probably glows now, if there is any water. Prettier than ever, but I can’t go back. So much is like that. Every time I remember something, I have to remember that it’s gone now. And I can’t go back, ever. To anything. Except… except with that…” He nodded toward the ground between us. Then he finished with the leaf, and started another.

I reached down by his leg. The cigar box was where I expected it. I held it in both hands, and flipped the lid with my thumbs. Inside, there was the needle, and maybe a dozen small bags of powder. The powder looked white in the starlight. But seen by day, it was pale, sparkling blue.

I looked at it and sighed. “Not much left,” I said.

Keith nodded, never looking. “I’ll be out in a month, I figure.” His voice sounded very tired. “Then I’ll just have my songs, and my memories.”

“That’s all you’ve got now,” I said. I closed the box with a snap and handed it to him. “Chronine isn’t a time machine, Keith. Just a hallucinogen that happens to work on memory.”

He laughed. “They used to debate that, way back when. The experts all said chronine was a memory drug. But they never took chronine. Neither have you, Gary. But I know. I’ve timetripped. It’s not memory. It’s more. You go back, Gary, you really do. You live it again, whatever it was. You can’t change anything, but you know it’s real, all the same.”

He threw away what was left of his leaf, and gathered his knees together with his arms. Then he put his head atop them and looked at me. “You ought to timetrip someday, Gary. You really ought to. Get the dosage right, and you can pick your yesterday. It’s not a bad deal at all.”

I shook my head. “If I wanted to timetrip, would you let me?”

“No,” he said, smiling but not moving his head. “I found the chronine. It’s mine. And there’s too little left to share. Sorry, Gary. Nothing personal, though. You know how it is.”

“Yeah,” I said. “I know how it is. I didn’t want it anyway.”

“I knew that,” he said.

Ten minutes of thick silence. I broke it with a question. “Winters bother you?”

“Not really,” he said. “He seems okay. It was just the uniforms, Gary. If it wasn’t for those damn bastards in uniform and what they did, I could go back. To my river, and my singing.”

“And Sandi,” I said.

His mouth twisted into a reluctant smile. “And Sandi,” he admitted. “And I wouldn’t even need chronine to keep my dates.”

I didn’t know what to say to that. So I didn’t say anything. Finally, wearying, Keith slid forward a little, and lay back under the tree. It was a clear night. You could see the stars through the branches.

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