Simon Green - For Heaven's Eyes Only

“We need to keep moving,” said Molly. “I can feel Isabella’s presence not too far from here . . . but I’m starting to feel something is terribly wrong.”

“Then let’s go find her,” I said. “Lead the way, Molly.”

She turned back the way we’d come, leaving the hall behind us, chose a new direction without hesitation and started down it. She set off at a fierce pace, her face creased with worry, and soon she was running down the corridor, her arms pumping at her sides. Driven on by an urgency only she could feel. I ran alongside her, my armoured feet scarring the marble floor. It occurred to me that I hadn’t seen another Drood since I entered the castle, and I couldn’t even hear any sound of fighting or destruction. I reached out to the Sarjeant-at-Arms through my torc, but couldn’t get an answer. Presumably the castle was jamming our communications. I tried Ethel, but I hadn’t heard a word from her since we entered the Timeless Moment. Presumably she was still back on Earth, haunting the place where the Hall had been, waiting for our return. I wondered how long she’d wait. . . .

We went down and down, from floor to floor, until we were forced to a sudden stop by two massive solid-steel doors that blocked our way, twenty feet high if they were an inch, and almost as wide. I pulled at one of the doors, and it didn’t budge at all. There were three separate locks, each the size of my head. I grinned behind my mask, placed both golden hands flat against the doors and pushed hard, till my golden fingers sank deep into the steel. And then I pulled. . . . The three locks exploded, one after another, and Molly had to duck behind me to avoid the pieces that flew through the air like shrapnel. The doors surged outwards under my implacable strength, and when I finally had a big enough gap I let go and walked between them into a hall greater than any I’d seen so far, overwhelmingly huge, hundreds of feet long, full of the strangest collection of weapons and machines of war I’d ever seen.

“I thought we’d come across something like this,” said the Armourer.

I spun around, startled. Molly jumped and made a loud squeak of surprise, and then tried terribly hard to pretend she hadn’t. The Armourer was standing there, in his armour shaped like a lab coat, of all things, looking around the hall with great interest. I slapped him hard across the shoulder, and the sound echoed loudly.

“Sorry,” said the Armourer. “Impossible to communicate in this unnatural place. Still, you have to admit this is really impressive. This is where the Nazis stored all their secret superweapons that were going to win the war for them. All the things they never got a chance to use, because Laurence shut the place down and trapped it here. Look at it all. . . . I’ve read about some of this, but never expected to see it with my own eyes. Prototype flying saucers, massive drilling machines to enter a city from underneath, tanks the size of railway engines, and look at that! A lightweight wooden airplane, to cross the Atlantic and drop their crude nuclear bombs on New York and Washington.”

“A balsa-wood airplane?” said Molly. “Oh, come on . . .”

“Howard Hughes built something similar for the Americans,” I said. “The Spruce Goose. Never put into production, but it did fly. . . .”

“All right, I’ll give you a wooden plane,” said Molly. “But Nazi flying saucers, in the forties?”

“Word was the Nazis had access to a crashed alien starship,” said the Armourer. “Some of the best Nazi minds broke their hearts trying to reverse-engineer it. Imagine trying to build a stardrive with vacuum tubes and slave labour. . . . Still, who knows what they might have achieved, given time? They nearly had the atomic bomb before we did. They were getting desperate enough to try anything towards the end. I don’t even recognise some of the things they’ve got here. Oh, Eddie, we have got to take this back with us! This is all of major historical importance!”

“First things first, Uncle Jack,” I said.

“I have to find Isabella!” said Molly. “She’s in trouble; I know she is. . . .”

“Of course you must,” the Armourer said immediately. “Lead the way, my dear.”

And so off we set again, hurrying through one oversize passageway after another, all of them built to impress or at least intimidate, until finally we found ourselves facing another closed door. More solid steel, with the word Verboten etched deeply into the metal. I kicked it open and we hurried in . . . to find ourselves standing at one end of a long, narrow hallway full of strange equipment, all of it covered in a thick layer of ice. Row upon row of tall glass cylinders stretched away before us, disappearing into the gloom, each thickly crusted with frost. The overhead lights came on one by one as we stood there, revealing more and more cylinders fading off into the distance. Each one had a blocky equipment panel at its base, sparkling with its own layer of hoarfrost. I moved in close for a better look. It was all blinking lights and heavy levers, and handwritten labels in German. The Armourer moved slowly down the centre aisle, trying to look at everything at once. Molly stayed with me, shivering and hugging herself.

“It’s freezing cold in here. Even after all these years. What were they doing?”

“Storing something,” the Armourer said cheerfully. “I wonder what. . . .”

“Specimens of some kind?” said Molly, fascinated despite herself.

“Cryogenics chambers!” said the Armourer. “Crude, but functional.” He leaned in close to one cylinder, brushing the ice away with his forearm. “Animal species . . . of a kind.” He looked at the control panel. “My German’s a bit rusty, but if I’m translating these labels correctly, what we have in these cylinders are . . . werewolves, Nosferatu, dragonkind, changelings . . . and a whole row of cylinders marked ‘Alien.’ I think this was some crude first attempt at bioengineering, presumably inspired by whatever they discovered in that crashed alien starship.”

“Can you tell what species the aliens belong to?” I said. “We may need to contact someone’s embassy.”

The Armourer cleared more ice from a cylinder and took a good look at what was inside. “No,” he said finally. “I don’t recognise this. Which is interesting . . . because I could have sworn I knew all the aliens allowed access to this world.”

“They were creating monsters in here,” I said. “Typical Nazis. Were they trying to create some new form of shock troops, perhaps?”

“Maybe,” said the Armourer. “Or perhaps they were . . . experimenting. They did so love to experiment. On things, and people . . . Welcome to the House of Pain, Dr. Moreau.”

“Can you make any sense of the control panels?” I said.

“No,” said the Armourer regretfully. “Too technical.”

“Hold it,” said Molly. “You want to wake these things up?”

“I was thinking more about putting them out of their misery,” I said.

And that was when the whole place shook, and the lights flared up brilliantly as though hit by a power surge. All the cylinders began to moan and vibrate in place, humming loudly like so many glass tuning forks. Whole chunks of ice fell away to shatter noisily on the floor. Frost on the instrument panels began to steam and melt and run away. It became increasingly possible to see what was inside the cylinders, and I soon wished I couldn’t. Too many things that should never have existed, made from pain and horror. This was nothing natural about any of them; they were patchwork things, horrible combinations of man and animal, shaped into living nightmares. All slowly waking up. Mouths opened, revealing jagged teeth. Fingers opened and closed, clutching at nothing, or tapped and clattered against the inside of the cylinders. Eyes opened, full of pain and rage and madness.